But man, isn’t looking at the four identical bodies with different heads so uncanny? Duly noted that H&M made one of the fake bodies black. You can’t say that the fictional, Photoshopped, mismatched-head future of catalog modeling isn’t racially diverse.
Monsters of Grok offers “fake band t-shirts for history’s greatest minds”. The Tesla/Edison send-up of AC/DC is nearly genius, but I like the Machiavelli/Metallica one better for some reason.
But nowadays people just have to know the sex of a baby or young child at first glance, says Jo B. Paoletti, a historian at the University of Maryland and author of Pink and Blue: Telling the Girls From the Boys in America, to be published later this year. Thus we see, for example, a pink headband encircling the bald head of an infant girl.
Why have young children’s clothing styles changed so dramatically? How did we end up with two “teams” — boys in blue and girls in pink?
“It’s really a story, what happened to neutral clothing,” says Paoletti, who has explored the meaning of children’s clothing for 30 years. For centuries, she says, children wore dainty white dresses up to age 6. “What was once a matter of practicality — you dress your baby in white dresses and diapers; white cotton can be bleached-became a matter of ‘Oh my God, if I dress my babies in the wrong thing, they’ll grow up perverted,’” Paoletti says.
It is nearly impossible, even in NYC, to find girls clothes that are not pink unless you pay through the nose for imported European kids clothes. See also vocabulary in boys and girls toy advertising. (via megnut, who is fighting to keep our kids in gender neutral clothing)
These are the people who pay full price for the clothes that appear on the runways of Paris, NY, Milan, etc.
Christine Chiu wears most items only once. The 28-year-old, who is married to the founder of Beverly Hills Plastic Surgery, goes to events every night of the week-often making multiple wardrobe changes in a single night.
“If you’re going to a gala for some kind of disease and then you go to a hip art event, you can’t wear the same thing,” Ms. Chiu says.
This is a hoot: in want of slacks, President Lyndon Johnson called up the Haggar clothing company and requested several pairs be made in the style of a pair he already owned. Except a little bigger in the crotch…”down where your nuts hang” as Johnson put it. Just listen:
A really lovely seven-minute documentary about Scott Schuman, aka The Sartorialist.
Watching the concentration, focus, and determination in Schuman’s eyes and body as he walks around looking for photographic subjects immediately reminded me of an elite athlete; that same look was documented at length in Zidane, A 21st Century Portrait. And that’s no accident…what Schuman does is an athletic pursuit as much as anything else. The way he holds his camera while walking, down by his side, slightly behind his back, hiding it from his potential subjects until he sees an opening…he’s like a running back cradling a football, probing for an opening in the defensive line.
“I had so much freedom to do everything I wanted. I think I did a good job.” But she added, “When everything is good, maybe I think it’s the time to do something else.” She expects to complete issues through March. She said she was not sure what she would do after that. “I have no plan at all,” she said.
On Monday night, at a screening of the movie “Due Date,” Courtney Love told a reporter from Style.com that she was trying to take better care of herself.
Shortly after 8 p.m., Ms. Love burst into the room with the Marchesa dress slung on one arm and the noted German Neo-Expressionist artist Anselm Kiefer on the other. She was entirely naked and leaning on Mr. Kiefer for support. She made one lap around the room, walking in front of a photographer, an assistant, a hairstylist and me. She pulled over her head a transparent lace dress that covered up nothing, and demanded my assistance — “Not you,” she said to Mr. Kiefer, who was bent over trying to help her — to stuff her feet into a pair of black Givenchy heels that were zipped up the back and tied with delicate laces in the front. Then she applied a slash of red lipstick in the vicinity of her mouth.
“I really must get out of here,” Mr. Kiefer said.
“Just a minute,” Ms. Love said, as she pushed her feet, shoes and all, through a pair of pink knickers that she said cost $4,000. She grabbed a trench coat, walked through the hotel lobby with her breasts exposed to an assortment of prominent fashion figures, including Stefano Pilati, the Yves Saint Laurent designer, and then exited the hotel.
Like Ms. Love, this profile of her is anything but boring.
I can’t figure out how old anyone is. I can’t figure out how gay anyone is. On silent subway morning commutes there are no tells. The brogues, desert boots and quickstrike high-tops not only have me manic-fantasy-banging every well-dressed dude on the F BECAUSE IT IS ALL SO GODDAMN GOOD but the fact that so many are suddenly well shod plus the prevalence of hard-bottoms straight CRIPPLES my ability to tell how rich anyone is. And that is fucking my game up major. Aaaaaaaaaand everyone’s watch is now the old timey Timex from J.Crew for $150 so yeah, 360 IDK. Plus, also, seriously, there must have been some clandestine colloquium workshop situation where all the dudes in all the land shucked to skivvies and got sized for their perfect pair of Uniqlo jeans and nobody said “no homo,” not even one time, because, Hi, y’all all look fantastic FUCK YOU.
