Bemused means bewildered and does not mean amused.
Correct: The unnecessarily complex plot left me bemused. / The silly comedy amused me.
Data is a plural count noun not, standardly speaking, a mass noun. [Note: “Data is rarely used as a plural today, just as candelabra and agenda long ago ceased to be plurals,” Pinker writes. “But I still like it.”]
Correct: “This datum supports the theory, but many of the other data refute it.”
Enormity means extreme evil and does not mean enormousness. [Note: It is acceptable to use it to mean a deplorable enormousness.]
Correct: The enormity of the terrorist bombing brought bystanders to tears. / The enormousness of the homework assignment required several hours of work.
In the midst of this piece by Matt Taibbi on Republican presidential candidates blaming media bias for their outright falsehoods are two paragraphs which perfectly sum up the state of contemporary news media:
It’s our fault. We in the media have spent decades turning the news into a consumer business that’s basically indistinguishable from selling cheeseburgers or video games. You want bigger margins, you just cram the product full of more fat and sugar and violence and wait for your obese, over-stimulated customer to come waddling forth.
The old Edward R. Murrow, eat-your-broccoli version of the news was banished long ago. Once such whiny purists were driven from editorial posts and the ad people over the last four or five decades got invited in, things changed. Then it was nothing but murders, bombs, and panda births, delivered to thickening couch potatoes in ever briefer blasts of forty, thirty, twenty seconds.
If Americans are getting intellectually fat and lazy binging on junk news, perhaps the solution is something akin to “Eat food, not too much, mostly plants,” Michael Pollan’s advice for healthy eating: Follow the news, not too much, mostly facts.
The modern human animal spends upwards of 11 hours out of every 24 in a state of constant consumption. Not eating, but gorging on information ceaselessly spewed from the screens and speakers we hold dear. Just as we have grown morbidly obese on sugar, fat, and flour-so, too, have we become gluttons for texts, instant messages, emails, RSS feeds, downloads, videos, status updates, and tweets.
We’re all battling a storm of distractions, buffeted with notifications and tempted by tasty tidbits of information. And just as too much junk food can lead to obesity, too much junk information can lead to cluelessness. The Information Diet shows you how to thrive in this information glut-what to look for, what to avoid, and how to be selective. In the process, author Clay Johnson explains the role information has played throughout history, and why following his prescribed diet is essential for everyone who strives to be smart, productive, and sane.
The person I listen to the most regarding books I should be reading is Tyler Cowen…he has never once steered me wrong. So when he wrote about the best fiction of 2015, I perked up. I’ve been hearing many good things about Elena Ferrante’s series (Cowen himself flagged her The Lost Daughter as a favorite back in 2008) but his assertion that her recent series of novels ranks as “one of the prime literary achievements of the last twenty years” puts it solidly on my holiday beach reads list. The New World by Chris Adrian & Eli Horowitz and Vendela Vida’s The Diver’s Clothes Lie Empty also sound particularly interesting.
Update: Cowen recently shared his list of best non-fiction books of the year as well. Biographies rule the list: on Elon Musk, Henry Kissinger, Margaret Thatcher, and Genghis Khan. What a list…but I have to say that reading biographies of Thatcher or Kissinger doesn’t appeal at all.
Update: The NY Times Sunday Book Review names their 10 Best Books of 2015. Coates and Ferrante feature. By my count, 7 of the 10 books are written by women.
On a remote, isolated strip of land, three miles beyond the tiny community of Pluto, Richard and his girlfriend, Mariah, embark on a new life. They learn to hunt, grow their own food, and fend off alligators, snakes, and varmints galore. They befriend an array of unforgettable local characters-blues legend T-Model Ford, cookbook maven Martha Foose, catfish farmers, eccentric millionaires, and the actor Morgan Freeman. Grant brings an adept, empathetic eye to the fascinating people he meets, capturing the rich, extraordinary culture of the Delta, while tracking its utterly bizarre and criminal extremes. Reporting from all angles as only an outsider can, Grant also delves deeply into the Delta’s lingering racial tensions. He finds that de facto segregation continues. Yet even as he observes major structural problems, he encounters many close, loving, and interdependent relationships between black and white families-and good reasons for hope.
