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A much tinier number die alone in unwatched struggles. No one collects their bodies. No one mourns the conclusion of a life. They are just a name added to the death tables. In the year 2014, George Bell, age 72, was among those names.
That has changed since the NY Times’ N.R. Kleinfield wrote a piece on the life and death of a random New Yorker: The Lonely Death of George Bell.
Astronaut Scott Kelly, who is spending a continuous year in space,1 tweeted out a photo by fellow ISS resident Oleg Kononenko of NYC on Saturday night.
Of the many possibilities, I’d like to point out just three interesting things.
1. Times Square! And not just that, but the whole of central Midtown is now lit up like a Christmas tree from 34th Street to Central Park.
2. The bright spot of light in the upper right corner of the image above is Citi Field. The photo must have been taken during Game 1 of the NLCS between the Mets and the Cubs. The Mets won that game 4-2. #LGM!
3. You’ll notice that the streetlights in much of the city are orange. But in the bottom right corner, in Brooklyn, you can see the future. NYC is currently replacing all of the orange-glowing sodium vapor streetlights with blue-glowing LED lights that are longer lasting and more energy efficient. But they are also brighter and some are already complaining about the harsh blue light.
The new LEDs may be environmentally sensitive, but they are also optically harsh.
“The old lights made everybody look bad,” said Christopher Stoddard, an architect, who lives at the corner of Fuller Place. “But these are so cold and blue, it’s like ‘Night of the Living Dead’ out there.”
“We’re all for saving energy,” his wife, Aida Stoddard, also an architect, said, “but the city can do so much better.”
A few blocks away, Rose Gallitelli taped up black garbage bags on her bedroom windows so that she could sleep. “They’re the heavy-duty kind,” she said.
The lighting refit is scheduled to be completed in two years. The city will look different when it’s done, in real life, on Instagram, and in film. (via @ginatrapani)
Update: Photographer Pari Dukovic has a shot of one of the old sodium vapor street lamps in the New Yorker this week.
Scott also recently broke the American record for the most days spent in space. Today marks his 386th day in space.↩
Eater has the scoop: Danny Meyer’s Union Square Hospitality Group is eliminating tipping at all of their full-service restaurants.
Big news out of Manhattan: Dining out is about to get turned on its head. Union Square Hospitality Group, the force behind some of New York’s most important restaurants, will announce today that starting in November, it will roll out an across-the-board elimination of tips at every one of its thirteen full-service venues, hand in hand with an across-the-board increase in prices.
Why are they doing this? In part because cooks get the shaft at restaurants:
Under the current gratuity system, not everyone at a restaurant is getting a fair shake. Waiters at full-service New York restaurants can expect a full 20 percent tip on most checks, for a yearly income of $40,000 or more on average — some of the city’s top servers easily clear $100,000 annually. But the problem isn’t what waiters make, it’s what cooks make. A mid-level line cook, even in a high-end kitchen, doesn’t have generous patrons padding her paycheck, and as such is, on average, unlikely to make much more than $35,000 a year.
I hope this catches on.
The Silicon City exhibit at the New York Historical Society takes a look at the long history of computing in NYC.
Every 15 minutes, for nearly a year, 500 men, women, and children rose majestically into “the egg,” Eero Saarinen’s idiosyncratic theater at the 1964 World’s Fair. It was very likely their first introduction to computer logic. Computing was not new. But for the general public, IBM’s iconic pavilion was a high profile coming out party, and Silicon City will harness it to introduce New York’s role in helping midwife the digital age.
The exhibit opens on November 13, 2015 and runs through next April. The museum is using Kickstarter to help bring the Telstar satellite back to NYC for the exhibit.
Two weeks ago, 99% Invisible broadcast an audio documentary from 1998 about one of the last remaining flophouses on The Bowery in NYC called The Sunshine Hotel. It is an amazing time capsule from a Manhattan that just doesn’t exist anymore.
