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Hoax or art? Or both? Artist Xu Zhen climbed Mt. Everest and shaved off almost 2 meters of the top of the mountain, the literal peak of Everest, and is displaying it as art.
Audiences may not believe that this is real, which is similar to how people rarely question whether the height of Everest truly is 8848 meters. This relationship between belief and doubt has to deal with questions of standard, height, reality, and borders.
(via daily awesome)
Justin Quinn’s wonderful typographic art (more here).
Jessica Lagunas’ Return to Puberty, an artwork consisting of a “video close-up of my pubis in a static single shot, in which I depilate most of my pubic hair with a pair of tweezers continuously for one hour”. It’s like the female version of Empire. NSFW.
Get Lost is a collection of maps of downtown Manhattan drawn by a variety of artists.
I’m intrigued by Marc Hedlund’s differentiation of Impressionist bloggers from Realist bloggers. My interpretation of this difference (which might not be what Marc meant by it) is that Realist blog posts are self-contained, -explanatory, and -evident entities while a post on an Impressionist blog serves to complement the whole, much like the dots making up a Seurat painting aren’t that interesting until you stand back to see the whole thing.
The downside for Impressionist blogs is that their individual posts don’t work that well outside of their intended context. If you run across a single post from an Impressionist blog in your River of News, a remixed Yahoo Pipes RSS feed, in del.icio.us, or an item in a Google search results set, it might not make a whole lot of sense. Impressionist blog posts are less likely to get Dugg or bookmarked in del.icio.us or linked around much at all. Fewer incoming links, big or small, to individual pages means fewer pageviews, which makes it more difficult to run an Impressionist blog as a business that relies on advertising revenue. If you look at most of the big blog sites, they’re all non-Impressionist blogs. All the sites whose posts are featured on the front page of Digg are non-Impressionist…those posts/articles are designed to float self-contained around the web. The blogosphere is dominated by non-Impressionist blogs and the sort of content they produce…which is sad for me because, like Marc, I value Impressionism in a weblog.
Tauba Auerbach: startling starting staring string sting sing sin in i. More of her typographic work here.
Photographs of girls with meat hair. No further description needed, I trust. See also the meat-themed art of Victoria Reynolds.
Update: More meat art from Pinar Yolacan. (thx, jen)
Metropolis magazine profile of designer/programmer/artist Jonathan Harris, creator of such projects as Word Count, Daylife Universe, 10x10, and Seed magazine’s Phylotaxis. More of Harris’ work is available on his web site.
The American Sign Language alphabet made from matchbooks…think of the matches as fingers.
Remember the Splasher/graffiti/defacing business from last week? The group of people collectively know as the Splasher is back with a manifesto: “if we did it, this is how it would’ve happened”. Not the most succinct, these art school revolutionaries.
A fellow named the Splasher has been splashing paint on street art around NYC over the past few months. Here’s some of his, er, work. Well-known street artist Shepard Fairey (the Splasher has targeted several of his pieces) opened a show last night in DUMBO and two guys tried to set off a homemade smoke bomb at the opening, leading to speculation that one (or both) of them was the Splasher. Gothamist has more. Jake Dobkin has photos from Fairey’s show, which looks pretty nice.
Update: The Brooklyn Paper is reporting that DJ 10 Fingers subdued the suspected Splasher before he could light his stink bomb. (No, seriously!) The would-be stink bomber is facing a possible 15 years in jail.
Regarding Eve Mosher’s project to draw a flood line around Brooklyn and lower Manhattan, here are a couple of related projects. Ledia Carroll’s Restore Mission Lake Project outlined the shore of an historical lake which used to sit in the midst of San Francisco’s Mission neighborhood. Under The Level explores the possibility and consequences of Katrina-level flooding in NYC. (thx, kayte and dens)
Artist Eve Mosher is drawing a chalk line around Brooklyn and lower Manhattan that denotes the encroachment of the ocean if it were to rise 10 feet above the current sea level. There’s a web site for the project, including a progress blog. See also Flood Maps.
Regarding my post about Tim Knowles’ work, Greg sent in a couple of links to similar projects. Olafur Eliasson created these drawings much like Knowles did with his Vehicle Motion Drawings, except he used the motion of his father’s fishing boat. William Anastasi has done drawings for almost 40 years by letting his pen drift on a piece of paper while riding the subway.
