For the final video in their current series, Taylor Ramos & Tony Zhou of Every Frame a Painting tackle one of the fundamental questions in filmmaking: where do you put the camera? I was especially struck by Greta Gerwig’s comments about camera movement in two of her films:
Well, I kind of had an image of Lady Bird that I wanted it to be almost like stained glass windows in churches, because it is Catholic school and all of that. I was thinking of everything as a presentation within a frame. But then when I got to Little Women, I had the opposite feeling. I felt like I wanted the camera to be alive and curious and a dancer. Like I almost wanted the camera to start young and then get older, like the girls did.
So that’s all for now from Every Frame a Painting…hopefully they will be back soon with a new project because I truly love their perspective on how films are made.
To capture the actual portraits, Webb got his hands on a 130-year-old Dallmeyer lens that he strapped to a modern large format camera, and set up 25,000 Watt-seconds worth of flash to ensure he had enough light. That’s… a lot of light. So much that Webb says his subjects “can feel a wave of heat and they can also smell the ozone that’s created when the picture’s taken.”
But despite all of this light โ which allowed him to capture a much faster “shutter speed” than traditional wet plates โ he still had the cast pose in a traditional fashion: facing the camera, stoic expression, sitting still for 30 seconds at a time to capture each individual frame.
You can check out the whole series of portraits at My Modern Met.
The audience for Greta Gerwig’s Little Women is running about 2/3 women and 1/3 men. Bruce Handy has some suggestions for a title change that would entice more men to check the movie out.
“Star Wars, Episode X: The Rise of Amy”
“Four Girls, One Teacup”
“Into the Marchverse”
“The Jo Supremacy”
I saw Little Women on New Year’s Day and loved it โ one of my favorite 2019 movies for sure. It’s idiotic that Gerwig didn’t get nominated for a Best Director Oscar.
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