The Sunshine Hotel opened in 1922. Rooms — or really, cubicles — were 10 cents a night. The Sunshine, like other flop houses, was always a men-only establishment. In 1998, the hotel had raised it’s rates to 10 dollars a night and it was managed by resident Nathan Smith. He sat behind a metal cage at the front desk, answering the phone and doling out toilet paper to residents for 35 cents. Smith had once worked in a bank until he was injured, and then fired. His wife left him and he ended up in the Bowery, and eventually at the Sunshine Hotel.
The interviewees sound like they’re characters in a play, not real people. It’s so good. There is also a documentary film released in 2001 about The Sunshine Hotel which is available on Amazon Instant; here’s a trailer:
Economist William Easterly and some of his colleagues built a site that focuses on the economic development of a single block in NYC, Greene Street between Houston and Prince. In the past 175 years, use of the block has gone from wealthy residential to sex work to garment manufacturing to artist galleries to luxury retail.
133 Greene Street, for example, has been part of the large Bayard farm, a grand residential home, a brothel, a garment factory, part of a slum, an art gallery, and is today the home of luxury co-op residences and a Dior Homme store.
Many of these shifts took only a decade and could have been very difficult to anticipate.
The site was built to accompany an academic paper on economic development.
By 1870, the Greene Street Block contained 14 brothels, the highest concentration of any block in the City. Just as surprising was the sudden end of prostitution on the block. Brothels still abounded in 1880, but during the next decade entrepreneurs demolished and rebuilt almost the entire block as castiron factories and warehouses, and what was left of the red-light district moved up town.
The site is a little confusing to navigate, but is worth checking out in detail. For instance, check out how quickly the garment manufacturing industry shifted from downtown to the present-day Garment District.
(via wired)
Mark Reay is a former model, actor, and fashion photographer who was homeless in NYC for six years. Homme Less is a documentary on Reay; here’s a trailer:
So began a period of my life sleeping rough. It was pretty tiring, and I didn’t have much luck with the photos, but I stuck it out. I’ve never let the lack of money stop me having a good time, and I still had (dwindling) savings from my modelling. It was a happy time. At night I would always treat myself to a rotisserie chicken, but I always wanted a chilled rosé with it. So, in the afternoon, I would sneak into a minimarket, get the cheapest one from the shelf and hide it under the frozen peas. Then, at night, I would put on a fresh shirt and go to one of the fancy bars with my wine in my bag. Again, maybe because I had a certain look, no one ever checked my bag. I’d just go in, nick a glass off the counter and drink my wine surrounded my millionaires.
You can get away with anything if you’re confident. Oh, and male, white, and good looking.
The walls of the elevator to the observatory at the top of 1 World Trade Center are covered with screens and when you ride it to the top, you see a time lapse of NYC’s development, from 1500 to the present.
The observatory is open daily from 9am to 8pm.
As something of an expert on the topic, I thought this New York Magazine piece about spending time alone in the Big Apple is pretty good. The opening of the piece gets at why busy, crowded NYC is actually a good place for an introvert to be:
Being alone here is a state of mind, a perpetual choice, and an occasional imposition, a burden, and a gift — and sometimes the very best way to meet a fellow stranger. “Every form of human expressiveness is on display,” Vivian Gornick writes of walking the streets by herself, “and I am free to look it right in the face, or avert my eyes if I wish.”
And this tip on the Empire State Building is one for the ol’ bucket list:
A lot of people don’t know this, but the Empire State Building is open until 2 a.m. The last elevator leaves at 1:15. If you go up then, it’s empty, it’s beautiful, and the city sounds like the ocean.
This video from the MTA shows some of the vintage technologies that are still in use to control many of the NYC’s subway lines and how they are upgrading (ve. ry. slow. ly.) to safer and more reliable computerized systems. Some of control systems are more than 80 years old.
Whoa, after watching that, I’m shocked that the trains ever get anywhere at all. (via the kid should see this)
Update: The NY Times has a look at the political and logistical challenges related to upgrading the NYC subway’s antiquated infrastructure.
