They audition all-comers: an uproarious business in which weird randoms show up with a tendency to destroy others by using a flame-thrower or rocket-launcher for no reason at all while the production is being explained to them.
They end up performing the play all over the city, “this is Shakespeare on a billion dollar budget,” not sticking to the amphitheater. The trailer looks great.
I wonder if, when Bobby Internet invented the internet, he imagined it would be used for videos like this. There’s something so fun about watching people crack up at work. See also SNL actors breaking. They also have fun accents, which I maybe shouldn’t say because kottke.org is worldwide and if you live in Australia, you probably just think the videos are funny without any special notice of the accent.
Anyway, I was watching this and my eight year old saw it over my shoulder and said excitedly, “I’ve seen that!” I thought he was watching mostly Bluey so I asked him what he searched to find this and he said, “Balloon popping videos,” matter of factly, so I guess we’re kind of the same and that’s a perfectly understandable thing for an 8-year-old to be searching for on YouTube. Then we watched a video of these guys throwing things off a Swiss dam.
Coldplay tapped Spike Jonze & Mary Wigmore to direct the music video for a song called All My Love from their latest album and the pair decided to turn it into an early 99th birthday celebration of Dick Van Dyke. Van Dyke danced a bit, sung a bit, was swarmed by his family, and ruminated on nearing the end of his life:
I’m acutely aware that I could go any day now, but I don’t know why it doesn’t concern me. I’m not afraid of it. I have the feeling — totally against anything intellectual I have — that I’m gonna be alright.
The video is really quite moving — what a splendid human. Watch until the end, when Chris Martin composes a song on the spot for an absolutely delighted Van Dyke. (via @danielgray.com)
Oh, this is so good: NASA has an 8-hour cozy fireplace video in 4K that’s actually a rocket engine (in a fireplace).
This glowing mood-setter is brought to you by the SLS (Space Launch System) rocket that launched Artemis I on its mission around the Moon and back on Nov. 16, 2022. 8.8 million pounds of total thrust – and a couple glasses of eggnog – might just be enough to make your holidays merry.
A 15th century polymath of soaring imagination and profound intellect, Leonardo da Vinci created some of the most revered works of art of all time, but his artistic endeavors often seemed peripheral to his pursuits in science and engineering. Through his paintings and thousands of pages of drawings and writings, Leonardo da Vinci explores one of humankind’s most curious and innovative minds.
The trailer for the series is above and there are several extended clips available on the website and on YouTube.
It is difficult to categorize the kinds of videos that Posy makes — they are part science demo and part visual art. His latest video, Household Objects (But Extremely Close), uses a powerful macro lens to look at everyday objects like toothbrushes, sponges, and pencils, turning them into swirling abstract films. His music is lovely too — you can find it on Bandcamp.
In this clip from my favorite Werner Herzog film, Encounters at the End of the World, the director muses about the mental health of penguins and observes a lone penguin heading in the wrong direction. From an appreciation of this penguin scene written by Tim Cooke for Little White Lies:
Herzog proceeds to explain that the penguin will not go to the feeding grounds at the edge of the ice, nor will he return to the colony; instead he heads straight for the mountains, “some 70 kilometres away”. Catching him and bringing him back will make no difference — he’ll simply turn around and head again for the interior. “But why?” Herzog asks. We then see footage of another of these “deranged” penguins, 80 kilometres off course, sliding on its belly towards certain death. These shots of the solitary birds marching to their demise, mere black dots against the white expanse, are perfect in their portrayal of loneliness and desolation.
The scene, then, is a splendid tragicomedy, serving as a sour antidote to the fluffy charm of films like the The March of the Penguins, which arrived two years earlier. It’s a play within a play; masterfully constructed, it delivers a hefty emotional blow. It’s in this construction, and self-reflexive style, that truth and revelation can be found — Herzog’s ecstatic truth, that is. The natural world, as we learnt from the horrors of Grizzly Man, is not easily compared with ours. The structures we adopt for our stories — be they tragic, romantic or comedic — do not fit nature quite so tightly, and Herzog knows this. Any facts about the penguins’ motivations and thought processes remain unobtainable. We view the narrative as the filmmaker builds it: through an exclusively human lens.
I just spent my lunch hour watching the 22 nominated goals for the 2024 Puskas & Marta Awards, given to the most spectacular goals scored by men’s & women’s footballers last season.
Icelandic photographer Haukur Sigurdsson captured this aerial image of Nordic skiers looking like musical notes on a staff. Someone on YouTube played the tune:
A Japanese group called Electronicos Fantasticos! figured out that by connecting a supermarket barcode scanner to a powered speaker and rhythmically scanning barcode-like patterns with it, you can make music. This is so fun!
Oh man this is so great: electronic music sample breakdowns from 1990 until the present day. The visualizations on these are fantastic — just watch a bit of the first one (Groove Is In The Heart) and you’ll see what I mean. They’re not all that great (some of these producers are out here working harder than others, is what I’m saying), but these are some of my favorites:
Groove Is In The Heart by Dee-Lite (Eva Gabor Green Acres sample!)
