Marginal Revolution and CNN (and New York magazine and Reddit and etc.) asked their respective readers: how much did you pay for In Rainbows, Radiohead’s new album which is only available as a pay-what-you-want download. I paid around £8.50 (~ US$17), which splits the difference between a typical album price in the UK and the US. (Actually, what I did was download it from elsewhere because Radiohead’s online store was down yesterday morning and then went back to pay for it just now.)
If someone likes an artist, they’re going to buy the CD. The number of those who download and opt against buying the CD is very small. There are plenty of libraries in this country, yet people still buy books. The Napster opponents underestimate the American fascination with ownership.
Radiohead has a new album coming out called In Rainbows. It’s only available from their site for now, either as a download (released Oct 10) or as a “discbox” that includes the CD, a bonus CD, two records, and assorted photos, books, etc. (released Dec 3). (via rex)
Update: Also, Radiohead is letting the buyer choose his/own price for the online album. This has been done before, notably by Magnatune, who offers albums for between $5 and $18 with a recommended price of $8…and people often pay more than the recommended. (thx, greg)
Update: Singer Jane Siberry does variable pricing for her music as well. Siberry also cleverly lists what other people are paying (currently $1.18 per song, a bit more than the recommended $0.99). Freakonomics explains. (thx, phil)
I’m thoroughly enjoying Kanye West’s new album, Graduation. Standout tracks so far: Stronger and Homecoming, although it took me much longer than it should have to recognize Chris Martin’s vocals on the latter.
Amazon has launched their mp3 music store. Files are in mp3 format, no DRM, high bitrate (high quality), and songs are mostly 89-99 cents. A compelling alternative to Apple’s iTMS.
From the letters to the editor in the Sept 24 issue of the New Yorker, a letter from John Yohalem, New York City:
I enjoyed reading Tim Page’s essay on living with Asperger’s syndrome: the insomnia, the social puzzlement, the obsession with various subjects to the exclusion of more common ones — all are very familiar to me. (“Parallel Play,” August 20th). Then came this description: “In the late nineteen-seventies, I saw a ragged, haunted man who spent urgent hours dodging the New York transit police to trace the dates and lineage of the Hapsburg nobility on the walls of the subway stations.” I was the gentleman in question; although I didn’t care about clothes, I don’t think I was that ragged. I want to assure Mr. Page that I was never homeless or institutionalized (as he guessed), and I got only one ticket. Mr. Page and I had other things in common; like him, I was at the première of Steve Reich’s “Music for 18 Musicians” at Town Hall. Unlike Mr. Page, I did not find this particular music’s structure all-engrossing; I preferred to dance to it. At one performance of Reich’s music at the U.S. Custom House, I danced alone around and around the central musicians. For someone as acutely self-conscious as I had been, this seemed a moment of glorious emergence, of living my own life in everyone else’s world.
So preoccupied are we with our inner imperatives that the outer world may overwhelm and confuse. What anguished pity I used to feel for pinatas at birthday parties, those papier-mache donkeys with their amiable smiles about to be shattered by little brutes with bats. On at least one occasion, I begged for a stay of execution and eventually had to be taken home, weeping, convinced that I had just witnessed the braining of a new and sympathetic acquaintance.
Of course Yohalem has a blog — the 21st century equivalent to scribbling Hapsburg lineages on subway walls — which has a more complete version of the above posted there.
Legendary party Misshapes was held for the last time on Saturday night in NYC, its overness punctuated by an article in the NY Times on the party’s conclusion. My own personal overness was punctuated by not knowing about the end of Misshapes until I read it in the Times. A Mr. Cobrasnake hasphotos of the final night.
Apple may have announced their ringtone strategy for the iPhone (30-second ringtones cost $1.98 to make and you must purchase songs through the iTunes Music Store), but Ambrosia Software’s iToner utility lets you make ringtones from any mp3 or acc audio file with a simple drag/drop, all for $15 (free 30-day trial). iToner seems like the clear winner here.
Apple is holding a special event today at 10am PT to announce a new product. Or something. No one knows exactly what but it seems to have something to do with music. Popular guesses include a 3G iPhone, a different iPod nano, a touchscreen iPod, and the availability of the Beatles entire musical catalog on iTunes. MacWorld, Engadget, MacObserver, and ArsTechnica (among others) will have live coverage.
Update: Jobs announced 99-cent ringtones, new colors for iPod shuffle, new form factor for iPod nano (fat vs. thin), renamed the iPod to iPod classic, introduced new iPod touch (basically the iPhone without the phone), new mobile iTunes Music Store that will work on iPod touch and the iPhone, odd partnership with Starbucks…click to buy currently playing songs in the store and free wifi for iTMS purchases (how about free wifi, period?), and the 8GB iPhone now costs $399. !!!!! I guess Apple’s plan on that was 1) gouge all the early adopters, and then 2) reduce the price to sell iPhones like crazy.