Mississippians were generally puzzled by our arrival, but warm and welcoming. As we were unpacking, an African-American tractor driver stopped by and talked for an hour. On the second day, a white family from Pluto came over with a bottle of wine and a selection of guns to shoot. Cathy Thompson, a labor and delivery nurse, had bought an AK-47 for stress relief during menopause. “I don’t know what women in New York do,” she said in a fast-paced drawl. “Probably see a therapist, or get on meds. I got my AK and a T-shirt that said, ‘I’m Out of Estrogen and I Have a Gun.’”
It soon became apparent that a) we held very different political views and b) this was not going to be a problem. Noting our lack of furniture, Cathy went through her storage areas and produced two beds, a couch, a kitchen table and chairs, two armchairs and two wingback chairs. “Y’all can have this stuff on permanent loan,” she said. “And I noticed y’all just have the one vehicle. That’s going to get inconvenient out here, so I want you to drive our Envoy whenever you need to, and think of it as your second vehicle. I’ll show you where the keys are.”
Here is one of the original architectural drawings done for the Empire State Building by William Lamb:
Scott Christianson wrote a brief piece (taken from his new book 100 Documents That Changed the World: From the Magna Carta to Wikileaks) on how the building was designed and built. The whole thing happened incredibly fast: the first architectural contract was signed in September 1929 and after only 410 days of construction, the building was opened in May 1931.
I think there’s more to these “the city is dead now” complaints than money. People have pronounced St. Marks Place dead many times over the past centuries — when it became poor, and then again when it became rich, and then again when it returned to being poor, and so on. My theory is that the neighborhood hasn’t stopped being cool because it’s too expensive now; it stops being cool for each generation the second we stop feeling cool there. Any claim to objectivity is clouded by one’s former glory.
In a photo set on Flickr, Alan Taylor compares the 1963 and 1991 editions of Richard Scarry’s Best Word Book Ever and notes many changes to make it more progressive and inclusive, particularly with regard to gender roles. For instance, in this one, Mother is joined by Father in the kitchen:
And in this one, “beautiful screaming lady” becomes “cat in danger”:
From Dave Eggers and Tucker Nichols comes This Bridge Will Not Be Gray (at Amazon), a children’s book about how the Golden Gate Bridge came to be painted orange.
In this book, fellow bridge-lovers Dave Eggers and Tucker Nichols tell the story of how it happened — how a bridge that some people wanted to be red and white, and some people wanted to be yellow and black, and most people wanted simply to be gray, instead became, thanks to the vision and stick-to-itiveness of a few peculiar architects, one of the most memorable man-made objects ever created.
The kids and I sat down with the book last week and they loved it. The pages on the design of the bridge prompted a discussion about Art Deco, with detours to Google Images to look at photos of the bridge,1 The Empire State Building, and the Chrysler Building. The next day, on the walk to school, we strolled past the Walker Tower, a 1929 building designed by Ralph Thomas Walker, one of the foremost architects of the 20th century. We were running a little early, so I stopped and asked the kids to take a look and think about what the building reminded them of. “Art Deco” came the reply almost immediately.
I’m really gonna miss reading to my kids — Ollie mostly reads by himself now and Minna is getting close — but I hope that we’re able to keep exploring the world through books together. NYC is a tough place to live sometimes, but being able to read about something in a book, even about a bridge in far-away San Francisco, and then go outside the next day to observe a prime example of what we were just reading is such a unique and wonderful experience.
We also looked at several photos of the bridge under construction, including this one of a construction worker standing on some wires near one of the towers without much separating him and the water below. I’ve heard about this gentlemen from the kids several times since. Like, “remember that guy standing on the wires when the Golden Gate Bridge was being built? I bet he isn’t scared of spiders.”↩
David Wolf of The Guardian recently wrote about MacFarquhar and her unique writing style, writing from the perspective of her subjects, like they themselves had written the piece.
MacFarquhar attributes her restlessness with form to getting “productively bored”: “For a profile, I do try to make the piece sound and feel as though it were written by the person themselves, rather than by me. What I’m trying to get at is a sense of intimacy, a sense that you are, insofar as is possible, inside the mind of the person, so that you understand why they’re in love with the ideas they fell in love with, what moves them, what drives them.”
