And running is good. I don’t have to lie about it or hide it. It makes me happy, and it makes my life better. There are little parallels between running and drinking, though: I feel antsy, for instance, on days when I can’t run (that itch!). And I backpedal on the days I plan to rest — I’ll just go for a quick one right now and take tomorrow off instead. And I don’t understand the people — my friends — who run only once or twice a week. Why not more? Wouldn’t you want to do it every day?
Edith and I traded Insta memes this morning about running and mountain biking. I’ve been mtn biking for four years now but this year was the first time it felt urgent — every few days, I had to get out on the bike. And each time I did, I wanted to ride harder and faster and better. I pushed it so hard I almost died and didn’t ride for a month, during which period I wasn’t feeling apprehensive about getting back on the bike, I was impatient and antsy that I couldn’t. Since getting back to it, I’ve modified my approach — less aggressive, more life preserving — but the need to get out remains. I don’t know what I’m going to do this winter without it.
Kasso is a Japanese game show that’s like a skateboarding version of Ninja Warrior. A group of skaters is challenged to navigate a series of obstacle courses that require the street and park skating skills. Some of the obstacles are truly diabolical — to get the gist, check out these videos:
In a collaboration with Red Bull & Prada (uh, ok) and with the help of the Polish State Railways, Dawid Godziek rode a mountain bike on a ramps course on top of a moving train, performing tricks & flips between cars. The train and rider moved at the same speed in opposite directions, which made it seem as though, from the perspective of someone on the ground next to the train, that the rider is nearly horizontally stationary.
The result is trippy & counterintuitive and also a demonstration of Newton’s laws of motion & frames of reference. But since Godziek was not riding in a vacuum, there were some real world details to contend with:
We observed something interesting — the lack of air resistance. In theory, this could have made it easier, but the opposite was true. The air resistance creates a tunnel that somehow keeps me in a straight line and doesn’t allow me to shift right or left. Luckily on the recordings we had, the headwind gave me artificial air resistance, which helped me to get a feel for the flight on classic hops. On the tests, the wind was blowing weaker or in a different direction, making shooting tricks difficult. Not bad, right? We’re always complaining about air resistance, and when it wasn’t there, we found that it was impossible to fly without it.
From British Pathé, a short film clip from 1928 of men racing on penny farthing bikes. See also clips from 1936 and 1937 races.
Most of the crowd seems to have come to see them fall off, but in the end it turns out to be such a great race that when they come round on the third lap, the excitement runs higher than the bicycle.
For his 2012-13 piece The Obstruction of Action by the Existence of Form, artist R. Eric McMaster built a hockey rink less than 1/10th the size of a regulation rink and had two full hockey teams play what has to be the most frustrating game of hockey ever. This is definitely a metaphor for something but I don’t quite know what.
I’d never heard this before: in a long jump competition in 1974, Tuariki Delamere did a full front flip during a jump in an attempt to fly further.
The idea of a front flip in long jump had been talked about for years. Experts believed it could help jumpers go further by using the body’s natural rotation to boost momentum. The flip would turn the jumper’s upward motion into forward motion, potentially adding crucial inches to the jump.
This Wired article delves deeper into the physics of the somersault jump:
Delamere’s technique might have added significant distance to long jumps. Many experts think it could have broken the 30-foot mark. (The world record is 29 feet, 4 inches.) But he was never given the chance, because the sporting authorities said it was too dangerous. Evidently they’d never seen gymnastics or ski jumping.
That’s right, the flip technique was quickly banned and never used in competition again. Come on, bring it back!
I watched the men’s Olympic mountain biking race last week and something one of the announcers said caught my attention. She was describing the electronic shifters the cyclists use and then said that many of the competitors were also using an AI-controlled suspension system that automagically adjusted the level of suspension according to the terrain and rider preference.
