Members of the original cast of The Avengers (Robert Downey Jr., Scarlett Johansson, Chris Hemsworth, Chris Evans, Jeremy Renner, and Mark Ruffalo) reunited to dub the movie in the Lakota language.
Mark Ruffalo and members of the initiative sit down with us to share the story of this amazing reunion and its very special cause. From the recording studio to the big screen, we explore this important cinematic milestone and celebrate the release that took over 15 months, 62 Lakota-Dakota language speakers, and the original Avengers team to come together and Assemble!
More details from the Lakota Times:
On June 14th, 2024, Disney plus will release the Avengers film that will be dubbed in Lakota. Cyril “Chuck” Archambault, Ray Taken Alive, Dallas Nelson, Lawrence Archambault along with the Lakota Reclamation Project, Grey Willow Studios, students from McLaughlin school, elders from the Standing Rock community and many others have all worked very hard together to complete this project.
A couple of years ago, Ray and Chuck talked about the idea of dubbing the Avengers movie. From there, Chuck spoke with Mark Ruffalo about the idea and Ruffalo said he will get back to them about it. Several months later, a meeting was set up with Marvel and Disney to discuss this idea. Not only did they approve of the project, but Marvel and Deluxe studios helped them through it.
From there, they were able to receive a grant to help with funding, within the budgets they made sure that the Elders would be the highest paid in the project.
Marvel’s newest TV series, The Falcon and the Winter Soldier, contained a scene in the third episode that featured a tantalizingly short glimpse of erstwhile villain Zemo dancing awkwardly in a nightclub. Fans clambered for more, and so Marvel released an hour-long video of Zemo dancing, cheekily called “The Zemo Cut”. Tag yourself β I’m the clapping. (For some reason, this reminds me of Mad Men’s Ken Cosgrove dancing to Daft Punk.)
If you’ve seen Ocean’s Eleven more than once, you probably noticed that Brad Pitt’s character Rusty Ryan is eating or drinking something in almost every scene he’s in. cinemATTIC made a supercut of all of those food and beverage moments from the movie. And if you’re wondering why Rusty was always eating, according to Rolling Stone:
Pitt figured that since the Ocean gang was on such a tight schedule, his character would have to grab fast-food whenever he could. The constant snacking ended up showing Rusty’s unflappability.
Someday someone will release an action or heist movie with a relevant & entertaining 15-minute sequence where the protagonists have to find a bathroom. During a recent Avengers: Endgame viewing, my son asked, “Doesn’t anyone ever have to go to the bathroom in these movies?” Then we talked about how they hardly ever eat either, aside from the occasional shawarma. But now that I’m thinking about it, there’s quite a bit of eating and drinking in Endgame: Black Widow’s peanut butter sandwich, Hulk-delivered tacos, the diner scene, Thor’s drinking, and many more.1 Ocean’s reference or nah? (via @Remember_Sarah)
Update: These folks did a Snackalong of eating everything that Rusty ate while watching the movie.
In this extensive video, The Take not only explains the themes and ending of WandaVision (spoilers, obvs) but walks through all of the sitcom tropes, references, and Easter eggs present in the show, from The Dick Van Dyke Show to the beeping Stark toaster commercial to Bewitched to Full House (Olsen sisters!) to The Office. Weirdly, they kinda glide right over perhaps my favorite trope referenced in the show: the recasting of the Pietro character a la Darrin in Bewitched and Aunt Viv in The Fresh Prince of Bel-Air.
The first thing was the notion of, how do you do this? How do you take sitcoms and combine them with Wanda and Vision who, up to this point in the M.C.U., were such self-serious characters and dramatic characters with so much sadness surrounding them. They weren’t funny. What’s the synthesis? I’m a big fan of “Lost,” and I was very inspired by shows like “Russian Doll,” “Forever” and “Homecoming.” I relished the opportunity of a slow burn. It seemed like an exciting, sneak-attack way to have a bit of a social commentary and a very large story of character and grief.
I thought how they constructed the entire show was really fantastic β I loved every minute of it.
I don’t know enough about 50s cartoons to do more than guess at the inspiration of that one (Hanna Barbera? Looney Tunes?) but her 60s scene is obviously inspired by The Jetsons and The Flintstones:
My kids and I are obsessed with Wandavision β it’s a big ol’ love letter to television β and this project is the perfect complement to the show.