My iPhone bubble abruptly popped this evening when I tried my Shure E3c earphones (the best pair of earphones I’ve ever owned and far superior to the Apple earbuds) with the iPhone and they didn’t work. The ones that came with the iPhone work fine. On their site, Apple says:
iPhone has a standard 3.5-mm headphone jack, so it is compatible with most portable stereo headphones. Some stereo headphones may require an adapter (sold separately) to ensure proper fit.
The earbuds from a v3 iPod didn’t work either. The E3c plug is 3.5 mm and the earphones are about 2 years old. Is anyone else having problems with their earphones? I don’t understand why this is even an issue. Very irritating.
Update: Others are having similar problems with headphones not fitting. Looks like it’s the plastic sheath around the plug that’s the problem. (thx, sean)
Update: I cut away a bit of the E3c’s sheath with my trusty Exacto knife and it now fits in the jack. I’d love to know the reason for recessing that plug so much…besides pure aethetics of course; it just seems like too much of a trade-off.
So just to explain a little further, yes, it is the actual high voltage sparks that are making the noise. Every cycle of the music is a burst of sparks at 41 KHz, triggered by digital circuitry at the end of a “long” piece of fiber optics. What’s not immediately obvious in this video is how loud this is. Many people were covering their ears, dogs were barking. In the sections where the crowd is cheering and the coils is starting and stopping, you can hear the the crowd is drowned out by the coil when it’s firing.
In a great illustration of the sometimes odd path that innovation takes, Robert Moog found inspiration in the theremin after it had fallen out of favor in serious musical circles:
After a flurry of interest in America following the end of the Second World War, the theremin soon fell into disuse with serious musicians, mainly because newer electronic instruments were introduced that were easier to play. However, a niche interest in the theremin persisted, mostly among electronics enthusiasts and kit-building hobbyists. One of these electronics enthusiasts, Robert Moog, began building theremins in the 1950s, while he was a high-school student. Moog subsequently published a number of articles about building theremins, and sold theremin kits which were intended to be assembled by the customer. Moog credited what he learned from the experience as leading directly to his groundbreaking synthesizer, the Minimoog.
Peter Saville, the British designer closely associated with Factory Records, is offering free downloads of some of the fonts he used in designing record sleeves and other work for New Order, Joy Division, and other Factory Records artists (see update below).
Update: Several Peter Saville fans from around the world have written in to say that the above site is not Peter Saville’s official site (this is). It’s also unclear whether those fonts were indeed made by Saville (probably not) or ever offered for download free of charge (probably definitely not). But they’re still neat fonts, so download at your own risk.
Update:Kai has identified some of the fonts offered as shoddy versions of the following:
Joy Division Closer - Trajan (Adobe)
Blue Monday - Engravers Gothic (Bitstream)
New Order 1981 - Futura (Bauer)
New Order 1993 - Handel Gothic (Linotype)
New Order Ceremony - Albertus (Mecanorma)
New Order 316 - BT Incised 901 (Bitstream) = Antique Olive (Linotype)
New Order Regret - Rotis Serif (Agfa)
Partial lyrics for New York, I Love You But You’re Bringing Me Down from LCD Soundsystem’s latest album, Sound of Silver:
—
New York, I love you but you’re bringing me down
New York, I love you but you’re bringing me down
Like a rat in a cage, pulling minimum wage
New York, I love you but you’re bringing me down
New York, you’re safer and you’re wasting my time
Our records all show you are filthy but fine
But they shuttered your stores when you opened the doors
To the cops who were bored once they’d run out of crime
New York, you’re perfect don’t, please, don’t change a thing
Your mild billionaire mayor’s now convinced he’s a king
And so the boring collect, I mean all disrespect
In the neighborhood bars I’d once dreamt I would drink
New York, I love you but you’re freaking me out
There’s a ton of the twist but we’re fresh out of shout
Like a death in the hall that you hear through your wall
New York, I love you but you’re freaking me out
New York, I love you but you’re bringing me down
New York, I love you but you’re bringing me down
Like a death of the heart. Jesus, where do I start?
But you’re still the one pool where I’d happily drown
—
Meant to note this a few weeks ago, but the Baltimore post put it back in my mind.
Is there a song for summer 2007 yet? Something along the lines of Crazy in Love in 2003 and, what, Since U Been Gone in 2005…a song that comes to identify the summer to a wide variety of people. There’s beensomediscussion of this question, but no definite answers yet. I’ve heard MIMS’ This is Why I’m Hot in a wide array of contexts…might be a contender, but does it have the mass popularity and longevity?
