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If I Were/Was Your Girlfriend

It’s tempting to treat Prince’s “If I Was Your Girlfriend” as a genderscrambled version of Gladys Knight & The Pips’ “If I Were Your Woman” or Janet Jackson’s “If.” It’s really not. All three songs are great, but thematically and grammatically, “If I Was Your Girlfriend” is way more complicated than the others, and more intricate than almost any other song Prince wrote.

Prince is not just saying you’d be better off with him; he is not just saying that he wants to get in your pants. He’s not not saying those things, but Prince has written dozens if not hundreds of songs with that as his theme, and none of those songs are “If I Was Your Girlfriend.”

Prince is up to something. Even the usual interpretive trick for Prince’s songs โ€” imagine that he is singing them to and about himself โ€” doesn’t get you very far here.

Let’s start with that “Was.” We use the simple past “was” instead of the subjunctive mood “were” all the time, mostly because the subjunctive in English almost only shows up for a few irregular verbs like “were.” But there’s a songwriting tradition here; Prince knows it; every word is carefully chosen; we should take that “Was” seriously.

If I was your girlfriend, would U remember

To tell me all the things U forgot when I was your man?

The song is built on a series of conditional clauses, all of which are firmly set in the past. Was, would, could, sometime. Over and over again. Even when the singer lapses into something that seems like a present or present continuous tense, we get a counterpoint placing it in the past conditional again.

Sugar
Sugar, do you know what I’m saying 2 U this evening?
(If I was your girlfriend)
Maybe U think I’m being a little self-centered
But I, I said I want to be all of the things U are to me
(if I was your girlfriend)
Surely, surely you can see

That “this evening” is deixis โ€” it’s pointing to say, “I am speaking these words HERE and NOW.” And it gets completely wiped away by the conditional past “If I was your girlfriend” and the conditional future “I want to be” and “surely you can see.”

This is an amazing song about intimacy, fantasy, the limits of gender roles, the limits of gender flexibility, a man’s full catalog of shortcomings and possibilities. This is also a breakup song, about heartbreak and desperation. It’s a song about a man putting the pieces of the past together and hoping they can add up to something more than they were.

Breakup songs are not exactly plentiful in the Prince catalog, although the ones he wrote were amazing. He wrote “Nothing Compares 2 U” for The Family because it didn’t fit the brand of progressive party pop he’d established for Prince and the Revolution. Sinead O’Connor covered it in 1989, after Prince had shifted his image with Sign O’ The Times, and everyone marveled (again) at his songwriting.

“If I Was Your Girlfriend” gets smuggled in as a Prince song at the right place and time. (Principle: every song on “Sign O’ The Times” is doing something other than what it seems to be doing.) The song is sexy because Prince is sexy. But the singer is losing the thread between past, present, and future. All those nesting dolls are collapsing. Even the marvelous, sensual come-on at the end, a desperate throw of the dice that pulls the song into the full future tense for the first time, gets framed as a dream:

And would you, would you let me kiss you there You know, down there where it counts I’ll do it so good, I swear I’ll drink every ounce And then I’ll hold you tight and hold you long And together we’ll stare into silence

And we’ll try to imagine what it looks like Yeah, we’ll try to imagine what, what silence looks like Yeah, we’ll, we’ll try to imagine what silence looks like Yeah, we’ll try

The song seemed to evolve for Prince himself. In early live shows and the song’s official video above, Prince is the sexy seducer. Of course he talks his ex into bed. He’s Prince โ€” the one and only โ€” and his fans came to see a Prince show.

Later, he can’t do the splits any more. He’s sitting at the piano. The BPM is slowed down to about 80 percent. His eyes are closed. It’s a Joni Mitchell ballad.

Anil Dash, CEO of Fog Creek software, blogging pioneer, and Prince superfan, told me about these late performances of “If I Was Your Girlfriend”:

In his final shows, Prince would do the song in medley with Bob Marley’s “Waiting In Vain”, a song he only started playing very late in life, that seemed to have a lot of meaning for him.

[“Wait(ing) In Vain is one of the saddest songs I’ve ever heard, even in Bob Marley’s bouncey version. Prince’s cover on solo piano is devastating.]

In his last set of concerts, he’d pause the song to bring up a still of Streisand and Redford in “The Way We Were”, after the part where he says “if somebody hurt u, even if that somebody was me.”

[This was at Prince’s second-to-last show, in Atlanta.]

It was one of the most honest and unexpected and sincere and heartbreaking things I think I ever heard him do. I was listening to audio of that in an airport in Tokyo a few months before he passed, and it brought me to tears, and it was one of the first things I returned to after I heard about his death. Was just as purely empathetic as I’d ever heard a straight man be in pop culture, and taught me a lot.

For me, losing Lou Reed was like losing a great teacher; losing Bowie was losing a hero; losing Phife was losing a best friend. But losing Prince, for many of us, was like losing the love of your life.