The S-Works is the first production bike to debut with the latest version of RockShox’s Flight Attendant Ai suspension. This uses sensors in the SID Ultimate fork, SIDLuxe Ultimate shock, Quarq XX SL power crank, XX SL rear mech and XX shifters to build a comprehensive ride ‘picture’. It then automatically switch the fork and shock between open, pedal and lock modes depending on incoming impacts, bike orientation, pre-emptive shift signals and rider referencing ‘effort states’.
Flight Attendant is comprised of two primary components: a fork module and a rear shock module. The fork module sits atop a special Charger damper that comes inside a Pike, Lyrik or Zeb, while the shock module is built into the piggyback reservoir of a Flight Attendant-specific Super Deluxe Ultimate shock. These two modules communicate wirelessly, and decide whether the suspension should be in one of three predetermined compression settings: Open, Pedal or Lock.
The system makes these decisions based on input provided by an array of sensors. Inside the fork and shock modules you’ll find an accelerometer and an inclinometer, which allows the bike to detect both bump forces and pitch. There’s also a sensor within the crank spindle to detect if you’re pedalling or coasting.
With this combination of sensors, Flight Attendant builds a picture of the terrain and the rider’s pedalling input. Based on that picture, it automatically adjusts the suspension to the ideal setting. Put simply, it’s designed to firm up the suspension to improve pedal efficiency on the climbs and along smoother terrain, while allowing the suspension to open up for the descents and on rougher trails. And all without your hands ever having to leave the grips.
And does it work? Again from Mountain Bike Rider:
In fact I’d actually say RockShox’s claimed 1.8% faster over a 90 minute event is an underestimation for most riders. Even XC GOAT Nino Schurter found the Flight Attendant changed modes over four times more often (1,325 switches rather than 300) than he normally would with a manual lockout. That experiment also ended in the first of several World Cup wins for SID Flight Attendant prototypes in 2023 including some by Victor Koretsky on a modified version of the previous Epic Evo.
A lot of that is MTB jargon but I hope you get the jist. What I couldn’t find is any evidence that Flight Attendant or any of the similar systems are actually using AI or machine learning to assist with these adjustments. I did find this article on Pinkbike about Shimano’s plans for a suspension system that a rider can train.
Automatic control of suspension itself is nothing new. Fox Live Valve, RockShox Flight Attendant and more recently, SR Suntour’s TACT suspension products have been automatically adjusting suspension damping, with varying levels of success, for a good number of years now. However, the programming behind the function of these products is relatively fixed. There is no scope for the rider to give the system feedback on its performance. It can’t “learn” what the rider’s preferences are.
It could be that the Olympic riders are using pre-market prototypes that use machine learning to adapt to individual rider preferences, but I don’t know. I’d love to hear from folks out there if you know any more details!
I haven’t watched too much of the Olympics this summer so maybe the announcers explain this every single time they show a medals ceremony, but in case you didn’t know, the long, thin boxes given to the medalists along with their medals contain the official poster of the Games (and a plushie).
The poster was created by illustrator Ugo Gattoni and is a sort of Where’s Waldo / Busy Busy Town representation of the Games and its venues.
The designer had total creative freedom. While working to a brief and respecting the look of the Games, he still managed to maintain his own playful and joyful style.
This is why eight mascots are hidden within the posters. In fact, whatever age you are, there is something within the artwork that you will be able to enjoy.
The biggest images of the poster I can find are here if you want to zoom in to see the details. There are also zoomed-in images and videos on Gattoni’s Instagram.
The Olympic poster is the twin of the poster for the Paralympic Games, also created by Gattoni:
Over the last century, athletic performances have dramatically improved because of better training, improved nutrition, a bigger pool of people to draw from, technology, increased financial support, and the human desire to build on each others’ successes. It’s actually shocking how much better athletics have gotten, as you can see from these “then & now” videos from the Summer Olympics. Here’s the men’s pole vault from 1912 and then 2020:
The women’s javelin in 1932 (Babe Didrikson!) vs. 2020:
And perhaps the most stark difference: the women’s 10-meter platform diving in 1912 and 2020; it’s like watching two completely different sports:
As part of the effort to incorporate the Negro Leagues into MLB history, MLB held a pair of games at Birmingham, Alabama’s Rickwood Field, “the oldest professional ballpark in the United States and former home of the Birmingham Black Barons of the Negro Leagues”. During the pregame show Fox Sports invited Reggie Jackson, who played on a minor league team at the ballpark, to offer his perspective on the event. (Content note: Jackson says the n-word twice during his remarks.)