A computerized signal system like C.B.T.C. is also safer because trains can be stopped automatically. New York’s quest to install the new system began in 1991, after a subway derailment at Union Square in Manhattan killed five people. The train operator was speeding after he had been drinking.
More than 25 years later, the authority has little to show for its effort to install modern signals. The L line began using computerized signals in 2009 after about a decade of work. A second line, the No. 7, should have received new signals last year, but the project was delayed until the end of this year.
The process is complicated. It requires installing transponders every 500 feet on the tracks, along with radios and zone controllers, and buying new trains or upgrading them with onboard computers, radios and speed sensors. The authority also had to develop a design and software that was tailored to New York’s subway.
Over the years, the authority has kept pushing back the timeline for replacing signals. In 1997, officials said that every line would be computerized by this year. By 2005, they had pushed the deadline to 2045, and now even that target seems unrealistic.
40 years to upgrade the entire system? Embarrassing.
Pixar: The Design of Story is an upcoming exhibition at the Cooper Hewitt National Design Museum here in NYC.
Through concept art from films such as Toy Story, Wall-E, Up, Brave, The Incredibles and Cars, among others, the exhibition will focus on Pixar’s process of iteration, collaboration and research, and is organized into three key design principles: story, believability and appeal. The exhibition will be on view in the museum’s immersive Process Lab — an interactive space that was launched with the transformed Cooper Hewitt in December 2014 — whose rotating exhibitions engage visitors with activities that focus on the design process, emphasizing the role of experimentation in design thinking and making.
More details are available in the press release. Definitely going to check this out and take the kids.
This video was shot in NYC on July 18, 1990, mostly in Times Square and Central Park.
The first 30 seconds of the video (stumbling drunk, trash digger, overheating car) is pretty much a perfect representation of how NYC felt to many at the time. A squeegee man can also been seen at work near the end of the video.
The New Yorker did a short feature on Charlie Pellett, the voice of the NYC subway.
This deep, sometimes vexing voice — which also apologizes for “unavoidable delays” — belongs to a man named Charlie Pellett. A radio anchor for Bloomberg News, Pellett was raised in London but cultivated an American accent by listening to the radio. His work for the M.T.A., which is done on a volunteer basis, is the only non-reporting voice-over work that he’s done.
The WNYC Data News Team is looking for the longest possible NYC subway ride. The MTA says the longest direct trip is 38 miles, but WNYC found one that’s 148 miles, requiring 45 transfers. They’re running a little competition to see who can find a longer ride…check the rules for more details (short version: you can repeat stations but not track segments). This is basically a variant of the travelling salesman problem, yes? Anyone care to take a crack at it? (via @ryandawidjan)
An NYPD officer anonymously shares what it’s like to be a cop in NYC.
I’m walking in Boerum Hill on one of the first really good days of summer. It’s been a long week but I’m feeling good in a flowing sundress and sandals, relieved to be freed from what I’ve begun to think of as my blue polyester prison. I look up and realize with amusement that I’m walking by an actual prison, or, to be precise, a jail: Brooklyn Central Booking.
The doors to the courtroom lobby open and a man emerges, pausing to survey the street. He’s a little scruffy but then the newly arraigned usually are — there aren’t many opportunities to freshen up in the holding cells. He has an open, pleasant face, and the recognition on my part is immediate. My heart sinks as I see him cross the street and make a beeline for me.
“Miss? Miss?” He doesn’t sound particularly confrontational and I give him my best blank smile, hoping he has some kind of mundane procedural question.
“I don’t mean to like bother you or anything, but if you’re not busy, and a beautiful lady such as yourself is probably busy, but if you’re not busy I’d love to buy you a cup of coffee.”
Now I have to grin. This is my new favorite person in the world. What chutzpah! I’m so delighted by this guy that I almost chuck him on the shoulder. Then it hits me. He doesn’t recognize me, at all. He has no idea that I’m the person who arrested him two nights before.
