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kottke.org posts about Bjork

PJ Harvey & Bjork Cover (I Can’t Get No) Satisfaction

This cover of the Rolling Stones’ (I Can’t Get No) Satisfaction by PJ Harvey and Bjork at the 1994 Brit Awards is kind of amazing β€” I’d never seen this before. The duet is a slow burn, but it really gets there in the end. BTW, this was the same night that Elton John and RuPaul performed Don’t Go Breaking My Heart together. (via @brianmcc)


Bill Hayes adored Oliver Sacks

The Guardian has an entertaining and touching excerpt of Bill Hayes’ memoir Insomniac City about his moving to New York and his relationship with Oliver Sacks. Even though Sacks had little interest or knowledge about popular culture β€” “‘What is Michael Jackson?’ he asked me the day after the news [of Jackson’s death]” β€” he became part of it, and so he and Hayes travel to Iceland to dine with BjΓΆrk and run into the actress and model Lauren Hutton at a concert.

[Hutton] overheard Oliver talking to Kevin about his new book, Hallucinations, which was coming out in a couple weeks. Lauren leaned across the table and listened intently.

“Hey doc, you ever done belladonna?” she asked. “Now there’s a drug!”

“Well, as a matter of fact, yes, I have,” and he proceeded to tell her about his hallucinations on belladonna. They traded stories. Eventually she began to figure out that this wasn’t his first book.

“Are you β€” are you Oliver Sacks? The Oliver Sacks?” Oliver looked both pleased and stricken.

“Well, it is very good to meet you, sir.” She sounded like a southern barmaid in a 50s western. But it wasn’t an act. “I’ve been reading you since way back. Oliver Sacks - imagine that!”

Oliver, I should note, had absolutely no idea who she was, nor would he understand if I had pulled him aside and told him.

Fashion? Vogue magazine? No idea…

The two of them hit it off. She was fast-talking, bawdy, opinionated, a broad - the opposite of Oliver except for having in common that mysterious quality: charm.

See also My Own Life, a piece about the cancer diagnosis that would eventually take Sacks’ life.

Over the last few days, I have been able to see my life as from a great altitude, as a sort of landscape, and with a deepening sense of the connection of all its parts. This does not mean I am finished with life.

On the contrary, I feel intensely alive, and I want and hope in the time that remains to deepen my friendships, to say farewell to those I love, to write more, to travel if I have the strength, to achieve new levels of understanding and insight.

This will involve audacity, clarity and plain speaking; trying to straighten my accounts with the world. But there will be time, too, for some fun (and even some silliness, as well).

Sacks dictated the piece to Hayes “nearly verbatim” and is very much worth a re-read. (via @tedgioia)


Bjork reveals her moving album cover for Family

Holy crap! Bjork’s released something she’s calling a “moving album cover,” although it appears it’s basically the video for the song “Family” on her Vulnicura album. It’s about the darkest, strangest, most beautiful thing I’ve seen on the internet in a while. The video is a collaboration between Bjork and Andrew Thomas Huang.

(thx This Isn’t Happiness)


Thomas Friedman: “I think any foreign student

Thomas Friedman: “I think any foreign student who gets a Ph.D. in our country β€” in any subject β€” should be offered citizenship.” Extend that to those who enrich our country in other areas (Bjork, Yao Ming, Rem Koolhaas) and I’m in. (The whole article is behind the Times’ paywall β€” I didn’t even read it β€” but I thought that one line was pretty interesting by itself.)

Update: Here’s the full text of the article. (thx, daniel…and everyone else who sent this to me via email)


The seminal Icelandic band, The Sugarcubes, will

The seminal Icelandic band, The Sugarcubes, will perform one last time on November 17 in Reykjavik. How will the concert hall hold all of Bjork’s fans?


New Yorker music critic Alex Ross has

New Yorker music critic Alex Ross has compiled a chronolocial 100-song playlist/tour of mostly classical/instrumental music for the 20th century. Starts with Stravinsky & Gershwin and ends with Bjork.


A Selection From George W. Bush’s Eavesdropping

A Selection From George W. Bush’s Eavesdropping Tapes: Matthew Barney and Bjork Place an Ikea Phone Order. “Ask if they have an aluminum igloo.”


Drawing Restraint 9 is the first collaboration by

Drawing Restraint 9 is the first collaboration by super-couple Matthew Barney and Bjork.