About halfway through this clip (the 4:35 mark), Alex Rodriguez asks him a softball question designed to elicit some fond memories about baseball and some gauzy reflections on the impact of the Negro Leagues:
How emotional is it for you to come back to a [place] that you played with one of the greatest teams around?
Jackson, as he did so many times during his career, knocked it out of the park with the brutal truth about what it was like to play baseball in the South as a Black man in the 60s (transcript):
Coming back here is not easy. The racism when I played here, the difficulty of going through different places where we traveled. Fortunately, I had a manager and I had players on the team that helped me get through it. But I wouldn’t wish it on anybody. People said to me today, I spoke and they said, ‘Do you think you’re a better person, do you think you won when you played here and conquered?’ I said ‘You know, I would never want to do it again.’
“I walked into restaurants and they would point at me and say, ‘The n***** can’t eat here.’ I would go to a hotel and they would say, ‘The n***** can’t stay here.’ We went to [Oakland Athletics owner] Charlie Finley’s country club for a welcome home dinner and they pointed me out with the n-word, ‘He can’t come in here.’ Finley marched the whole team out. Finally, they let me in there. He said ‘We’re going to go the diner and eat hamburgers. We’ll go where we’re wanted.’”
“Fortunately, I had a manager in Johnny McNamara that, if I couldn’t eat in the place, nobody would eat. We’d get food to travel. If I couldn’t stay in a hotel, they’d drive to the next hotel and find a place where I could stay. Joe and Sharon Rudi, I slept on their couch three, four nights a week for a month and a half. Finally, they were threatened that they would burn our apartment complex down unless I got out.
The year I came here, Bull Connor was the sheriff the year before, and they took minor league baseball out of here because in 1963, the Klan murdered four Black girls - children 11, 12, 14 years old - at a church here and never got indicted. The Klan, Life Magazine did a story on them like they were being honored.
“I wouldn’t wish it on anyone. At the same time, had it not been for my white friends, had it not been for a white manager, and Rudi, Fingers and Duncan, and Lee Meyers, I would never have made it. I was too physically violent. I was ready to physically fight some - I would have got killed here because I would have beat someone’s ass and you would have saw me in an oak tree somewhere.”
Two weeks ago, Roger Federer gave the commencement speech at Dartmouth. After asserting that he’d graduated (and not retired) from professional tennis, Federer shared what he learned from his years on the pro circuit. Some excerpts from the transcript:
“Effortless”… is a myth.
I mean it.
I say that as someone who has heard that word a lot. “Effortless.”
People would say my play was effortless. Most of the time, they meant it as a compliment… But it used to frustrate me when they would say, “He barely broke a sweat!”
Or “Is he even trying?”
The truth is, I had to work very hard… to make it look easy.
I spent years whining… swearing… throwing my racket… before I learned to keep my cool.
The wakeup call came early in my career, when an opponent at the Italian Open publicly questioned my mental discipline. He said, “Roger will be the favorite for the first two hours, and then I’ll be the favorite after that.”
I was puzzled at first. But eventually, I realized what he was trying to say. Everybody can play well the first two hours. You’re fit, you’re fast, you’re clear… and after two hours, your legs get wobbly, your mind starts wandering, and your discipline starts to fade.
It made me understand… I have so much work ahead of me, and I’m ready to go on this journey now. I get it.
On talent:
Yes, talent matters. I’m not going to stand here and tell you it doesn’t.
But talent has a broad definition.
Most of the time, it’s not about having a gift. It’s about having grit.
In tennis, a great forehand with sick racquet head speed can be called a talent.
But in tennis… like in life… discipline is also a talent. And so is patience.
Trusting yourself is a talent. Embracing the process, loving the process, is a talent.