These principles guide most of her stylistic decisions. Anything that diminishes the immediacy of the reader’s access to her subject is thrown out. “People think I’m a total freak for not using the first person,” she says. “The way I think about it is that if you’re making a conventional feature film, all it takes is for the director to walk across the camera just once and you have a completely different relationship to the whole story. For that reason, even though it sometimes means sacrificing great scenes, I take myself out.”
What point of view is that? It’s like a mix of first person and third person. Is one-third person POV a thing?
In 2009, back in the heyday of witty Tumblrs, Maris Kreizman started marrying pop culture imagery with literary quotes on Slaughterhouse 90210. Kreizman has turned her efforts into a book, out last week.
Slaughterhouse 90210 is subversively brilliant, finding the depth in the shallows of reality television, and the levity in Lahiri. A picture of Taylor Swift is paired with Joan Didion’s quote, “Above all, she is the girl who ‘feels things’. The girl ever wounded, ever young.” Tony Soprano tenderly hugs his teenage son, accompanied by a line from Middlemarch about, “The patches of hardness and tenderness [that] lie side by side in men’s dispositions.” The images and quotes complement and deepen one another in surprising, profound, and tender ways.
Austin Kleon, whose bestselling books you may have seen in airport bookstores (as well as regular bookstores), is out with a new one: The Steal Like An Artist Journal. The subtitle is A Notebook for Creative Kleptomaniacs, which, aren’t we all? Kleon writes:
For years, people have asked me what kind of notebook I recommend, so I went ahead and made the notebook I always wished existed. Based on my New York Times best-selling book, The Steal Like An Artist Journal will help get your creative juices flowing and record new (and stolen) ideas, thoughts, and discoveries. Think of it as a daily course in creativity: a portable workshop and coursebook, jammed full of inspiration, prompts, quotes, and exercises designed to turn you into a creative kleptomaniac.
I read a lot of books by and about white men, many of them dead. So when a friend enthusiastically recommended The Warmth of Other Suns, I jumped at the chance to expand my reading horizons. I’m so glad I did…this is an amazing book.
Written by Pulitzer Prize-winning American journalist Isabel Wilkerson, The Warmth of Other Suns is about the Great Migration, the mass movement of African Americans from the Southern US to the Northeast, Midwest, and West between 1910 and 1970. During that time, roughly 6 million African Americans moved north and west to escape Jim Crow laws, discrimination, low wages, the threat of physical violence & death, and everyday humiliation & lack of freedom in the South. In the North, they found freedom, new opportunities, and better lives for their families, but they had less success escaping poverty, racism, and discrimination.
Wilkerson tells the story of the entire Migration by focusing on the paths of three people leaving the South:
Ida Mae Gladney, a Mississippi sharecropper pictured above with flowers in her hair, moved to Chicago with her family in 1937 and lived to cast a vote for Barack Obama.
George Starling, pictured above on the left, worked in the citrus groves of Florida before leaving for New York in 1945. He found a job as a baggage handler (and unofficial welcoming committee member) on a train, working the north/south lines that ferried millions of black Southerners to their new homes in the North.
Robert Foster, the gentleman above in the bow tie, became a surgeon and moved from Louisiana to Los Angeles in 1953. There, he rose to the upper ranks of black society and became personal physician to Ray Charles. Foster left the South so thoroughly behind that his daughter didn’t know many of the details of his Louisiana childhood until she read it in Wilkerson’s book.
Through her compelling straight-forward prose, wonderful storytelling, and diligent journalism, Wilkerson more than convinces me that the Great Migration is the greatest untold, misunderstood, and largely unknown occurrence of the American 20th century. I don’t say this often, but The Warmth of Other Suns is a must-read, particularly if you want to begin to understand the racial issues still confronting the US today.
That is the question that physicist Lawrence Krauss answers in his book, A Universe from Nothing. The book’s trailer provides a little more context.
Everything we see is just a 1% bit of cosmic pollution in a Universe dominated by dark matter and dark energy. You could get rid of all the things in the night sky — the stars, the galaxies, the planets, everything — and the Universe would be largely the same.
