Blu-ray sale, 50% off
Amazon is having a Blu-ray sale…selected Blu-ray movies are 50% off. Titles include Mad Men season 1, No Country for Old Men, Pirates of the Caribbean trilogy, Reservoir Dogs, and Gangs of New York.
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Amazon is having a Blu-ray sale…selected Blu-ray movies are 50% off. Titles include Mad Men season 1, No Country for Old Men, Pirates of the Caribbean trilogy, Reservoir Dogs, and Gangs of New York.
Roger Ebert is not a fan of 3-D movies.
Ask yourself this question: Have you ever watched a 2-D movie and wished it were in 3-D? Remember that boulder rolling behind Indiana Jones in “Raiders of the Lost Ark?” Better in 3-D? No, it would have been worse. Would have been a tragedy. The 3-D process is like a zombie, a vampire, or a 17-year cicada: seemingly dead, but crawling out alive after a lapse of years. We need a wooden stake.
Bottle Rocket, Wes Anderson’s first film, is getting the Criterion treatment in both DVD and Blu-ray formats. Lovely cover. (via goldenfiddle)
Some movies Rex didn’t realize you could watch in their entirety (for free and in 480p) on Hulu: Metropolitan, The Fifth Element, 28 Days Later, Requiem for a Dream, Lost in Translation, Koyaanisqatsi, and Eternal Sunshine.
Me either! Also available are Raising Arizona, Lost Highway, Hoop Dreams, Sideways, Master and Commander, Ghostbusters, The Karate Kid, and Groundhog Day.
The Parallel Universe Film Guide catalogues hundreds of movies that never were but may exist in another quantum reality. Titles include Help! Our Camera Has Palsy, Adorable Italian Stereotypes Al Dente, and Who’s Tired of Philosophical Hit Men? Not Me! (via vsl)
Recent critical clinkers The Mummy: The Third Mummy Movie and The Journey to the Middle of 3-D Mediocrity caused me to wonder: has Brendan Fraser ever appeared in a good movie? A trip to IMDB refreshed my memory โ soiled by several Pauly Shore vehicles โ that Fraser appeared in Crash, Gods and Monsters, and Dead Poets Society School Ties, and a couple of other movies that didn’t suck.
The entirety of Hoop Dreams, which appeared at the top of the best documentaries list I posted yesterday, is available on Hulu to watch for free. Watch for Gates getting his pocket picked. (thx, skeets & david)
Neat infographic of the 2008 US movie box office. It’s more or less the same as this epic chart from the NY Times earlier in the year.
In October 2007, the International Documentary Association made a list of the 25 best documentaries.
1. Hoop Dreams (1994), Steve James
2. The Thin Blue Line (1988), Errol Morris
3. Bowling for Columbine (2002), Michael Moore
4. Spellbound (2002), Jeffrey Blitz
5. Harlan County U.S.A. (1976), Barbara Kopple
6. An Inconvenient Truth (2006), Davis Guggenheim
7. Crumb (1994), Terry Zwigoff
8. Gimme Shelter (1970), Albert Maysles, David Maysles, and Charlotte Zwerin
9. The Fog of War (2003), Errol Morris
10. Roger & Me (1989), Michael Moore
11. Super Size Me (2004), Morgan Spurlock
12. Don’t Look Back (1967) D.A. Pennebaker
13. Salesman (1968), Albert Maysles, David Maysles, and Charlotte Zwerin
14. Koyaanisqatsi: Life Out of Balance (1982), Godfrey Reggio
15. Sherman’s March (1986), Ross McElwee
16. Grey Gardens (1976), Albert Maysles, David Maysles, Ellen Hovde, and Muffie Meyer
17. Capturing the Friedmans (2003), Andrew Jarecki
18. Born into Brothels, (2004), Ross Kauffman and Zana Briski
19. Titicut Follies (1967), Frederick Wiseman
20. Buena Vista Social Club (1999), Wim Wenders
21. Fahrenheit 9/11 (2004), Michael Moore
22. Winged Migration (2002), Jacques Perrin
23. Grizzly Man (2005), Werner Herzog
24. Night and Fog (1955), Alain Resnais
25. Woodstock (1970), Michael Wadleigh
The first trailer for Harry Potter and the Half-Blood Prince has been released, featuring a wee Voldemort. Movie is out in November.
HD version of Presto, the short film shown before Pixar’s Wall-E. The shorts shown before Pixar films seemingly have something to do with the next film in the company’s pipeline. Boundin’ preceded Cars (both were set in the desert Southwest), One Man Band came out before Ratatouille (the former set in Italy, the later in France, but with similar “set” design), and Lifted preceded Wall-E (both featured outer space and spaceships), but I can’t figure out what Presto has to do with Up (the teaser’s no help).
