“If you see something suspicious, welcome to
“If you see something suspicious, welcome to how New York got started.” (via gothamist)
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kottke.org posts about nyc
Haven’t tried it out yet, but SeamlessWeb
Haven’t tried it out yet, but SeamlessWeb At Home seems like a good site for ordering Manhattan delivery (i.e. lunch/dinner) online. Plus, you get 20% off your order from some places.
Photos of pool hustlers in NYC. (via
Photos of pool hustlers in NYC. (via coolfer by way of the actual janelle)
kottke.org favorites Andrew Zolli and Marissa
kottke.org favorites Andrew Zolli and Marissa Meyer (from a little company called Google) are going to be speaking at Core77’s panel on Design 2.0 in NYC at the end of February. Looks pretty interesting.
Starbucks center of gravity
Cory has calculated the center of gravity of Starbucks in Manhattan…that is, the geographic point where all of them are pulling equally on you. It’s right around 40th St and 5th Ave.
The NY Times spends some time at
The NY Times spends some time at home with Paula Scher. The gallery displaying her work is right around the corner from Eyebeam….I think I’ll head over there today.
Slate’s The Year in Culture for 2005. “As
Slate’s The Year in Culture for 2005. “As infuriating and crippling as the [NYC transit] strike was for so many, I selfishly appreciated having a city that was uninviting and briefly in turmoil.”
Edward Burtynsky at the Brooklyn Museum of Art
I can’t remember where I first ran across Edward Burtynsky’s photography, but I’ve been developing into a full-fledged fan of work over the past few months. From a Washington Post article on Burtynsky:
Burtynsky calls his images “a second look at the scale of what we call progress,” and hopes that at minimum, the images acquaint viewers with the ramifications — he avoids the word price — of our lifestyle. But what if viewers just see, you know, some dudes and a ship?
“Another photographer might focus on the loss of life or pollution,” acknowledges Kennel of the National Gallery. “He uses beauty as a way to draw attention to something. It’s a very particular strategy.”
The Brooklyn Museum of Art is displaying an exhibition of Burtynsky’s photos until January 15. Well worth the effort to try and check it out. The scale of modernity, particularly in his recent photos of China, is astounding. In Three Gorges Dam Project, Dam #4, this huge dam seems to stretch on forever and you don’t know whether to goggle in wonder or shrink in horror from looking at it.
New York magazine enters the NYC dining
New York magazine enters the NYC dining fray with a listing of the best 101 restaurants in the city. Only two got their highest (5 star) rating: Masa and Le Bernardin.
A list of what restaurant professionals want
A list of what restaurant professionals want to see more and less of in 2006. Anthony Bourdain wants less “Truffle oil. ‘Fusion.’ Water sommeliers. Overdesigned dining rooms. Mayonnaise on sushi. ‘Concept’ restaurants. Novelty martinis.” (via eater)
New York City is in danger of
New York City is in danger of losing its creative class as the high cost of living drives people to other cities.
Things Magazine has a great link-filled post about King Kong.
Things Magazine has a great link-filled post about King Kong.
Adam from Slice documented all of the
Adam from Slice documented all of the pizzerias on his 8.2 mile walk to work this morning (more). (thx, janelle)
Gothamist interview with my friend Lisa Whiteman
Gothamist interview with my friend Lisa Whiteman about her photography. Lisa is one of the most thoughtful people I know and it shows in this interview.
John Lasseter at MoMA
MoMA just opened their show about Pixar last week and on Friday, we went to a presentation by John Lasseter, head creative guy at the company. Interesting talk, although I’d heard some of it in various places before, most notably in this interview with him on WNYC. Two quick highlights:
- Lasseter showed colorscripts from Pixar’s films (which can be viewed in the exhibition). A colorscript is a storyboarding technique that Pixar developed to “visually describe the emotional content of an entire story through color and lighting”. They are compact enough that the entire story fits on a single sheet and if you’re familar enough with the films, you can follow along with the story pretty well. But mostly it’s just for illustrating the mood of the film. Very cool technique (that could certainly be adopted for web design and branding projects).
