Portraits of librarians
From what I can gather from these portraits, librarians are white, bearded if male, and have glasses.
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kottke.org posts about photography
The most beautiful suicide
On May 1, 1947, Evelyn McHale leapt to her death from the observation deck of the Empire State Building. Photographer Robert Wiles took a photo of McHale a few minutes after her death.
The photo ran a couple of weeks later in Life magazine accompanied by the following caption:
On May Day, just after leaving her fiancé, 23-year-old Evelyn McHale wrote a note. ‘He is much better off without me … I wouldn’t make a good wife for anybody,’ … Then she crossed it out. She went to the observation platform of the Empire State Building. Through the mist she gazed at the street, 86 floors below. Then she jumped. In her desperate determination she leaped clear of the setbacks and hit a United Nations limousine parked at the curb. Across the street photography student Robert Wiles heard an explosive crash. Just four minutes after Evelyn McHale’s death Wiles got this picture of death’s violence and its composure.
From McHale’s NY Times obituary, Empire State Ends Life of Girl, 20:
At 10:40 A. M., Patrolman John Morrissey of Traffic C, directing traffic at Thirty-fourth Street and Fifth Avenue, noticed a swirling white scarf floating down from the upper floors of the Empire State. A moment later he heard a crash that sounded like an explosion. He saw a crowd converge in Thirty-third Street.
Two hundred feet west of Fifth Avenue, Miss McHale’s body landed atop the car. The impact stove in the metal roof and shattered the car’s windows. The driver was in a near-by drug store, thereby escaping death or serious injury.
On the observation deck, Detective Frank Murray of the West Thirtieth Street station, found Miss McHale’s gray cloth coat, her pocketbook with several dollars and the note, and a make-up kit filled with family pictures.
The serenity of McHale’s body amidst the crumpled wreckage it caused is astounding. Years later, Andy Warhol appropriated Wiles’ photography for a print called Suicide (Fallen Body), but I can’t find a copy of it anywhere online. Anyone?
Update: A not-so-great representation of Warhol’s version of this photograph is available at Google Books. (thx, ruben)
Update: Here’s a better photo of Warhol’s print. (thx, lots of people)
Update: Here’s the page as it appeared in Life Magazine.
Update: Codex 99 did some research on McHale and her activities on the day she died.
Stock photography futurism
The sales of stock photographs can tell you a surprising amount about what’s going on in the world but they can’t predict the future.
“We had a bad day when Dolly was cloned,” says Denise Waggoner, vice president of creative research at Getty. “We hadn’t been studying biotechnology, and suddenly everyone wanted a shot of 25 sheep on a seamless white background. So now we try to keep our toes dipped in the water in lots of different fields, so we can be ready.”
Abstract satellite photos
An amazing collection of abstract satellite photos, demonstrating the “impressionist, cubist and pointillist” side of the earth’s landscape.
The images you see below were taken at the turn of the Millennium, when NASA’s scientists had a brilliant idea: to scan through 400,000 images taken by the Landsat 7 satellite and display only the most the most beautiful. A handful of the best were painstakingly chosen and then displayed at the Library of Congress in 2000.
You must see these. Bonus: all the images are available in wallpaper size for your computer desktop.
Dennis Darzacq’s falling photos
You’ve likely seen Dennis Darzacq’s photos of people who look like they’re falling and about to hit the ground at a high velocity. Lens Culture has a video that shows how Darzacq makes those photos; he plays a clever mind trick on viewers that makes jumping look like falling.
Everything had been prepared in advance. Everything was ready. The models launched themselves into space. There is nothing false in these scenes. These moments really occurred. There is no fiction, no retouching or special effects. Photographed in the courtyards of buildings or in streets in the 19th arrondissement of Paris, in Nanterre and in Biarritz, these young people were just being themselves, simply performing jumps in a modern urban setting. And the photographer shot the images, intervening only to give a few guidelines as to their movements. However, at the moment of the leap, chance and gravity also intervened.
Nick Veasey, x-ray photographer
It’s been awhile since I’ve checked in on Nick Veasey’s work. Veasey takes x-ray photos of all sorts of items, from feathers to pens to underwear to people to entire buses. Well worth poking around.
Color photos of occupied Paris
André Zucca’s color photographs of Paris during the German occupation of WWII have provoked controversy because Zucca worked for a German propaganda magazine. But Richard Brody argues that Zucca’s photographs are true to the Paris of the time and don’t just show the “cheerful ease” of the city’s residents.