(via @choire, who called it “BY FAR the most interesting thing i read all week”)
Eater’s Nick Solares accompanies the proprietor of Peter Luger Steakhouse to one of the few remaining butchers in the Meatpacking District1 to see how she selects meat for the restaurant.
You know, that place with all the fancy shops, night clubs, and garbage people.↩
MoMA has announced that they’ve acquired the Rainbow Flag for their permanent collection. The flag has been a symbol of the LGBT community around the world since its creation in 1978. As part of the acquisition, MoMA Curatorial Assistant Michelle Millar Fisher interviewed the man who designed the flag, artist Gilbert Baker.
And I thought, a flag is different than any other form of art. It’s not a painting, it’s not just cloth, it is not a just logo — it functions in so many different ways. I thought that we needed that kind of symbol, that we needed as a people something that everyone instantly understands. [The Rainbow Flag] doesn’t say the word “Gay,” and it doesn’t say “the United States” on the American flag but everyone knows visually what they mean. And that influence really came to me when I decided that we should have a flag, that a flag fit us as a symbol, that we are a people, a tribe if you will. And flags are about proclaiming power, so it’s very appropriate.
So the American flag was my introduction into that great big world of vexilography. But I didn’t really know that much about it. I was a big drag queen in 1970s San Francisco. I knew how to sew. I was in the right place at the right time to make the thing that we needed. It was necessary to have the Rainbow Flag because up until that we had the pink triangle from the Nazis — it was the symbol that they would use [to denote gay people]. It came from such a horrible place of murder and holocaust and Hitler. We needed something beautiful, something from us. The rainbow is so perfect because it really fits our diversity in terms of race, gender, ages, all of those things. Plus, it’s a natural flag — it’s from the sky! And even though the rainbow has been used in other ways in vexilography, this use has now far eclipsed any other use that it had…
Update: Baker died at his home on March 30, 2017. He was 65 years old.
Mr. Baker replicated his flag dozens of times over the years. He crafted a mile-long banner to parade down Fifth Avenue in Manhattan, and he sent flags around the world in support of gay rights protests. He sewed the rainbow flag used in the movie “Milk,” along with a new flag for this year’s television miniseries “When We Rise.”
“I remember the most fabulous queen I’d ever seen in my life shows up in sequins with a sewing machine in his arms, and he insisted on creating that flag exactly the same way he’d created it then,” said Dustin Lance Black, who wrote “Milk” and wrote and directed “When We Rise,” which was based on Jones’ memoir of the same name.
Jason Polan has turned his long-term project to draw each and every person in New York into a book coming out in August. As a long-time Polan fan, I’m looking forward to this.
Shuttered storefronts. Abandoned retail locations. Small businesses that fall like the House of Cards & Curiosities on Eighth Avenue. These are the signs of urban blight we usually associate with economic downturns or poor, forgotten neighborhoods. But these shuttered storefronts are in one of America’s wealthiest neighborhoods; NYC’s West Village. As The New Yorker’s Tim Wu explains, some urban blight emerges when economic times are too good and rents get too high. And we’re not just talking about mom and pop here. Even Starbucks is closing some Manhattan locations due to rent hikes.
OldNYC offers a map view of old photos of New York City, drawn from the collection at the New York Public Library. This is fantastic, like a historical Google Street View. For instance, there used to be a huge theater on the corner of 7th Avenue and Christopher St, circa 1929:
If I didn’t have a thing to do this afternoon, I would spend all day exploring this. So so good. (via @mccanner)
Conrad Milster is the chief engineer at the Pratt Institute, which means he’s in charge of the 19th-century steam engines that provide the school’s heat and hot water. Dustin Cohen made this lovely short film about Conrad, an oddball who fits right into his life.
On the topic of New York, Conrad says, “It sucks, but it’s the Big Apple!” (via acl)
Wednesday Martin is an anthropologist and author whose upcoming book, Primates of Park Avenue, examines the wealthy stay-at-home moms of Manhattan’s Upper East Side like any other primate troop.