Managing your life, managing yourself… these can be talents, too.
Some people are born with them. Everybody has to work at them.
On “it’s only a point”:
In tennis, perfection is impossible… In the 1,526 singles matches I played in my career, I won almost 80% of those matches… Now, I have a question for all of you… what percentage of the POINTS do you think I won in those matches?
Only 54%.
In other words, even top-ranked tennis players win barely more than half of the points they play.
When you lose every second point, on average, you learn not to dwell on every shot.
You teach yourself to think: OK, I double-faulted. It’s only a point.
OK, I came to the net and I got passed again. It’s only a point.
Even a great shot, an overhead backhand smash that ends up on ESPN’s Top Ten Plays: that, too, is just a point.
Here’s why I am telling you this.
When you’re playing a point, it is the most important thing in the world.
But when it’s behind you, it’s behind you… This mindset is really crucial, because it frees you to fully commit to the next point… and the next one after that… with intensity, clarity and focus.
The truth is, whatever game you play in life… sometimes you’re going to lose. A point, a match, a season, a job… it’s a roller coaster, with many ups and downs.
And it’s natural, when you’re down, to doubt yourself. To feel sorry for yourself.
And by the way, your opponents have self-doubt, too. Don’t ever forget that.
But negative energy is wasted energy.
And “life is bigger than the court”:
I worked a lot, learned a lot, and ran a lot of miles in that small space… But the world is a whole lot bigger than that… Even when I was just starting out, I knew that tennis could show me the world… but tennis could never be the world.
I knew that if I was lucky, maybe I could play competitively until my late 30s. Maybe even… 41!
But even when I was in the top five… it was important to me to have a life… a rewarding life, full of travel, culture, friendships, and especially family… I never abandoned my roots, and I never forgot where I came from… but I also never lost my appetite to see this very big world.
Somehow, I didn’t know that until quite recently, tennis balls were white instead of yellow (Wimbledon used white balls until 1985). Here’s a British Pathé film from 1961 that shows how tennis balls were made, along with Wimbledon ball boy training:
The change in color happened due to the demands of television transmissions. In 1972 television was already in color all over the world (although in Spain it was not generalized until five or six years later). At the end of the 1960s, the person in charge of the BBC broadcasts (which, of course, was in charge of Wimbledon) was the renowned documentary filmmaker David Attenborough. And he noticed that the visibility of the traditional white ball was not perfect, especially if it approached the lines of the rectangle of play.
In that year of 1972, tennis was in full growth: the professional and amateur circuits had unified and women’s professional tennis was also growing. Tennis was becoming a great world spectacle and in this context television was fundamental. The International Tennis Federation, in charge of the rules, commissioned a study which showed that the yellow ball was more visible and therefore easier for viewers to follow. The courts, moreover, began to be multicolored once the use of synthetic materials in official tournaments was approved.
A surfer as famous as he was could have made enough money for an easy retirement, I thought, but Sutherland hadn’t cashed in. Surfing was never, to his mind, a job. Even when he was at the apex of the surfing world, he was unimpressed, stubborn. There was no pro tour in those days. “You could work for a board manufacturer, maybe have your own signature-model board,” he told me. “But that meant sell, sell, sell. That was…crass. I mean, the banality. It was antithetical to being able to enjoy being out in the water.”
Sutherland’s mom, Audrey, sounds like an amazing person:
Audrey drew up a list of things that every child should be able to do by age sixteen and stuck it on the wall. It read, in part:
- Clean a fish and dress a chicken
- Write a business letter
- Splice or put a fixture on an electric cord
- Operate a sewing machine and mend your own clothes
- Handle a boat safely and competently
- Save someone drowning using available equipment
- Read at a tenth grade level
- Listen to an adult talk with interest and empathy
- Dance with any age
This list changed with the times, adding computers and contraception, and nobody really kept score, but everybody got the idea.
Finnegan wrote Barbarian Days, a memoir of his life as a surfer — I loved it.