Certainly, Zucca couldn’t get the whole story: he photographed Jews wearing the star but couldn’t show the roundups or the deportation to Auschwitz; he could show German soldiers but couldn’t show the arrest, torture, and execution of resisters. He couldn’t, but nobody could; the problem wasn’t that he worked for a propaganda rag: photographers who actively worked for the Resistance couldn’t do it either. But what he did do was to capture the paradoxes of the Occupation, where horror and pleasure coexisted in shockingly close proximity, where the active resistance to Nazi occupation was in fact far less prevalent than the feigned daily oblivion of those who kept their heads down and tried to cope.
Snack food sexual innuendo
A photo gallery of snack foods that sound a bit naughty. Salted Nut Roll, Dutch Crunch, Double Creme Betweens, etc. (via buzzfeed)
Old NYC newsstands
For the past two years, photographer Rachel Barrett has been documenting NYC’s vanishing newsstands as the city replaces them in favor of more modern kiosks. Here’s a slideshow.
Until recently, newsstand operators owned their stands and paid the city $1,000 for two-year licenses. In 2003, the city enacted Local Law 64, which required owners to give up their stands but allowed them to operate city-owned structures at no cost. In 2006, the city signed a contract with the Spanish conglomerate Cemusa to build 3,300 bus shelters, 300 newsstands and 20 public toilets.
More photos are available on Barrett’s web site. One of these new stand just went up by my office and has all the personality of a block of concrete. The new stands are also super tall so that the cashier towers over the customer, creating a weird impersonal dynamic and, for those of below average height, a need to stretch to hand your money over.
Dustin Humphrey photography
Dustin Humphrey’s surfing/underwater photography is difficult to explain. Pro surfers + underwater naked steampunk maybe? NSFW. (via avenues)
An Informal Catalogue of Slit-Scan Video Artworks and Research - Flong
Attention time merge media fans: do not miss Golan Levin’s extensive collection of slit scan video projects as well as Eddie Elliott’s related list. (via migurski)
Barbara Probst
The Morning News has an interview with photographer Barbara Probst. I’ve seen her work at the MoMA but this one is new to me and a definite favorite.
Image Fulgurator
The Image Fulgurator is an ingenious device that detects the flash from nearby cameras and quickly inserts a message onto whatever is being photographed so that it shows up in any photos being taken.
It operates via a kind of reactive flash projection that enables an image to be projected on an object exactly at the moment when someone else is photographing it. The intervention is unobtrusive because it takes only a few milliseconds. Every photo another photographer takes of an object at which the Fulgurator is also aimed is affected by the manipulation. Hence visual information can be smuggled unnoticed into the images of others.
Check out the results. (thx, red)
Autochrome photography
I’m fascinated by early color photography…it takes a time we think of being in black & white and makes it accessible and modern. In the hands of Auguste and Louis Lumière, the “lowly, lumpy potato” made color photography possible in the early 1900s. The photos were called autochromes.
The Lumière brothers gathered up their potatoes and ground them into thousands of microscopic particles; they separated this powder into three batches, dying one batch red-orange, one violet and one green; the colored particles were thoroughly mixed and sifted onto a freshly varnished, clear glass plate while the lacquer remained tacky; excess potato bits were swept from the plate, which was pressed through steel rollers to flatten the colored grains, transforming each into a minuscule color filter measuring from .0006 to .0025 millimeters across. Gaps between the colored particles were filled in with carbon black, the plate was varnished again and a thin, light-sensitive emulsion of silver bromide was brushed over that. Now the plate was ready for the camera. When the shutter was opened, light filtered through the translucent potato grains, and a multicolored image was imprinted on the emulsion. After the negative plate was developed in the lab, it was washed and dried, covered with another piece of glass to protect the emulsion and bound with gummed tape. Et voilà! A color photograph unlike any seen before.
Here’s a slideshow of some photos taken by this process. Here’s some autochromes of Mark Twain from 1908.
More early color photography (not necessarily autochromes): Sergei Mikhailovich Prokudin-Gorskii’s stunning photographs of Russia circa 1909-1915, photos of WWI, photos of WWII, and photos of America in the late 30s/early 40s (color corrected). (thx, david)
Bill Cunningham’s street photos
I’ve not been paying enough attention to Bill Cunningham’s street fashion photography slideshows. Each week, Cunningham goes out on the streets of NYC to find out what people are wearing. Even better than the photos are his enthusiastic descriptions of what he’s found.
This week he looks at women’s handbags, which he calls “the engine carrying the fashion world”. Cunningham finds that bags are growing almost “cartoonishly large” and discovers a unique glove/bag combo. Last week, he looked at the glittery belts that some men are wearing with their saggy jeans. If this was the type of fashion that filled the pages of Vogue, I would subscribe in a second. (thx, alaina)
Update: Cunningham’s video journals are now available on YouTube for easy watching/embedding.