Oliver Herring’s photo sculptures. Reminds me of David Meanix’s work for Six Feet Under (if you remember Claire’s photo masks in season 4). (via moon river)
I just stumbled upon the work of Tim Knowles, whose art explores the mostly hidden, obscured, or otherwise unnoticed motion of objects. One of his projects is Tree Drawings:
Drawings produced by pens attached to the tips of tree branches, as the branches move in the wind the tree draws on to a panel or drawing board on an easel. Like signatures the trees drawings tell of the tree’s character; a Hawthorn producing a stiff, scratchy & spikey drawing an Oak a more elegant flowing line.
Here’s the oak at its easel and the resulting art:
For Vehicle Motion Drawings, he constructed an apparatus to capture the motion of a car being driven…the turns, stops, and starts of the vehicle move the pen over the paper. His postal projects capture the motion of packages through the postal system, both with drawings and photography. (Knowles’ Spy Box reminds me of Kyle Van Horn’s cameramail.)
Love his stuff. (via waxy)
A blog of bad drawings of Star Trek’s Mr. Spock. Khaaan! (thx, david)
Martin Klimas’ captured moments of shattering statues is an interesting form of photographic sculpture. (via daily awesome)
Opening Friday, June 22 at jen bekman gallery in NYC: A New American Portrait, “a group exhibition of photographs featuring artists at the vanguard of contemporary portraiture in America”. Curated by Jen Bekman and Joerg Colberg, one of my favorite bloggers on the topic of photography.
Fun letterhead cartoons drawn by Saul Steinberg in 1967 when he was artist-in-residence at the Smithsonian for a brief period. (via daily awesome)
Video of women depicted in Western art morphing into one another. Belongs in the seamless mesmerization category of videos along with Noah Kalina’s everyday and 787 Cliparts. (thx, robin)
Decisions, Decisions: a nice looking hand-drawn flowchart poster.
Nina Katchadourian’s Sorted Books project, photographs of book spines arranged to tell short stories.
Hair portraits, including those of Star Wars and Guns n Roses.
My wife Meg makes A Mean Chocolate Chip Cookie. That is to say, she asked her readers for their best chocolate chip cookie recipes, averaged the ingredient amounts, baking times, chilling times, butter consistencies, and other various techniques and baked according to the resulting recipe (which she includes so you can bake up your own batch). Some of the ingredients: “2.04 cups all-purpose flour; 0.79 tsp. salt; 0.79 tsp. baking soda; 0.805 stick unsalted butter, softened to room temperature; 0.2737 stick unsalted butter, cold; 0.5313 stick unsalted butter, melted.” Reminds me a bit of The Most Wanted Paintings project by Komar & Melamid, who averaged aesthetic preferences and taste in painting to produce works of art that appealed to everyone (to hilarious effect). (digg this?)
Interview with artist Kristan Horton, whose project Dr. Strangelove Dr. Strangelove recreates scenes from the movie using everyday household objects.
Why are most artists liberal? “In conclusion, then, you don’t have to be a liberal to be a good storyteller. But the better your story is, the more of a liberal you are.” (via 3qd)
Street artist Banksy gets the New Yorker treatment with a profile in this week’s issue. “The graffitist’s impulse is akin to a blogger’s: write some stuff, quickly, which people may or may not read. Both mediums demand wit and nimbleness. They arouse many of the same fears about the lowering of the public discourse and the taking of undeserved liberties.” Complex tracked down the alleged photos of Banksy mentioned in the article. Print magazine recently wrote a piece on Banksy as well.
Analysis of a recent New Yorker cover, the one with the guy and girl standing in front of an abstract expressionist painting. “Rather than a couple in love with each other, with art, and with technological possibility, I see a boy with a toy, and a girl with patience. He is much more engaged with the devise; she curves demurely away.” The phrase “boy with a toy, and a girl with patience” describes many American relationships, I think. (thx, david)
Update: The NYer cover is a reference to this Jan 1962 Saturday Evening Post cover by Norman Rockwell. (thx, maciej)
Clever technique for pinching the colors from famous paintings using the Match Color tool in Photoshop. “The Old Masters of painting spent years of their lives learning about color. Why let all their effort go to waste on the walls of some museum when it could be used to give you a hand with color correction?”
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