Former NBA player and TV sportscaster Bill Walton died on Monday at the age of 71. He was a quirky dude and as someone who’s been known to veer off onto seemingly unrelated tangents, I appreciated his oddball broadcasting style. Basketball was good for Walton but it also ruined his body. In response, he turned to biking to keep active and to get around.
I am the luckiest guy in the world because I am alive and I can ride my bike. It is the ultimate celebration of life when you go out there and are able to do what you can do. I have not been able to play basketball for 34 years. I have not been able to walk for enjoyment or pleasure or exercise in 41 years, but I can ride my bike.
In a brief clip of a talk Walton gave (at the University of Arizona, I believe, the custodian of Biosphere 2), he elaborated on how important his bicycle was to him:
I love my bike. My bike is everything to me. My bike is my gym, my church, and my wheelchair. My bike is everything that I believe in going on in the Biosphere. It’s science, it’s technology, it’s the future, engineering, metallurgy - you name it, it’s right there in my bike. My bike is the most important and valuable thing that I have.
By contrast, a person on a bicycle can go three or four times faster than a pedestrian, but uses five times less energy in the process. He carries one gram of his weight over a kilometer of flat road at an expense of only 0.15 calories. The bicycle is the perfect transducer to match man’s metabolic energy to the impedance of locomotion. Equipped with this tool, a person outstrips the efficiency of not only all machines but all other animals as well.
As one of the commenters on this post said, “Tailwinds and smooth asphalt forever, buddy.”
Danny MacAskill is known ‘round these parts for his jaw-dropping trials riding (I first posted about him 15 years ago) but this ride is a little bit different. MacAskill and four friends take to the local mountain bike trails around Inverness, Scotland on ebikes and have a grand old time. For me, listening to the banter was just as entertaining as watching the riding — it’s obvious they’re just out there having a blast.
P.S. I was also trying to calculate how fast I would die if I tried riding some of that stuff and the answer is “almost immediately”. Yiiiikes.
I am a sports parent but have never been the type that lived through the achievements of their kids, but even so, there are parts of Rich Cohen’s The Sad Fate of the Sports Parent I identified with.
The end began like this: One evening, after the last game of the high-school season, I asked my son if he’d be trying out for spring league. For a youth-hockey kid, playing spring league is the equivalent of a minor-league pitcher playing winter ball in Mexico — so necessary as a statement of intent and means of improvement that forgoing it is like giving up “the path.” Rather than a simple affirmative nod, as I’d expected, I got these words: “I’m going to think about it.” Think about it? For me, this was the same as a girlfriend saying, “We need to talk.”
Only later did I realize that those words were the first move in a careful choreography. My son wanted to quit, but in a way that would not break my heart. He also didn’t want me to rant and rave and try to talk him out of it.
We had reversed roles. He was the adult. I was the child.
I find the life-long child/parent role-reversal dynamic endlessly fascinating. And also this bit:
He had no inherent genius for the game, but he loved it, and that love, which was his talent, and the corresponding desire to spend every free moment at the facility — the life of a rink rat — jumping onto the ice whenever an extra player was needed, shooting tape balls in the lobby, made him an asset. A kid can have all the skills, speed, size, and shot, but if he doesn’t want to be there, if he doesn’t love the game, it’s not going to work.
It was passion that got him onto the top teams (this was tier-two and tier-three hockey in Fairfield County, Connecticut) and thus sowed the seed that eventually became, for me, a bitter plant. His love for the game elevated him to the hypercompetitive, goal-fixated ranks, where it’s always about the next tryout and the next season, who will make it and, more important, who will be left behind. Irony: His love for the game had carried him to a level where no love is possible.
Both of my kids are skiers competing on a national level and they are definitely struggling with this — how do you balance the genuine love of a sport and competition with the fixation on goals & judging? When is it no longer worth it?
Since the early 70s, the Native Youth Olympics have showcased the traditional games of the Alaska Native people:
Our Alaska Native ancestors developed traditional games in order to test and prove crucial abilities that governed everyday life. Competition was created with each other to hone their ability to hunt and fish for daily survival in the traditional way of life. The creators of the NYO Games wanted an opportunity to demonstrate their favorite traditional Native contests of their forefathers.