Objectified is an upcoming film about industrial design by Gary Hustwit, director of Helvetica.
Objectified is a documentary about industrial design; it’s about the manufactured objects we surround ourselves with, and the people who make them. On an average day, each of us uses hundreds of objects. (Don’t believe it? Start counting: alarm clock, light switch, faucet, shampoo bottle, toothbrush, razor…) Who makes all these things, and why do they look and feel the way they do? All of these objects are “designed,” but how can good design make them, and our lives, better?
The film is due out in early 2009. (via design observer)
Nice remembrance from Roger Ebert on the end of the long-running At the Movies show.
One thing we never did, apart from an occasional special show, was depart from the format: Two critics debating the week’s new movies. No “advance looks” at trailers for movies we hadn’t even seen. No celebrity interviews. No red carpet sound bites. Just two guys talking about the movies. At one point, our show and two clones were on the air simultaneously. Then we were left alone again: The only show on TV that would actually tell you if we thought a movie was bad.
YouTubers are adding innappropriate new soundtracks to movie scenes, thereby ruining them. I stumbled across the Richie suicide scene from The Royal Tenenbaums set to Lynyrd Skynyrd’s Free Bird (instead of Needle in the Hay) and then found a bunch more:
Terminator 2
The Matrix ruined
Star Wars, under pressure
2001
This Monsters Inc. one is actually fantastic.
Starship Troopers
A Clockwork Orange
Reservoir Dogs
Contact
Several of these originated on Something Awful.
Spike Jonze’s Where the Wild Things Are might be in trouble. It was originally due out in October, got pushed back to fall 2009, and has now been taken off of the Warner Bros. release schedule. But not all is lost…here’s what Warner had to say about it:
We’ve given him more money and, even more importantly, more time for him to work on the film,” Horn said. “We’d like to find a common ground that represents Spike’s vision but still offers a film that really delivers for a broad-based audience. We obviously still have a challenge on our hands. But I wouldn’t call it a problem, simply a challenge. No one wants to turn this into a bland, sanitized studio movie. This is a very special piece of material and we’re just trying to get it right.
They’re making a fourth Terminator movie with Christian Bale? Although I didn’t actually mind the third one so bring it on, I guess. (via goldenfiddle)
Update: McG is directing? I take it back…put it back in the can. Also, Joseph, isn’t it time to stop using that name?
Amblin’, Steven Spielberg’s first film shot on 35mm, is available on YouTube (~25 min long). Binary Bonsai has more on the first real movie that Spielberg directed (which the director now dislikes).
Spielberg’s first outing is all about humanity, love, feelings, innocence and all the other softness for which he has since become almost infamous. Whatever tech-lust Spielberg might have, goes on behind the lens, not in front of it. And despite moving on to do some pretty tech-heavy films (Jurassic Park for instance), he almost always keeps the human side of things front and center.
Thumber is a OS X app that screencaps one-second intervals of movies and stitches the results together into one big image. Inspired by one of my favorite art projects, Cinema Redux by Brendan Dawes.
An article from Animation World Magazine about the animation techniques used in Wall-E.
Life is nothing but imperfection and the computer likes perfection, so we spent probably 90% of our time putting in all of the imperfections, whether it’s in the design of something or just the unconscious stuff. How the camera lens works in [a real] housing is never perfect, and we tried to put those imperfections [into the virtual camera] so that everything looks like you’re in familiar [live-action] territory.
Wall-E was wonderful…best new film I’ve seen in a long time. With it, Andrew Stanton joins Brad Bird in Pixar’s top tier of directors, with the much-heralded John Lasseter in third place. But I can see where Tyler Cowen was coming from when he stated in his short review that the film was “not recommended for children” and that “some bold genius at Pixar will be fired”. Wall-E was funny, charming, and endearing but also subversive, disturbing, and dystopian. That combination that usually doesn’t play well at the box office but some of my favorite films ride that fine line between comedy and disconcerting drama.
Some other thoughts and observations:
Advice on writing screenplays.
I think people see inspiration as the ignition that starts the process. In fact, real moments of inspiration often come at the last minute, when you’ve sweated and fretted your way through a couple of drafts. Suddenly, you start to see fresh connections, new ways of doing things. That’s when you feel like you’re flying. The real pleasure of any script is the detail. And a lot gets lost in the process. Put it back in at the last minute.
Stanley Kubrick’s MySpace page is actually pretty interesting. Lots of photos of the man and his films.
Vulture’s wrong, wrong, wrong list of the best Pixar films. Finding Nemo belongs in #1 with The Incredibles and Ratatouille close behind. Then Toy Story 2 followed by the rest. Putting The Incredibles in the #7 spot, that’s just plain irresponsible.
Wall-E is getting excellent reviews so far…it’s currently rated a 92 on Metacritic.
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