And my favorite line from the trailer:
Forget Jesus, the stars died so you could be born.
Marie Kondo’s The Life-Changing Magic of Tidying Up encourages you to examine all of your possessions one by one, ask if they “spark joy”, and if they don’t, get rid of them. Christina Xu recently lost her backpack with some of her most-used and valuable possessions and came away from the experience with a different spin on the KonMari method.
Involuntarily losing shit is the ultimate version of the KonMari method. It brutally takes things away at random and makes you fight to get them back so that you remember and reaffirm the value of each one.
This will henceforth be known as the XuHulk method.
When reports came out last month about declining ebook sales, many reasons were offered up, from higher pricing to the resurgence of bookstores to more efficient distribution of paper books to increased competition from TV’s continued renaissance, Facebook, Snapchat, and an embarrassment of #longread riches. What I didn’t hear a whole lot about was how the experience of reading ebooks and paper books compared, particularly in regard to the Kindle’s frustrating reading experience not living up to its promise. What if people are reading fewer ebooks because the user experience of ebook reading isn’t great?
Luckily, Craig Mod has stepped into this gap with a piece asking why digital books have stopped evolving. As Mod notes, paper books still beat out digital ones in many ways and the industry (i.e. Amazon) hasn’t made much progress in addressing them.
The object — a dense, felled tree, wrapped in royal blue cloth — requires two hands to hold. The inner volume swooshes from its slipcase. And then the thing opens like some blessed walking path into intricate endpages, heavystock half-titles, and multi-page die-cuts, shepherding you towards the table of contents. Behbehani utilitises all the qualities of print to create a procession. By the time you arrive at chapter one, you are entranced.
Contrast this with opening a Kindle book — there is no procession, and often no cover. You are sometimes thrown into the first chapter, sometimes into the middle of the front matter. Wherein every step of opening The Conference of the Birds fills one with delight — delight at what one is seeing and what one anticipates to come — opening a Kindle book frustrates. Often, you have to swipe or tap back a dozen pages to be sure you haven’t missed anything.
The Kindle is a book reading machine, but it’s also a portable book store. 1 Which is of great benefit to Amazon but also of some small benefit to readers…if I want to read, say, To Kill A Mockingbird right now, the Kindle would have it to me in less than a minute. But what if, instead, the Kindle was more of a book club than a store? Or a reading buddy? I bet something like that done well would encourage reading even more than instantaneous book delivery.
To me, Amazon seems exactly the wrong sort of company to make an ebook reader 2 with a really great reading experience. They don’t have the right culture and they don’t have the design-oriented mindset. They’re a low-margin business focused on products and customers, not books and readers. There’s no one with any real influence at Amazon who is passionately advocating for the reader. Amazon is leaving an incredible opportunity on the table here, which is a real bummer for the millions of people who don’t think of themselves as customers and turn to books for delight, escape, enrichment, transformation, and many other things. No wonder they’re turning back to paper books, which have a 500-year track record for providing such experiences.
PS. Make sure you read Mod’s whole piece…you don’t want to miss the bit about future MacArthur Genius Bret Victor’s magic bookshelf. <3
And it’s a weird sort of store where you don’t really own what you buy…it’s really more of a long-term lease. Which would be fine…except that Amazon doesn’t call it that.↩
And I still want an ereader that’s great for more than just books. Which is now the iPad/iPhone I guess?↩
Published in 1987, copies of Volume 1 of The History of Cartography are expensive and difficult to find.1 The subsequent two volumes aren’t much less expensive. So the publisher of the series, The University of Chicago Press, has made PDFs of the books available online for scholars and map enthusiasts to use.
Lucky Peach is coming out with a cookbook called 101 Easy Asian Recipes. I’ve always been a little intimidated by Asian cooking.1 Other types of cuisine seem easy: French is butter & salt, Italian is olive oil & garlic, American is roast chicken & burgers. Plus, Asian cuisine is a huge umbrella of wonderful foods from all sorts of different cultures that it’s difficult to know where to start. I’ve been wanting to cook less Western at home, and I’m hoping this cookbook will give me some good ideas on how to proceed.