I found out about this via a highlight reel on Instagram — here’s last year’s competition highlights:
One-foot High Kick: “In many cultures, the One-Foot High Kick was used for signaling a successful hunt.”
Indian Stick Pull: “The Indian Stick Pull represents grabbing a slippery salmon, and was used traditionally to develop hand and arm strength.”
Kneel Jump: “Historically, the Kneel Jump was a game used to strengthen the leg muscles for jumping from ice floe to ice floe, and for lifting prey after a successful hunt.”
Seal Hop: “The Seal Hop is a variation of the Inuit Knuckle Hop, and used traditionally as a game of endurance and stamina, and for sneaking up on a seal, mimicking the mammal’s movement on the ice.”
Two-foot High Kick: “The Two-Foot High Kick was historically used to communicate the success of a spring hunt.”
I love these events. I think my favorite is a reintroduced event for the 2024 games (just concluded): the Toe Kick, which returned after a 10-year hiatus. Here’s how you do it:
Here’s a short documentary about the NYO and athlete Autumn Ridley from 2013 — her event is the Alaskan High Kick, perhaps the most impressively athletic event:
This is a powerful public service announcement about mental health from Norwich City FC and Samaritans (note the content warning at the start of the video). That’s all I’m going to say about it — just watch it.
In case anyone saw the news that Lil Nas X ran a half-marathon last weekend and then thought, Hm I wonder if other celebrities have run marathons? (as I did), the answer is: Yes, a lot, and last fall Runners World put together a long list of them, with each of the runners’ times. Shoutout to Bryan Cranston for running a 3:20! 🔥
Elsewhere in marathon news, Romper has a good story about a marathoner recovering from a birth injury. (“I’m losing my mind a little bit.”)
Winter is winding down here in the northern hemisphere (though you wouldn’t know it from the foot of new snow outside my window), but for practitioners of wild ice skating, spring can bring favorable conditions.
But the problem with Nordic skating or any kind of wild skating — which is defined as outdoors and on naturally formed ice, regardless of the style of skate used — is finding good ice. Wild-ice seekers extol late fall and sometimes spring for freezing conditions without snowfall, which degrades ice.
A doctor trained in wilderness emergencies (and who has summited Everest three times) explains all the different ways Mt. Everest can kill you — in a refreshingly no-nonsense way.
Mt. Everest is a famously inhospitable environment for humans — if someone from sea level was dropped at the very top they’d be unconscious within minutes. Many dangers await those brave enough to make an attempt at the summit, and Dr. Emily Johnston visits WIRED to break down each and every way Mt. Everest can prove fatal.
Avalanches, ice axes on the loose, high-altitude edemas, “this is what people call ‘the death zone’” — sounds fun, let’s go! 🫠 (via @thenoodleator)
A small number of shuttered golf courses around the country have been bought by land trusts, municipalities and nonprofit groups and transformed into nature preserves, parks and wetlands. Among them are sites in Detroit, Pennsylvania, Colorado, the Finger Lakes of upstate New York, and at least four in California.
“We quickly recognized the high restoration value, the conservation value, and the public access recreational value,” said Guillermo Rodriguez, California state director with the nonprofit Trust for Public Land, which bought the San Geronimo course, in Marin County, for $8.9 million in 2018 and renamed it San Geronimo Commons.
The article also shares this startling fact: “The United States has more golf courses than McDonald’s locations.” WAT.
YouTuber Casey Neistat has achieved a lot in life, including several “impossible goals” he set for himself. But one of his longest-running goals seemed to be slipping out of his reach and, well, I don’t want to spoil what happens.
I will say however that I think it’s good and healthy to let go of your goals and dreams if they do not serve the person you have become since setting them. I’ve never been much of a goal person, but I’ve definitely had thoughts about directions I’ve wanted to head or things I’d like to have had happen that just aren’t relevant for what’s important to me right now. If it’s not working for you, chalk it up to sunk cost and let it go.
