Sitting at my desk is always right. I’ve spent a lot of time thinking about how to make good work. There are millions of tips and tricks and manifestos out there. But at the end there’s only one single truth for me: sit down and start drawing.
In the Before Times, Netflix let teachers stream their programming in the classroom. With schools not in sessions due to the Covid-19 pandemic, Netflix has decided to put some of their educational programming on YouTube for free (full playlist here). For instance, they’ve put all 8 episodes of David Attenborough’s nature series Our Planet online in their entirety. Here’s the first episode:
Eight full episodes of the first season of Abstract: The Art of Design are also available on YouTube (discussion guide). Here’s the episode featuring illustrator Christoph Niemann:
Several episodes of Vox’s series Explained are included, like this one on the racial wealth gap:
Christoph Niemann with a clever take on the Beethoven composition for piano, Für Elise. He’s offering it as a letterpress print — but supplies are low so order quick if you want one.
In a region with so much natural beauty, ancient architecture, and vibrant culture, travelers can easily get stuck behind their viewfinders — consumed with capturing the most vivid moments for their photo albums and Instagram feeds. But over the years, Niemann has developed a different method of documenting his trips.
“I always drew when I traveled … I draw just to calm down essentially, so I’m not constantly checking my phone,” he says.
Niemann believes that painting and drawing his experiences creates a dialogue between his mind and a place — this process ultimately allows him to turn the lens on himself. “Essentially the drawing is like a visual filter,” he explains. “You take the world — and you take it through the abstraction of your drawing — and you start seeing differently.”
Some my favorite posts I’ve written over the past few years have been about my travel: my western roadtrip, Berlin, Istanbul, the solar eclipse. Aside from the eclipse post (which gives me goosebumps every time I reread it), I hadn’t intended to start writing about travel. Ostensibly these trips are supposed to be vacations, my time off from constantly sifting through culture for observations. But Niemann is right…there’s something about applying the creative process to unfamiliar places that that makes the experience more worthwhile. For me, photographing and taking notes for a later post gives me a much better sense of a place, forces me to pay more attention & be more open, causes me to learn about myself, and produces a written document of my trip that I can go back to and experience again.
What can you do with a word? Read it, spell it, say it, picture it, understand it, make a sentence with it, tell a story with it, share it with a friend. Everything starts with a love of words! More than 300 words inspired by Dr. Edward Fry’s list of sight words are paired with striking and playful illustrations by internationally renowned designer and artist Christoph Niemann to deepen understanding, to enrich, and to enlighten those learning to read and write English, whether they be children or adults.
Simplicity is not about making something without ornament, but rather about making something very complex, then slicing elements away, until you reveal the very essence.
Christoph Niemann’s first interactive picture book. Swipe and tap the 21 animals and be surprised at how they react. This app combines the charm of hand made animations and Niemann’s wry humor with state of the art technology. What would an elephant in your bathroom do? Can a dog breakdance?
Four little thumbs-up in my household for this one.
Blown Covers is a new book that details the illustrations that never made it to the front cover of the New Yorker. At Imprint, Michael Silverberg interviews Françoise Mouly, the book’s author and the New Yorker’s art editor since 1993, and shares some of best rejected covers. I like this one by Christoph Niemann showing the attempted return of the Statue of Liberty to France:
“Think of me as your priest,” she told one of them. Mouly, who cofounded the avant-garde comics anthology RAW with her husband, Art Spiegelman, asks the artists she works with — Barry Blitt, Christoph Niemann, Ana Juan, R. Crumb — not to hold back anything in their cover sketches. If that means the occasional pedophilia gag or Holocaust joke finds its way to her desk, she’s fine with that. Tasteless humor and failed setups are an essential part of the process. “Sometimes something is too provocative or too sexist or too racist,” Mouly says, “but it will inspire a line of thinking that will help develop an image that is publishable.”
All you need is to freeze a pint of ice cream to -3706 F. The energy it will take your system to bring the ice cream up to a digestible temperature is roughly 1,000 calories, neatly burning away all those carbohydrates from the fat and sugar. The only snag is the Third Law of Thermodynamics, which says it’s impossible to go below -459 F. Bummer.
I am ashamed to admit just how many hours of my life I have spent “contemplating the little hole in [the] airplane window”. And that’s not even a euphemism! Seriously, what is that thing for?!
Whenever I rode the subway with my two older boys, I tried to hold on to their hands at all times. In the process, I developed a special move. I think anyone who saw it must have been impressed.
I would hold the boys’ hands as we briskly made our way out of the station, then, just as we reached the turnstiles, I would let go. We would pass through the turnstiles simultaneously, and so smoothly that the boys’ hands would still be up in the air when we got to the other side, where I would grab their little fingers again in one fluid motion. (Requires practice.)
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