Huh. The word “denim” comes from “serge de Nîmes”, a fabric made in Nîmes, France, and “blue jeans” comes from “Bleu de Genes”, blue pants made in Genoa (aka Genes). Both cities claim to have been manufacturing denim for centuries, but there has never been much proof in the way of artifacts and such. So the recent discovery of several paintings from the mid-1600s depicting people wearing jeans is surprising. Look at this jean jacket:
The New Yorker has a trio of interesting articles in their most recent issue for the discerning web/technology lady or gentlemen. First is a lengthy profile of Mark Zuckerberg, the quite private CEO of Facebook who doesn’t believe in privacy.
Zuckerberg may seem like an over-sharer in the age of over-sharing. But that’s kind of the point. Zuckerberg’s business model depends on our shifting notions of privacy, revelation, and sheer self-display. The more that people are willing to put online, the more money his site can make from advertisers. Happily for him, and the prospects of his eventual fortune, his business interests align perfectly with his personal philosophy. In the bio section of his page, Zuckerberg writes simply, “I’m trying to make the world a more open place.”
Tavi has an eye for frumpy, “Grey Gardens”-inspired clothes and for arch accessories, and her taste in designers runs toward the cerebral. From the beginning, her blog had an element of mystery: is it for real? And how did a thirteen-year-old suburban kid develop such a singular look? Her readership quickly grew to fifty thousand daily viewers and won the ear of major designers.
And C, John Seabrook has a profile of James Dyson (sub. required), he of the unusual vacuum cleaners, unusual hand dryers, and the unusual air-circulating fan.
In the fall of 2002, the British inventor James Dyson entered the U.S. market with an upright vacuum cleaner, the Dyson DC07. Dyson was the product’s designer, engineer, manufacturer, and pitchman. The price was three hundred and ninety-nine dollars. Not only did the Dyson cost much more than most machines sold at retail but it was made almost entirely out of plastic. In the most perverse design decision of all, Dyson let you see the dirt as you collected it, in a clear plastic bin in the machine’s midsection.
However, the temple for waisted male self-esteem is Old Navy, where I easily slid into a size 34 pair of the brand’s Dress Pant. Where no other 34s had been hospitable, Old Navy’s fit snugly. The final measurement? Five inches larger than the label. You can eat all the slow-churn ice cream and brats you want, and still consider yourself slender in these.
The vanity sizing situation with women’s clothes is even more variable. (via @linklog)
The Style Rookie gets ahold of a bunch of old issues of Sassy and scans in a couple dozen pages, including a fashion layout featuring Sassy intern Chloë Sevigny.
Sassy seems to be one of those rare magazines that is dearly missed but doesn’t really have a modern day analogue. (See also Might and Spy.)
The websites of the top 10 luxury brands don’t work that well on the iPad…most throw up a splash page prompting you to download Flash. This is what Cartier’s site looks like:
If I were Anna Wintour, I would be screaming at these companies to fix these sites. They reflect poorly on an industry that’s all about effortless style, appearance, confidence, and never, ever having a hair out of place (unless that’s the look you’re going for). This? This is like they’ve got no pants on — and not in a good way. That goes double for restaurant sites.
Eddie Feibusch opened his Manhattan zipper store on December 7, 1941 and is still plying his trade there, even after most of his competition has decamped for cheaper overseas locations.
How great are zippers? Don’t even get Mr. Feibusch started. They are watertight for deep-sea divers, airtight for NASA. “Nothing replaces a zipper,” he said. Buttons? He made a face. “A button is unpleasant,” he said.
Feibusch will even sell you a 30-foot-long zipper for $100…to wrap your hot-air balloon up. (via girlhacker)
The beauty of this photo by The Sartorialist is not in the clothes or the model but in the way that everything in shot leans down and to the right: the sidewalk sloping away toward the curb, the higher cuff on her right leg, her left foot slightly in front of her right, hips slouched so that her belt is parallel to the sidewalk, the neckline on her shirt. And then that big wave of hair thrown over the other way, balancing everything else out.
That “exalted dignity, that certain solemnity of mien,” lent by an imposing beard, “regardless of passing vogues and sartorial vagaries,” says Underwood, is invariably attributable to the presence of an obscure principle known as the odylic force, a mysterious product of “the hidden laws of nature.” The odylic, or od, force is conveyed through the human organism by means of “nervous fluid” which invests the beard of a noble poet with noetic emanations and ensheathes it in an ectoplasmic aura.
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