Firestarter by The Prodigy (sample from The Breeders?)
Praise You by Fatboy Slim (It’s a Small World from Mickey Mouse Disco? Fat Albert Theme?!)
One More Time by Daft Punk
Robot Rock by Daft Punk
Archangel by Burial
First of the Year by Skrillex
Girl by Jamie xx
Pick Up by DJ Koze
leavemealone by Fred again
Is DJ Shadow electronic? I would have liked to have seen something from Endtroducing… but maybe they couldn’t even locate the samples. 😂
In this video, Sara Saadouni explains the three passive cooling techniques used by fellow architect Diébédo Francis Kéré in designing a school building in Burkina Faso, where temperatures can be quite warm all year. The roof is especially clever.
He introduced a curved double roof that created an air gap between the first and second roof. As the heat naturally rises and escapes into the gap, the prevailing winds quickly carry it away, accelerating this process and cooling the building more efficiently.
But that’s not all. The first roof is made up of perforated ceiling slabs, allowing the heat to escape more efficiently and therefore to be quickly transported by the wind.
The other genius idea was to also curve the roof, which allowed for the Venturi effect — a phenomenon where air speeds up as it moves through the narrower sections created by the curve and therefore boosting natural ventilation.
Meteorite hunter Roberto Vargas tracks fireballs on the internet and then goes to see if he can find them.
Usually I’m alerted that something has fallen or that people have seen a fireball through the American Meteor Society I book a flight, go to wherever it is, and then I start searching. I would just walk around and use my magnet cane to tap rocks. If they stick to the magnet and they have a black outer shell, they should be meteorites.
Vargas has over 500 meteorites in his personal collection.
A few months ago, I posted about Lane 8’s seasonal mixes and I’m happy to report that the Fall 2024 Mixtape is now out. You can find it on Soundcloud, YouTube, and Apple Music. I’ve been listening for the past few days and it’s 🔥🔥.
Premiering this Friday (Nov 22) on FX is a short documentary from The New York Times called Weight of the World about GLP-1 drugs. Here’s the synopsis:
As GLP-1 drugs like Ozempic soar in popularity for weight loss, this film follows three people on their own GLP-1 journeys and explores how decades of diet culture and society’s relentless pursuit of thinness paved the way for their rise.
In this video from Pianote, the multi-talented Jon Batiste hears Green Day’s Holiday for the first time (drum & vocals only) and is challenged to come up with a piano accompaniment for it — and he really really gets into it. (How do you find a song that a musical encyclopedia like Batiste has never heard before though?)
10,946 is a mesmerizing stop-motion film by Daren Jannace composed of drawings on Post-It notes. He created 30 drawings a day for an entire year and then animated them: “Set at 30 frames a second, each second represents 1 day.” The animation is accompanied by audio Jannace recorded on his phone during the year.
If you watch the whole thing, you get to experience what a year feels like if days were shrunk down into seconds. (via colossal)
I am predisposed to like videos about meteorite craters but this was even more interesting than I anticipated.
A nice example of a crater 2-3 km wide is Rotor Kamm in southern Africa. I should mention that we’re easily into city killer impacts here, in case you’re wondering.
The Big Wait is a lovely short documentary about a couple who live alone in the middle of nowhere in Western Australia, managing an emergency airport and a small row of guest cottages that are rarely occupied. I got this from Colossal, which calls the film “poetic and dryly humorous”; I cannot improve upon that.
In 2015, the BBC & PBS adapted the first two books of Hilary Mantel’s excellent Wolf Hall trilogy into a six-episode miniseries called Wolf Hall, starring Mark Rylance as Thomas Cromwell and Damian Lewis as Henry VIII. Now they’ve made a second miniseries that covers the events of the third book, The Mirror and the Light. Here’s a trailer and synopsis:
The TV sequel picks up in May 1536 after the beheading of Anne Boleyn and follows the last four years of Thomas Cromwell’s life, completing his journey from self-made man to the most feared and influential figure of his time. These are years when Henry’s regime is severely tested by religious rebellion at home, traitors plotting abroad and the threat of invasion. Cromwell must deftly navigate the moral complexities that accompany the exercise of power in this bloody time; he’s caught between his desire to do what’s right and his instinct to survive. The question is: how long can anyone survive under Henry’s brutally mercurial gaze?
Wolf Hall: The Mirror and the Light premieres in the UK on BBC One on Nov 10 but Americans have to wait until March 23, 2025 to watch it on PBS.
Laura Olin’s newsletter of “art, internet, and ideas” is a favorite of mine (subscribe here), and I appreciated her comments from this morning on why sci-fi and fantasy movies work for moments like these.