After marrying a man from the Upper East Side and moving to the neighborhood, Wednesday Martin struggled to fit in. Drawing on her background in anthropology and primatology, she tried looking at her new world through that lens, and suddenly things fell into place. She understood the other mothers’ snobbiness at school drop-off when she compared them to olive baboons. Her obsessional quest for a Hermes Birkin handbag made sense when she realized other females wielded them to establish dominance in their troop. And so she analyzed tribal migration patterns; display rituals; physical adornment, mutilation, and mating practices; extra-pair copulation; and more. Her conclusions are smart, thought-provoking, and hilariously unexpected.
Martin wrote an opinion piece in The New York Times about her findings called Poor Little Rich Women.
And then there were the wife bonuses.
I was thunderstruck when I heard mention of a “bonus” over coffee. Later I overheard someone who didn’t work say she would buy a table at an event once her bonus was set. A woman with a business degree but no job mentioned waiting for her “year-end” to shop for clothing. Further probing revealed that the annual wife bonus was not an uncommon practice in this tribe.
A wife bonus, I was told, might be hammered out in a pre-nup or post-nup, and distributed on the basis of not only how well her husband’s fund had done but her own performance — how well she managed the home budget, whether the kids got into a “good” school — the same way their husbands were rewarded at investment banks. In turn these bonuses were a ticket to a modicum of financial independence and participation in a social sphere where you don’t just go to lunch, you buy a $10,000 table at the benefit luncheon a friend is hosting.
Women who didn’t get them joked about possible sexual performance metrics. Women who received them usually retreated, demurring when pressed to discuss it further, proof to an anthropologist that a topic is taboo, culturally loaded and dense with meaning.
Please note that Martin’s book is a memoir…not an anthropological study, a memoir. I can’t wait to see how they turn this one into a movie.
Update: Polly Phillips in the NY Post: I get a wife bonus and I deserve it, so STFU.
These pricey pairs of designer footwear will join a lineup of Jimmy Choo, Manolo Blahnik, Diane Von Furstenburg and Rupert Sanderson heels and a closet crammed with handbags from Prada, Chanel and Anya Hindmarch. Every single one was bought with one of my annual bonuses — the nod from a happy boss for a job well done.
But, in this case, the boss in question is my husband, Al. The role he’s rewarding me for is my work as a stay-at-home wife and mother. And the luxury labels are purchased with the “wife bonus” — 20 percent of his own company bonus — that I’m proud to receive for putting his career before my own, and keeping our lives together.
After all, he readily admits that, without me staying at home with our 19-month-old daughter, Lala — not to mention the support and understanding I offer when his work intrudes on our home life — he couldn’t do his job. And he also knows that if we hadn’t followed his career abroad, I might still be doing very well in my own.
Weird thing #1: Phillips refers to her husband as her boss. No ironic scarequotes. He’s the boss. Which seems to be a point in favor of Martin’s thesis of a lack of empowerment.
Weird thing #2: Why the hell call it a “wife bonus” if their income is completely shared and they each get 20% of the end-of-year bonus? I mean, it seems completely reasonable and equitable that they each get some mad money to spend however they want on above-and-beyond items. Why load that arrangement down with the icky “wife bonus”?
Update: Remember when I said “Martin’s book is a memoir…not an anthropological study”? This is why: it turns out Martin monkeyed with the timelines quite a bit to create a better narrative.
She says she attended grueling exercise classes at Physique 57 to lose her baby weight after her second son’s birth. But the upscale gym did not exist when she claims to have exercised there.
She also describes a posh party where the guests bring the hostess gifts from an upscale macaroon shop. But Ladurée didn’t open in New York until 2011, four years after she had moved.
While at a lunch date just prior to the party, Martin and a friend do an accounting of how much their over-privileged peers spend on personal grooming, clothing and transportation. Her friend refers to Uber, even though the car service didn’t debut in the city until 2011.