Clive Thompson on the new way to make it big in the music biz: spend hours a day communicating with your fans via the web. “Virtually everyone bemoaned the relentless and often boring slog of keyboarding. It is, of course, precisely the sort of administrative toil that people join rock bands to avoid.”
Andrew of Songs To Wear Pants To makes songs from suggestions you send him. You can even commission a song from him for a special occasion like a birthday or anniversary. Recent tracks include a Tetris rap and a song written for a guy who likes a girl but doesn’t know how to express it (she’s got “beautiful light blue eyes, long brown hair, and great athletic body” which Andrew translates as “I don’t even care about her personality” in the song).
It’s been awhile since I’ve done one of these. Here are some updates on some of the topics, links, ideas, posts, people, etc. that have appeared on kottke.org recently:
Two counterexamples to the assertion that cities != organisms or ecosystems: cancer and coral reefs. (thx, neville and david)
In pointing to the story about Ken Thompson’s C compiler back door, I forgot to note that the backdoor was theoretical, not real. But it could have easily been implemented, which was Thompson’s whole point. A transcript of his original talk is available on the ACM web site. (thx, eric)
are those twitter updates on your blog updated automatically when you update your twitter? if so, how did you do it?
A couple of weeks ago, I added my Twitter updates and recent music (via last.fm) into the front page flow (they’re not in the RSS feed, for now). Check out the front page and scroll down a bit if you want to check them out. The Twitter post is updated three times a week (MWF) and includes my previous four Twitter posts. I use cron to grab the RSS file from Twitter, some PHP to get the recent posts, and some more PHP to stick it into the flow. The last.fm post works much the same way, although it’s only updated once a week and needs a splash of something to liven it up a bit.
In case someone in the back didn’t hear it, this map is not from Dungeons and Dragons but from Zork/Dungeon. (via a surprising amount of people in a short period of time)
When reading about how low NYC’s greenhouse gas emissions are relative to the rest of the US, keep in mind the area surrounding NYC (kottke.org link). “Think of Manhattan as a place which outsources its pollution, simply because land there is so valuable.” (thx, bob)
I’m ashamed to say I’m still hooked on DesktopTD. The problem is that the creator of the game keeps updating the damn thing, adding new challenges just as you’ve finally convinced yourself that you’ve wrung all of the stimulation out of the game. As Robin notes, it’s a brilliant strategy, the continual incremental sequel. Version 1.21 introduced a 10K gold fun mode…you get 10,000 gold pieces at the beginning to build a maze. Try building one where you can send all 50 levels at the same time and not lose any lives. Fun, indeed.
Regarding the low wattage color palette, reader Jonathan notes that you should use that palette in conjunction with a print stylesheet that optimizes the colors for printing so that you’re not wasting a lot of ink on those dark background colors. He also sent along an OS X trick I’d never seen before: to invert the colors on your monitor, press ctrl-option-cmd-8. (thx, jonathan)
In reviewing all of this, the following seem related in an interesting way: Nickelback’s self-plagiarism, continual incremental sequels, digital photo alteration, Tarantino and Rodriquez’s Grindhouse, and the recent appropriation of SimpleBits’ logo by LogoMaid.
It’s a completely different scenario. [Rappers] are not talking about no collegiate basketball girls who have made it to the next level in education and sports. We’re talking about hos that’s in the ‘hood that ain’t doing shit, that’s trying to get a n***a for his money. These are two separate things. First of all, we ain’t no old-ass white men that sit up on MSNBC going hard on black girls. We are rappers that have these songs coming from our minds and our souls that are relevant to what we feel. I will not let them muthafuckas say we in the same league as him.
What Mr. Dogg is arguing here is that it’s ok to refer to actual hoes as hoes in the service of artistic expression but it is not ok to refer to college basketball players as such for the purpose of demeaning people. As we’re currently engaged in another go-round on the issue of speech, political correctness, and its potential enforcement, it’s not hard to imagine that someday an argument like Snoop Dogg’s will be deployed in a court of law. I wonder if anyone will buy it?
Duncan Watts on the results of a study which show that a cultural product’s popularity is partially determined by inital social adoption patterns. “This means that if one object happens to be slightly more popular than another at just the right point, it will tend to become more popular still. As a result, even tiny, random fluctuations can blow up, generating potentially enormous long-run differences among even indistinguishable competitors — a phenomenon that is similar in some ways to the famous ‘butterfly effect’ from chaos theory.” The effort to explain why popular things got popular is probably impossible…working your way back from effect to cause in non-linear systems is tough.
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