Flickr Commons project
Of all the things that Flickr has done, The Commons project might be the most significant. If, in two years, there are tens or even hundreds of thousands of old photographs previously unavailable to the general public from collections all over the world — all tagged, geocoded, annotated, contextualized, and available to anyone with a web browser — that would be an amazing resource for exploring our recent history.
Pseudohuman
Daniel Barron makes photographs of things that look human but aren’t. Maybe. Sorta. I don’t really know! Can you tell? (via that’s a negative)
Microsoft then and now
The iconic photo from 1978 of Microsoft’s founders and early employees has been reshot.
Present for the reunion was office manager Miriam Lubow (center of new picture), who missed the original sitting due to a snowstorm. (When Lubow, now retired, first met Gates, she couldn’t believe that disheveled kid was the president.) Absent for the reshoot was Bob Wallace (top center), who died in 2002; after leaving Microsoft in 1983, he pioneered the idea of shareware.
They should submit this to Ze Frank’s Youngme/Nowme.
Alan Taylor interview
Andy Baio interviews Alan Taylor, the fellow behind The Big Picture, the journalistic photo blog that’s taken the web by storm.
Internally, externally, everywhere, people are being really thankful to me. I need to make sure (with some link-love in my upcoming blogroll) that the response gets directed to the photographers as well. I’m just a web developer with access to their photos and a blog - they’re the ones out there working hard to get these amazing images. “Photographers” here is a loose term, encompassing photojournalists, stringers, amateurs, scientific imaging teams and more.
Black models in Vogue Italia
For its July 2008 issue, Vogue Italia is featuring only black models and feature articles about black women in arts and entertainment.
Having worked at one time with nearly all the models he chose for the black issue — Iman, [Naomi] Campbell, Tyra Banks, Jourdan Dunn, [Liya] Kebede, [Alek] Wek, Pat Cleveland, Karen Alexander — [photographer Steven] Meisel had his own feelings. “I thought, it’s ridiculous, this discrimination,” said Mr. Meisel, speaking by phone from his home in Los Angeles. “It’s so crazy to live in such a narrow, narrow place. Age, weight, sexuality, race — every kind of prejudice.”
Here’s a slideshow of some of the images from the magazine. As I’ve said before, Vogue Italia is doing some interesting things with the editorial nature of the magazine’s photography (see State of Emergency and Super Mods Enter Rehab, both by Steven Meisel).
Three things I saw at the MoMA today
1. Perhaps the most playful art I’ve ever seen in a major museum is Olafur Eliasson’s Ventilator, a fan hung on a long cord in the main atrium in the museum. Watching it blow around the huge room, chased by children, is hard-to-beat fun.
2. The rest of Eliasson’s show on the third floor. His art seems so conceptually and constructurally simple yet, I dunno, I just wanted to hang out in the gallery all day, like I was required to remain part of the experience. Left me wishing I’d made it to London to see The Weather Project.
3. The typology photos of Bernd and Hilla Becher. Recommended if you like photography and multiples of things.
Irritated that I missed: van Gogh’s Starry Night (out on loan to Yale until Sept…I’ve seen it 20 times at least but still like checking it out whenever I’m there), the exhibition of George Lois’ Esquire covers, and lunch at Cafe 2.
Iowa flood pictures
I have to hold off linking to every single entry on Big Picture (best new blog of the year so far, hands down), but these photos of the flooding in Iowa are amazing. I went to college in Cedar Rapids and my mind is boggled seeing so much of downtown under so much water.
Undressed stuffed animals
Photos of singing/talking stuffed animals, dressed and undressed.
I’ve always been curious about stuffed animals that sing, dance, light up, or talk back. There must be a fascinating robot underneath the fur and fluff, right? Surely the robot hiding in the bear’s clothing, vestimentis ursum, is impressive. So: armed with my childish curiousity and the spurious excuse of ‘product design research,’ I set out to discover what, exactly, these creatures are hiding.
(thx, janelle)
The “american gothic” tag on Flickr is
The “american gothic” tag on Flickr is quite interesting; I like the ketchup and mustard one myself.
Photography before Photoshop
Photographer Sam Haskins, well known for doing in-camera montage, briefly describes how composite photos were made in the time before Photoshop.
Its a single exposure with the model viewed through optical glass at 45° and the fabric positioned to the side. At the time there was zero retouching after the event. Now of course I have the luxury of scanning the transparency to clean and refine the image in Photoshop - God bless its digital socks.
Ice lickin’ hot
It’s been hot in NYC for the past few days, but I don’t know if it was ice-lickin’ hot.
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