The Times reports that the book’s publisher will append a note to future editions of the book explaining the tinkered details and timelines. (via @jtaylorhodge)
The real-life house that served as the stoop of Carrie Bradshaw’s apartment on Sex and the City is blurred out on Google Street View.
The house was on the Sex and the City tour for a time, before it was dropped due to pressure from neighborhood residents, and remains a popular tourist attraction. I go by there quite often and there is always someone taking a photo on the stoop. As I’m writing this, the most recent photo of someone standing in front of the stoop was posted to Instagram 16 minutes ago. I can see why the owners would want it blurred out, and it turns out getting your property blurred on Google Street View is a simple process.
P.S. What’s funny about the house is that Sarah Jessica Parker actually lives only a block or two away. I used to see her all the time, walking our respective kids to school. Ollie and I even got caught in a paparazzi shot one day…that’s me in the dark coat right behind Parker and Ollie on the scooter:
No way to fill out a form to blur out my son’s face though, I reckon. (via @michaeltsmith)
For lunch today, I was hungry for some noodles from Xi’an Famous Foods, one of my favorite places to eat in all of NYC. While preparing to trek to the East Village or up to Bryant Park, a friend told me about a relatively new location on 34th Street, just down the street from the Empire State Building and only 10 blocks from my office. When I looked it up on the website, I noticed something else: a real-time traffic meter that shows how busy each restaurant is.
What a great idea. The Shake Shack cam is one thing, but I want a meter like this (w/ a forecast option as well) on every restaurant listing in Foursquare. Like Google Maps real-time traffic, except for restaurants.
From Sarah Nir at the NY Times, an investigation into the world of NYC nail salons, where workers need to pay a fee to get a job, are underpaid, subjected to abuse, and are crammed into one-bedroom apartments with several other workers.
Qing Lin, 47, a manicurist who has worked on the Upper East Side for the last 10 years, still gets emotional when recounting the time a splash of nail polish remover marred a customer’s patent Prada sandals. When the woman demanded compensation, the $270 her boss pressed into the woman’s hand came out of the manicurist’s pay. Ms. Lin was asked not to return.
“I am worth less than a shoe,” she said.
Prepare to be infuriated over and over as you read this.
The typical cost of a manicure in the city helps explain the abysmal pay. A survey of more than 105 Manhattan salons by The Times found an average price of about $10.50. The countrywide average is almost double that, according to a 2014 survey by Nails Magazine, an industry publication.
With fees so low, someone must inevitably pay the price.
“You can be assured, if you go to a place with rock-bottom prices, that chances are the workers wages’ are being stolen,” said Nicole Hallett, a lecturer at Yale Law School who has worked on wage theft cases in salons. “The costs are borne by the low-wage workers who are doing your nails.”
In a Q&A about the investigation, Nir shares how she became interested in nail salons:
About four years ago, I was at a 24-hour spa in Koreatown. It’s one of the Vogue top-secret best-bet salons — a really unusual place. It was my birthday, and I treated myself to a pedicure at 10 AM. And I said to the woman, “It’s so crazy that this is a 24-hour salon. Who works the night shift?” And she says, “I work the night shift.” And I said, “Well, it’s daytime. Who works the day shift? What do you mean?”
And she said, “I work six days a week, 24 hours a day, I live in a barracks above the salon, and on the seventh day, I go home to sleep in my bedroom in Flushing, and then I come right back to work.”
And I was like, This woman’s in prison. People had to shake her to keep her awake. And then she would do a treatment. I just thought it was crazy.
I don’t see how you can go to a NYC nail salon after reading this article. Even Nir’s tips about being a socially conscious nail salon customer aren’t much help.
Update: Part 2 of Nir’s series on nail salons is out. It’s about the health hazards faced by nail salon workers, including lung disease, miscarriages, and cancer. One woman even lost her fingerprints.
Similar stories of illness and tragedy abound at nail salons across the country, of children born slow or “special,” of miscarriages and cancers, of coughs that will not go away and painful skin afflictions. The stories have become so common that older manicurists warn women of child-bearing age away from the business, with its potent brew of polishes, solvents, hardeners and glues that nail workers handle daily.