Insider takes a look at how big Hollywood blockbusters (Marvel movies, in this case) are increasingly made, with an extensive digital previsualization stage that happens before any of the shooting starts. Think of it as supercharged storyboarding β the digital version of what Bong Joon-ho created for Parasite for instance. This is how digitally animated movies have been made for decades now β studios like Pixar always create roughly animated cuts of their movies before moving along to the expensive and time-consuming visual effects step. Big blockbusters like the Avengers movies are essentially animated films now, with live actors seamlessly inserted into the mix, like Bob Hoskins in Who Framed Roger Rabbit?
The “techvis” layer of the process is super interesting. Based on the previsualization, the system can output camera angles, movements, and settings that directors & camera operators can use on set to get the shots they want, speeding up production. This is the reverse of a technique that Pixar uses, in which real-world motion is captured and then programmed into virtual cameras:
To get the motion just right for the baby carriage scene in the antique store for TS4, they took an actual baby carriage, strapped a camera to it, plopped a Woody doll in it, and took it for a spin around campus. They took the video from that, motion-captured the bounce and sway of the carriage, and made it available as a setting in the software that they could apply to the virtual camera.
The flip-flop they’re doing in filmmaking right now is fascinating to watch.
Actor Chadwick Boseman died on Friday after a four-year battle with colon cancer. Boseman played both Jackie Robinson and James Brown in films, but he was best known for his role as T’Challa / Black Panther in four Marvel movies. In this short video featuring behind-the-scenes footage from those films and interviews from his colleagues, Marvel pays tribute to the best possible person they could have gotten to play that role.
I watched Black Panther for the third or fourth time over the weekend and while Michael B. Jordan always blows me away, it’s Boseman’s quiet intensity and magnetism that grounds Jordan’s performance and makes the whole “the bad guy has a point” plot work. Yeah ok, it’s just a superhero movie, but I think Black Panther is going to be one of those films that’s going to be relevant and reverberate for a long time.
Japanese illustrator Takumi made these illustrations of characters from Avengers: Endgame in the style of Ukiyo-e prints. As Johnny Waldman notes at Spoon & Tamago, the artist took care in translating the the Marvel characters into the proper style:
The artist spent a lot of time thinking about the unique patterns and kanji names for each character. Thor is pronounced tooru in Japanese, so he assigned the Japanese equivalent, which is εΎΉ(γ¨γγ). Thanos’ 6 infinity stones served as the inspiration behind that name, which references the 6 realms of Buddhism.
Last week, I was under the rock that everyone talks about and didn’t get to see Avengers: Infinity War until a couple of days ago. (Mild spoilers follow.) There’s a lot to like about the movie β I personally loved watching it β but the thing that surprised the hell out of me was how closely the motivations of Thanos and the Avengers echoed the subject of Charles Mann’s The Wizard and the Prophet.
Prophets look at the world as finite, and people as constrained by their environment. Wizards see possibilities as inexhaustible, and humans as wily managers of the planet. One views growth and development as the lot and blessing of our species; others regard stability and preservation as our future and our goal. Wizards regard Earth as a toolbox, its contents freely available for use; Prophets think of the natural world as embodying an overarching order that should not casually be disturbed.
Thanos is a prophet and the Avengers are wizards…both are even specifically referred to using those exact words at different points in the movie. More specifically, Thanos is a Malthusian…he wants to cut the population of the galaxy in half to up everyone’s quality of life. From the book, a description of economist Thomas Malthus’ ideas:
Human populations will reproduce beyond their means of subsistence unless they are held back by practices like celibacy, late marriage, or birth control. But the reproductive urge is so strong that people at some point will stop restricting births and have children willy-nilly. When this happens, populations inevitably grow too large to feed. Then disease, famine, or war step in and brutally reduce human numbers until they are again in balance with their means of subsistence β at which stage they will increase again, beginning the unhappy cycle anew.
Jeremy Keith noticed the same thing and I echo his amazement: “I was not expecting to be confronted with the wizards vs. prophets debate while watching Avengers: Infinity War”.
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