I’ve never thought of myself as a person who’s particularly into sci fi or fantasy. But on the worst days — and yesterday was one — I find myself thinking of the essential lessons of art in that genre. Maybe because a lot of it is about people in dire situations making stark moral choices for a larger good — and for various reasons World War II parables aren’t really going to do it anymore, at least in America. We saw Rogue One in the theater soon after Trump’s first election and I took some strength from the image of (vague spoilers) Felicity and Diego on the beach, sacrificing themselves to give everything thereafter a chance. I’ve been thinking of the Battlestar Galactica reboot of the W. Bush years, with the fighter pilots touching a portrait of a comrade on a fallen planet on their way out to battle; of Stellan Skarsgard’s speech and “one way out” in Andor, which you must watch; of Katniss touching three fingers to her lips in a salute special to her community, and a crowd of people she can’t even see saluting back; of the fundamental text that is “Why must we go on?” / “Because there’s some good in this world, Mr. Frodo, and it’s worth fighting for.” Is all this cringe? Undoubtedly; but I think we’ve entered a time that requires deep earnestness. (I hope to come back to this paragraph in four years and feel I was being overly dramatic about how bad things might get but I suspect I will not.)
Trials rider Danny MacAskill finally got the chance to ride the angularly futuristic Adidas campus in Herzogenaurach, Germany.
The first time I got the invite to campus I immediately started riding the place in my mind. Riding all the rooftops, riding all the railings, you know, it’s a really interesting space. Not just anyone can go there! As soon as you see that kind of big overhanging piece of architecture or whatever, you immediately imagine the different things you could do up there. So, it was cool to finally get to come here to actually do it.
A pair of physicists from MIT and Jefferson Lab and an animator have created a new visualization of the atomic nucleaus.
For the first time, the sizes, shapes and structures of nuclei in the quantum realm are visualized using animations and explained in the video.
The video also establishes what appears to be a new unit of measure with an adorable name, the babysecond:
To better define the velocities of particles at such small distance scales, we establish the baby second as 10^-23 seconds. A photon moving at the speed of light crosses three femtometers (a bit more than the radius of oxygen-16) in one baby second.
So first of all, before you watch this analysis of Chris Marker’s fantastic La Jetée, you should watch the film itself if you’ve never seen it. It’s 28 minutes long, entirely in black & white, and is a “speculative fiction masterpiece” done with “422 photos, a voiceover, and a score”. You can find it streaming at Amazon, Apple, Criterion Channel, or Kanopy. You will not regret it. And then come back and watch this analysis/appreciation by Evan Puschak.
Somehow, I missed that the teaser trailer for season two of the excellent The Last of Us premiered almost a month ago. I guess both I and the world have been busy with other things and also keeping tabs on the entire interest and media landscape is just not something that’s possible.
The second season, based on the 2020 game The Last of Us Part II, follows Joel (Pedro Pascal) and Ellie (Bella Ramsey) five years after the events of the first season, and introduces Abby (Kaitlyn Dever).
And that “the season is expected to span seven episodes”.
When Nirvana played a huge stadium show in Buenos Aires in 1992, an all-“female/queer/trans” band called Calamity Jane opened for them. The crowd pelted the band with objects like coins and rocks, forcing them off-stage and infuriating Kurt Cobain. Instead of refusing to play, the band went out and played a bunch of songs the audience didn’t know, started but then didn’t actually play all of Smells Like Teen Spirit, and generally just had fun pissing the crowd off for more than an hour. Here’s the full video of the show:
A few of the fun parts are the two Smells Like Teen Spirit false starts at 7:34 & 10:29 and Come As You Are at 23:14 (“hey hey hey hey hey”). Here’s how Cobain tells it:
When we played Buenos Aires, we brought this all-girl band over from Portland called Calamity Jane. During their entire set, the whole audience — it was a huge show with like sixty thousand people — was throwing money and everything out of their pockets, mud and rocks, just pelting them. Eventually the girls stormed off crying. It was terrible, one of the worst things I’ve ever seen, such a mass of sexism all at once. Krist, knowing my attitude about things like that, tried to talk me out of at least setting myself on fire or refusing to play. We ended up having fun, laughing at them (the audience). Before every song, I’d play the intro to ‘Smells Like Teen Spirit’ and then stop. They didn’t realize that we were protesting against what they’d done. We played for about forty minutes, and most of the songs were off Incesticide, so they didn’t recognize anything. We wound up playing the secret noise song (‘Endless, Nameless’) that’s at the end of Nevermind, and because we were so in a rage and were just so pissed off about this whole situation, that song and whole set were one of the greatest experiences I’ve ever had.
Somewhere around the second song or so, there is a moment when I open my eyes to finally take it all in, and realize that the crowd is competing with us — they are shouting at us and flipping us off, and even somehow penises are flashed. This really does not compute at first, I am in super punk rock overdrive, but I notice that there is a ring of spit gobs surrounding me on the stage; I look across the stage to my bandmates and there is dismay, anger, and dare I say terror in their eyes. We are now being pelted with clods of dirt, coins, ice cubes, more spit, and inundated with shouts of a word I fully understand “Puta!” (Whore). Looking out on a sea of penises and middle fingers, it is evident that they are not happy, they do not like us, and they want us off the stage. It becomes pretty impossible to continue playing — I mean we aren’t the Sex Pistols — we don’t want the crowd to actively hate us!
Aside from a reunion gig in 2016, Calamity Jane never played again — the Buenos Aires show was their last.
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