A growing body of medical research shows a link between the chemicals that make nail and beauty products useful — the ingredients that make them chip-resistant and pliable, quick to dry and brightly colored, for example — and serious health problems.
Whatever the threat the typical customer enjoying her weekly French tips might face, it is a different order of magnitude, advocates say, for manicurists who handle the chemicals and breathe their fumes for hours on end, day after day.
The prevalence of respiratory and skin ailments among nail salon workers is widely acknowledged. More uncertain, however, is their risk for direr medical issues. Some of the chemicals in nail products are known to cause cancer; others have been linked to abnormal fetal development, miscarriages and other harm to reproductive health.
Update: Governor Cuomo has set up a task force to conduct investigations into the city’s nail salons.
Gov. Andrew M. Cuomo ordered emergency measures on Sunday to combat the wage theft and health hazards faced by the thousands of people who work in New York State’s nail salon industry.
Effective immediately, he said in a statement, a new, multiagency task force will conduct salon-by-salon investigations, institute new rules that salons must follow to protect manicurists from the potentially dangerous chemicals found in nail products, and begin a six-language education campaign to inform them of their rights.
Nail salons that do not comply with orders to pay workers back wages, or are unlicensed, will be shut down. The new rules come in response to a New York Times investigation of nail salons — first published online last week — that detailed the widespread exploitation of manicurists, many of whom have illnesses that some scientists and health advocates say are caused by the chemicals with which they work.
This is good news…as long as it results in real positive changes and doesn’t just get a bunch of salon workers deported.
Update: The Times continues its nail salon coverage with an interview with Sister Feng, a Chinese social media star who worked as a manicurist in NYC for four years.
Q. The Times reported that some immigrant manicurists said their bosses would withhold tips and verbally or physically abuse them. Did you ever experience this?
A. There were times when my tips were withheld. But as long as I thought my wages weren’t out of line with my labor, I wouldn’t go to my boss and ask for the tips. In nail salons run by Chinese, being verbally abused was commonplace, so I changed workplaces often. But it never happened in salons run by Koreans. I was never physically beaten.
(via mr)
Ben Fino-Radin of MoMA’s Department of Conservation wrote a brief post about how the museum manages their digital artworks, including a bit about how they think about futureproofing the collection.
The packager addresses the most fundamental challenge in digital preservation: all digital files are encoded. They require special tools in order to be understood as anything more than a pile of bits and bytes. Just as a VHS tape is useless without a VCR, a digital video file is useless without some kind of software that understands how to interpret and play it, or tell you something about its contents. At least with a VHS tape you can hold it in your hand and say, “Hey, this looks like a VHS tape and it probably has an analog video signal recorded on it.” But there is essentially nothing about a QuickTime .MOV file that says, “Hello, I am a video file! You should use this sort of software to view me.” We rely on specially designed software-be it an operating system or something more specialized-to tell us these things. The problem is that these tools may not always be around, or may not always understand all formats the way they do today. This means that even if we manage to keep a perfect copy of a video file for 100 years, no one may be able to understand that it’s a video file, let alone what to do with it. To avoid this scenario, the “packager” — free, open-source software called Archivematica — analyzes all digital collections materials as they arrive, and records the results in an obsolescence-proof text format that is packaged and stored with the materials themselves. We call this an “archival information package.”
Roger Pasquier hunts for coins on NYC sidewalks and keeps track of how much he finds. He discovered an odd consequence of everyone having a smartphone: people don’t pick up change on the sidewalk anymore.
From 1987 to 2006, he averaged about fifty-eight dollars a year. Then Apple introduced the iPhone, and millions of potential competitors started to stare at their screens rather than at the sidewalks. Since 2007, Pasquier has averaged just over ninety-five dollars a year.
I know, I know, that’s anecdotal and correlation != causation and whatever, but that’s an interesting theory.
