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On the eve of the release of the Beastie Boys’ latest album, New York Magazine has an interesting history of the band as told through interviews of the band and others who were there.
They accidentally knew what they were doing.
Following a leak of the new album, Hot Sauce Committee Part Two, the band is now streaming the full album on their web site. (via stellar)
If there was a Star Wars version of Coachella, some of the bands playing at the festival would be called Kessel Run DMC, Guided by Millions of Voices That Suddenly Cried Out in Terror and Were Suddenly Silenced, and C-3PO Speedwagon.
Otomata is a generative sequencer…it play music in a loop determined by the motions of cells like those in Conway’s Game of Life. Fun stuff.
This set of rules produces chaotic results in some settings, therefore you can end up with never repeating, gradually evolving sequences. Go add some cells, change their orientation by clicking on them, and press play, experiment, have fun.
(via stellar)
This wedding invite designed by Kelli Anderson has a 45 RPM record player built right into it.
Here’s more info on how the musical invite was constructed.
The resulting booklet is comprised of a cover, two inner pages, a letterpressed band (with instructions and a tear-off RSVP postcard), and a flexdisc on a screwpost. The recipient bends the second page of the booklet back to create a tented “arm.” With the needle placed, they then carefully spin the flexidisc at 45 RPM (ish) to hear the song. The sewing needle travels the length of the song and produces the sound. Its vibrations are amplified by the thin, snappy paper to which it is adhered. To keep the needle down on the record, we reinforced the back of the “tent” with a spray-mounted half page of heavier cardstock. To reduce friction between the acetate flexidisc and the backing cover, we had the inside of the booklet laminated to be slick and conducive to hand-spinning.
(via stellar)
They each have a personal brand web site — Gwyneth has GOOP and Jay-Z has the recently launched Life + Times — so they recently decided to interview each other about that. Here’s Z Qing G:
SC: Personally I was very surprised at your extensive knowledge of hip-hop songs. Particularly how you can sing ’90s hip-hip songs word for word. I can’t even do that! How does a girl from Spence discover hip-hop?
GP: I first was exposed to hip-hop when I was about 16 (1988) by some boys who went to collegiate. The Beastie Boys were sort of the way in for us preppie kids. We were into Public Enemy, Run-DMC and LL Cool J. But then I went to LA the summer between my junior and senior year of high school and I discovered N.W.A which became my obsession. I was fascinated by lyrics as rythym and how Dre had a such different cadence and perspective from say, Eazy-E, who I thought was one of the most ironic and brilliant voices hip-hop has ever had. It was an accident that I learned every word of Straight Outta Compton and to love something that a.) I had no real understanding of in terms of the culture that it was emanating from and b.) to love something that my parents literally could not grasp. But I was hooked. I can’t remember what I ate for dinner last night but I could sing to you every single word of N.W.A’s “Fuck Tha Police” or [Rob Base & DJ E-Z Rock’s] “It Takes Two.” Go figure.
And here’s G Qing Z:
GP: You are the coolest man on Earth, how the f did you get like that?
SC: I’m around great women, starting with my mom. Women keep men cool. The hotter the chick the cooler the guy … that sounds like a really bad rap line!
What a couple of huge cornballs! And I mean that in the best way possible.
The motions of a Brazilian textile plant set to a classical music soundtrack.
(via stellar)
If you liked Daft Punk’s Tron Legacy soundtrack, you might like Tron Legacy R3CONF1GUR3D with remixes by Crystal Method, Paul Oakenfold, and M83. It’s just out today and I haven’t listen to it yet, so caveat emptor.
And that’s saying something. But look at this gem of a thread: I like big butts and I cannot lie, but is there some evolutionary reason as to why? Some of the answers:
My homeboys tried to warn me, but that butt you got makes me so confident of your current well-being and future child-rearing potential
So, ladies! (Yeah!) Ladies (Yeah!)
If you wanna roll in my Mercedes (Yeah!)
Then turn around! Stick it out! Even white boys have to make sure that their partner is of high genetic caliber so they can pass on their genes successfully.
My anaconda don’t want none unless you have a high likelihood of producing healthy offspring with a minimal chance of genetic disabilities, hun.
(via @stevenbjohnson)
Lady Gaga released a country version of her latest single, Born This Way. This isn’t a remix or cover…it’s an official release by Gaga.
I don’t care for country music much, but this really makes me smile. (via ★capndesign)
Nate Dogg died yesterday; he was 41 years old.
With his deep, melodic voice and smooth soul rumble, Dogg was one of the key elements in the rise of the West Coast G-Funk sound pioneered by Death Row Records in the early 1990s. Though overshadowed by such peers as Dr. Dre, Snoop Dogg and Warren G, Nate was a critical participant in a number of major left-coast gangsta hits, including G’s “Regulate” and Dre’s iconic solo debut, 1992’s The Chronic.
Tim Carmody gives props to Radiohead for their rare combination of longevity and relevance.
Still, I think music fans and cultural observers need to grapple with this a little: Radiohead’s first album, Pablo Honey, came out 18 years ago. Here’s another way to think about it: when that album came out, I was 13; now I’m 31. And from at least The Bends to the present, they’ve commanded the attention of the musical press and the rock audience as one of the top ten — or higher — bands at any given moment. You might have loved Radiohead, you might have been bored by them, you might have wished they’d gone back to an earlier style you liked better, but you always had to pay attention to them, and know where you stood. For 18 years. That’s an astonishing achievement.