- Near the end of the talk he showed a 2-3 minute clip of Cars, prefacing it with an announcement that it had never before been shown outside of Pixar.[1] Some of the CGI wasn’t completely finished, but it was certainly enough to get the gist. When the first preview trailer for Cars was released, I was skeptical; it just didn’t look like it was going to be that good. Based on the clip Lasseter showed and some of his other comments, I’m happy to report that I was wrong to be so skeptical and am very much looking forward to its release in 2006.
At 15 minutes long, the Q&A session at the end of his talk was too short. The MoMA audience is sufficiently interesting and Lasseter was so quick on his feet and willing to share his views that 30 to 40 minutes of Q&A would have been great.
[1] For you Pixar completists and AICN folks out there, the clip showed Lightning McQueen leaving a race track on the back of a flat-bed truck, bound for a big race in California. As the truck drives across the US, you see the criss-crossing expressways of the city stretch out into the long straight freeways of the American west, the roads literally cutting into the beautiful scenery. A cover of Tom Cochran’s Life is a Highway plays as the truck drives. The world of the movie features only cars, no humans…the cars are driving themselves.
NYC subways and buses are shut down
NYC subways and buses are shut down as the city’s transit workers go on strike.
Witold Rybczynski on the success of Rockefeller
Witold Rybczynski on the success of Rockefeller Center as an urban project.
Subways and buses are still running in
Subways and buses are still running in NYC, but the Transport Workers Union has called for a partial strike that will start on private bus lines and if no agreement has been reached, will spread elsewhere.
Ken Auletta explores the recent troubles at
Ken Auletta explores the recent troubles at the NY Times in the New Yorker (interview with Auletta). As much as people complain about the liberal media, it’s hard to imagine a conservative magazine running a similar story about, say, Fox News.
Video of a building super catching a
Video of a building super catching a baby tossed from the 3rd story of a burning building. I’ve never seen such shameless maneuvering for a Christmas tip in all my life!
Slideshow of photographs by Annie Leibovitz documenting
Slideshow of photographs by Annie Leibovitz documenting the building of The New York Times Building in NYC. (thx, michael)
If you’re looking for a Christmas tree
If you’re looking for a Christmas tree in NYC, here’s a map of where they’re sold. (via sbj)
Wow, an interactive transit map for NYC.
Wow, an interactive transit map for NYC. I haven’t kept up with all the Google/Yahoo Maps subway mashups, but this one is pretty impressive. Click start and end points and it tells you which subway to board and how long the trip will take, including walking time.
Explore the sounds of NYC’s Lower East
Explore the sounds of NYC’s Lower East Side on the Folks Songs for the Five Points site. (thx, david)
Safe: Design Takes On Risk
At the risk (ha!) of missing it, I waited until this late in the game to check out Safe: Design Takes On Risk at the MoMA. Great show. Two of my favorite items:
- Safe Bedside Table by James McAdam. If the need should arise in the middle of the night, the top of the table separates from the leg and can be worn on the arm as a shield while you use the leg to beat the crap out of a surprised burglar.
- Suited for Subversion by Ralph Borland. Don this highly visable suit before heading out for a day of protesting. It’s padded to protect against police brutality, an optional wireless camera acts as a witness to the day’s events, and a speaker amplifies the wearer’s heatbeat, letting those around him know that’s he’s scared, anxious, exhilarated, or simply human.
For you armchair museum goers, what looks to be the entire exhibition is available online.
Also, the MoMA around holiday time, not so crowded. (Well, relatively so. There were still a fair number of people there, just not so many as in the Build-A-Bear store on 5th Avenue.)
Two experts on street-level NYC go sightseeing
Two experts on street-level NYC go sightseeing in True Crime: New York City, a video game that has attempted to recreate the city down to its last manhole cover.
The Burtynsky exhibition at the Brooklyn Museum
The Burtynsky exhibition at the Brooklyn Museum of Art sounds good. I hope to get over there before it closes on January 15. Here’s his site with lots of photographs. “He often will shoot an image on three or four different brands of film, then print each image on three or four different brands of paper…then chooses the combination that produces the richest and most vivid look.”
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