From New York Magazine, a big feature on NYC after midnight. Several people shared their stories, including Bebe Buell:
In 1974, I was on Hudson and Horatio — it was still pretty shady over there at the time - and I could not get a cab. This big giant Cadillac pulls up, and a guy and a girl were in it. It was obviously a pimp and his girl. And the guy goes, “My name is Magic. Do you need a ride?” Who in their right mind would get in that car? But I did. His name was Magic, her name was Angel, and it was like a scene out of a Scorsese movie. I just remember the tranny girls yelling, “You go, girl!” They thought I had gotten a trick or something. I don’t know what made me think it was going to be okay. Angel let me know, “Don’t worry, honey, we’re not serial killers.” And for some godforsaken reason, I believed them.
And Alec Baldwin, who has always been interested in Saturday Night Live:
I was told that there was a place called Louis’s Toy Bar on the Upper East Side. And it was this narrow sliver of a shop that obviously had sold antique clothes or something. And this guy Louis who owned it would put out plates of, like, Velveeta cheese and crackers and very modest kinds of canapes. I was told, back then, that all the cast of the original Saturday Night Live went there after the show; this was their haunt, this was their after-party-after-party Copacabana. And I went there countless times, eating Velveeta cheese, waiting for them, and they never came. They never showed up.
And Lydia Lunch:
I made money by standing on the corner of Sixth Avenue and 8th Street, shaking down women with children, saying I worked for the Cancer Foundation, until I got \$10. I could live on that. The rent at my apartment on 12th Street between A and B was \$75 a month.
And Dr. Jason D’Amore, formerly a resident at Bellvue:
One night, we got this guy in who was riding his Harley down the FDR at high speed, and he got run over by a semi, and he comes in and is very close to death. […] So this guy, he was covered head-to-toe in iron crosses and swastikas and white-power tattoos. I’m looking around, and I’m D’Amore, and the ortho guy was Schwarzbaum, and we had to call neurosurgery, and that was Goldberg, and we intubated him and we got him stabilized and into the operating room, and he’s totally sedated, and I leaned down and said, “Dude, I just wanted you to know a bunch of Jews just saved your ass.”
And Colin Quinn:
It’s easier to be nostalgic now. It’s easier to look at it now and say, “Oh, I miss Taxi Driver.” Suddenly, we’re all like French film students who romanticize New York, even though when you lived it, it was bad. There were so many heroin dealers. If you were on, like, Avenue B and C, and somebody goes, “You want heroin?” and you said no, they’d get mad at you, like you were going browsing in a store and not buying anything. “You’re wasting our time! Trying to make money here.”
And Alexis Swerdloff:
The hand-delivered invite was a velvet-wrapped VHS tape. Five minutes and 42 seconds long, the video had Oprah, Ellen DeGeneres, Ananda Lewis, Todd Oldham, Veronica Webb, Ben Stiller, Pauly Shore, Derek Jeter, and dozens of other ’90s luminaries hyping Puff Daddy’s 29th-birthday party on November 4, 1998. Chris Rock said to leave your posse at home, Magic Johnson instructed guests to arrive at 10 p.m. on the dot, and Will Smith directed people to a 212 number in order to RSVP for the secret location. “It’s gonna be all that,” cooed Tyra Banks.
And there’s so much more…go read the whole thing. The photos are great too. Look for the one with Edith Piaf singing at a club; it’s just her in 1950 on a tiny stage with no microphone singing to people while they eat dinner. Man, if I had a time machine…
From Thrillist, the real subway map of Manhattan, your one-stop shop for Manhattan neighborhood stereotypes. (via @mkonnikova)
If you and a friend are walking around Manhattan trying to find dinner, this is how the conversation will go:
It’s funny because it’s true. That’s a clip from We’ll Find Something, a short film by Casey Gooden starring Upstream Color’s Shane Carruth and Amy Seimetz.
Update: The full film has been released online and it is excruciating to watch if you’ve ever had bad relationship moments while traveling.
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