I got this link via Andy, who said, “I allow myself one link to a Casey Neistat video every ten years, and this is that video.” Lol.
Yesterday on her Instagram story, cognitive scientist Lera Boroditsky posted a short clip of a lecture in which she posed an intriguing question: if she switched brains with LeBron James, which of them would win in a 1-on-1 game? Some relevant facts: LeBron is 6’8”, 250 pounds, a 4-time NBA champion, 19-time All-Star, 4-time league MVP, and is the all-time NBA points leader. He also possesses a singular basketball mind:
“I can usually remember plays in situations a couple of years back — quite a few years back sometimes,” James says. “I’m able to calibrate them throughout a game to the situation I’m in, to know who has it going on our team, what position to put him in.
“I’m lucky to have a photographic memory,” he will add, “and to have learned how to work with it.”
Boroditsky is 5’3”, 105 pounds, and by her own admission knows nothing about basketball and has “no hops”. So who would win? Boroditsky’s body with LeBron’s brain or LeBron’s body with Boroditsky’s brain? And why?
One of the best uses of technology is to make people laugh. In this three-part series, the Numerical YouTube channels uses some simple editing to increase the size of the goal until some laughably off-the-mark strikes by professional footballers Ousmane Dembélé, Harry Kane (his penalty miss vs France), and Nicolas Jackson finally find their targets. The misses just get more and more funny as the goal gets bigger.
This is pretty clever actually: Disney+ and ESPN+ will air a real-time, Toy Story-ified version of the Oct 1st Jacksonville Jaguars and Atlanta Falcons NFL game. From Deadline:
Using the NFL’s Next Gen Stats and on-field tracking data, every player and play will be presented in “Andy’s Room,” the familiar, brightly colored setting for the Toy Story franchise. The action will be virtually simultaneous with the main game telecast, with most plays recreated after an expected delay in the neighborhood of about 30 seconds. Woody, Buzz Lightyear and many other characters will be visible throughout, and a press release notes they will be “participating from the sidelines and in other non-gameplay elements.” Along with game action, the announcers, graphics, scoreboard, referees’ penalty announcements, celebrations and other parts of the experience will all be rendered in a Toy Story-centric fashion.
I stopped watching the NFL years ago, but I might tune in to see how this works.
For the role of a teacher/coach in her new film Bottoms (about a pair of queer girls who start a fight club in their high school in order to get laid), director Emma Seligman made the unorthodox decision to cast former NFL player Marshawn Lynch. It turned out to be an inspired choice — according to an interview with Seligman, he was a natural.
He was one of the best improvisers I’ve ever worked with. I’m not overstating that. He improvised most of his stuff in the movie that ended up in the final cut! We couldn’t ever write something that would be as funny as what he gave us. He’d spew out the most brilliant jokes ever. I kept on encouraging him to do more improv. He’d be like, “Ugh, that stuff’s easy! I wanna get your words right!” I told him that it was so much better than anything we could have written and he was like, “I don’t care about this. I want to honor your work.” I’m so glad I got to talk about him this much.
Here’s a short clip of Lynch doing his thing as Mr. G, “an air-headed high school teacher”:
Lynch also used the film as an opportunity to make some amends for how he reacted when his sister came out as queer:
This was a good opportunity for me because when I was in high school, my sister had came out as being a lesbian or gay — I did not handle it right. You feel me, as a 16-year-old boy, I didn’t handle it the way that I feel like I probably should have. So I told [Seligman] it was giving me an opportunity to correct my wrongs, to rewrite one of my mistakes.
From that interview with Seligman again:
In our first conversation, he told me that his sister is queer and when they were in high school, he didn’t necessarily handle it super well. He felt like this movie coming into his hands was the universe giving him a chance to right his wrongs. That’s what he said. He walked her down the aisle. He felt like they were all good, you know? But his sister thought it’d be really cool if he did this.
If you have never seen this old interview with Lynch about the value of persistence, buckle up because you’re in for a treat:
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