As Anil has his hands busy with a new baby, I’ll wade in here and point out that Tim’s examples don’t include any pop, rap, R&B, or hip hop. Jay-Z hasn’t been around as long as Radiohead, but he’s getting there. The Beastie Boys had at least 15 years. Madonna and Michael Jackson each had 20 culturally relevant years, more or less. I’m probably forgetting a few, but yeah, that’s still not a long list.
This is my favorite bit of news today: one of the little girls (the one on the left) on the Siamese Dream album cover is now actually the bass player for the Smashing Pumpkins.
The source for this is Billy Corgan on Twitter:
Just found out the weirdest news: our bass player Nicole (@xocoleyf) just admitted she is one of the girls on the cover of Siamese Dream. She said she didn’t want us to know because she thought maybe we wouldn’t let her be in the band.
Next you’re going to tell me that the Nirvana baby has joined up with Shepard Fairey…no wait, that happened too! (via @kathrynyu)
…or rather, it recognized my face, looked up what music I liked on Facebook and Hunch, and played it for me. Meet AutomaticDJ:
A short documentary report from a thousand years into the future about The Beatles.
First-hand records are certainly scarce. There’s a lot we don’t know about The Beatles, but we do know that these four young men — John Lennon, Paul MacKenzie, Greg Hutchinson, and Scottie Pippen — were some of the finest musicians that ever existed. The Beatles rose to prominence when they travelled from their native Linverton to America to perform at Ed Sullivan’s annual Woodstock festival.
So, LCD Soundsystem is retiring and to see off their fans, they decided to perform one last show at Madison Square Garden. Except that they didn’t think they’d sell the place out and didn’t pay too much attention to how the tickets were being sold. When the tickets went on sale last week, they sold out immediately. Many fans didn’t get tickets, the band’s family and friends didn’t get tickets, and even some of the band didn’t get tickets. Scalpers bought thousands upon thousands of tickets and the band is hopping mad. So they’re adding four more NYC shows right before the MSG gig to give their fans a chance to see them and to screw the scalpers by increasing the supply (and therefore lowering demand and prices).
oh-and a small thing to scalpers: “it’s legal” is what people say when they don’t have ethics. the law is there to set the limit of what is punishable (aka where the state needs to intervene) but we are supposed to have ethics, and that should be the primary guiding force in our actions, you fucking fuck.
It would be fun if all those scalpers got stuck with thousands of unsellable MSG tickets.
Arcade Fire won album of the year for The Suburbs at the Grammys last night and a lot of people don’t even know what an Arcade Fire is. Including Rosie O’Donnell.
(via @waferbaby)
At least out of nowhere for me…I had no idea this album was coming. Anyway, it’s called The King of Limbs and the digital copy is out on Feb 19th. Huzzah!
Nomis is an iOS app that looks at the artists in your iPhone or iPod’s music library and shows you their latest and upcoming releases. Showed me a couple things I was unaware of: the new Cut Copy and an Underworld album from September that I’d missed. The only bummer is that it’s kind of absurdly slow in looking through your library. (thx, brandon)
A nearly shot-for-shot version of Joy Division performing Transmission live in 1979…with Playmobil characters.
Usher’s OMG sounds suspiciously close to a Christmas carol that Homer wrote in an episode of The Simpsons. Take a listen:
Yes. Yes! YES! It’s MIXMAS! The Hood Internet has released their fifth mixtape. Download commencing now.
Angie Dickinson and Lee Marvin “perform” Steve Reich’s Clapping Music. This is mesmerizing.
(via @sippey)
Alexander Chen made a version of the NYC subway map that plays music as the trains intersect routes.
At www.mta.me, Conductor turns the New York subway system into an interactive string instrument. Using the MTA’s actual subway schedule, the piece begins in realtime by spawning trains which departed in the last minute, then continues accelerating through a 24 hour loop. The visuals are based on Massimo Vignelli’s 1972 diagram.
Check out the full version; there are more details here. See also Isle of Tune. (via about 20 people on Twitter just now)
From Life magazine circa 1971, a selection of photos of rock stars (Jackson 5, Eric Clapton, Elton John, Grace Slick) with their parents taken in their parents’ homes. Here’s Eric Clapton with his grandmother.
That same series also contains the great photo of The Jackson 5 astride their scooters. (via andrea inspired)
Reminds me of Gondry’s Star Guitar video with a bit of MC Escher mixed in.
(viva la sandwich)
This is surprisingly well done.
Continuing with the unexpected Kanye groove on kottke.org this morning.
This might be even funnier than the Kanye Jordan Twitter acct.
Just in time for that family Christmas party: 99 Christmas songs for $1.99 at Amazon’s MP3 store.
Isle of Tune is a musical sequencer with a twist…you build little roads with houses, trees, streetlights, etc. that cars can then drive past, making music as they go. This is currently the top-rated island:
And here’s Michael Jackson’s Beat It. Neat! (via prosthetic knowledge)
It’s called 01 and 10…ok, it’s not really a lost album. But apparently if you take the first five songs from OK Computer (from 1997) and the first five songs from In Rainbows (from 2007) and alternate them, the songs fit together musically and lyrically to form a coherent album.
Consider that In Rainbows was meant to complement OK Computer, musically, lyrically, and in structure. We found that the two albums can be knit together beautifully. By combining the tracks to form one playlist, 01 and 10, we have a remarkable listening experience. The transitions between the songs are astounding, and it appears that this was done purposefully.
The lyrics also seem to complement each other. There appears to be a concept flowing through the 01 and 10 playlist. Ideas in one song is picked up by the next, such as “Pull me out of the aircrash,” and “When I’m at the pearly gates, this will be my videotape.”
(via prosthetic knowledge)
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