Truthfully, I’ve always been a little intimidated by cooking in general, but as I’ve been doing it more often over the past couple of years, some of that trepidation has fallen away.↩
Ever wondered how to pan-fry a steak with a charred crust and an interior that’s perfectly medium-rare from edge to edge when you cut into it? How to make homemade mac ‘n’ cheese that is as satisfyingly gooey and velvety-smooth as the blue box stuff, but far tastier? How to roast a succulent, moist turkey (forget about brining!) — and use a foolproof method that works every time?
Michael Lopp, Head of Engineering at Pinterest, recently gave a talk at the Cultivate conference in which he talks about different merit badges that a leader might earn if there were such a thing. Check the video for the whole list, but here are a few of them:
Influence without management authority
Delegate something you care about
Ship a thing
Ask for help from an enemy
Fail spectacularly
Part of the list made me think of parenting, which reminded me of Stella Bugbee’s recommendation of the book Siblings Without Rivalry on Cup of Jo.
I have a VERY, VERY unlikely book that I often reference as a boss: Siblings Without Rivalry. It’s not about money or business per se, but I’ve found since reading it that I put so many of its lessons into practice managing my team at work. I love the way it teaches you to listen, repeat the issues without taking sides, empathize and then teach the parties involved to solve their own disputes. It also helps at home. (Duh.)
At the core of A Burglar’s Guide to the City is an unexpected and thrilling insight: how any building transforms when seen through the eyes of someone hoping to break into it. Studying architecture the way a burglar would, Geoff Manaugh takes readers through walls, down elevator shafts, into panic rooms, up to the buried vaults of banks, and out across the rooftops of an unsuspecting city.
The eruption of Mount Tambora in Indonesia in 1815 was the most powerful volcanic eruption in recorded history. According to Tambora: The Eruption That Changed the World by Gillen D’Arcy Wood, the eruption affected the world’s weather for at least three years, inspired artists & writers, triggered famine, contributed to the world’s cholera epidemic, and altered economic systems all over the world.
Here, Gillen D’Arcy Wood traces Tambora’s global and historical reach: how the volcano’s three-year climate change regime initiated the first worldwide cholera pandemic, expanded opium markets in China, and plunged the United States into its first economic depression. Bringing the history of this planetary emergency to life, Tambora sheds light on the fragile interdependence of climate and human societies to offer a cautionary tale about the potential tragic impacts of drastic climate change in our own century.
The particles high in the atmosphere also produced spectacular sunsets, as detailed in the famous paintings of J.M.W. Turner, the English landscape pioneer. His vivid red skies, Dr. Wood remarked, “seem like an advertisement for the future of art.”
The story also comes alive in local dramas, none more important for literary history than the birth of Frankenstein’s monster and the human vampire. That happened on Lake Geneva in Switzerland, where some of the most famous names of English poetry had gone on a summer holiday.
The Danish Girl is an upcoming film starring Eddie Redmayne as transgender pioneer Lili Elbe, who was one of the first people to undergo gender reassignment surgery. It’s based on a novel of the same name which presents a fictionalized account of Elbe’s life.
The film may well net Redmayne another Oscar nomination, but I don’t know how the transgender community will react. From a quick look on Twitter and the past reception of Oscar-hopeful films dealing with similar issues (see The Imitation Game’s portrayal of Alan Turing’s sexuality), I’m guessing it may not be so well-received.
Amazon has garnered an enormous share of the book market, and their “activities tend to reduce book prices, which is considered good for consumers.” But hundreds of writers (including Philip Roth and V. S. Naipaul) are trying to convince the Department of Justice that — regardless of the lower prices — Amazon’s monopoly is hurting consumers. From The New Yorker’s Vauhini Vara: Is Amazon creating a cultural monopoly?
This is a guide to the famous Lorne of the Rings trilogy of movies. All your favorite characters are here, from Samsclub Gunjeans to Starman to Flowbee the Haddock to Aerosmith, daughter of Lord Efron to Gumball, son of Groin.
This is one of those that goes from “oh how can this predictable thing actually be funny” to “oh my pants are wet because I peed in them because laughing” very quickly. (via waxy)
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