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The Walk of Life Project has set out to prove a simple hypothesis: Walk of Life by Dire Straits is the perfect song to end any movie. Like There Will Be Blood:
Or Dr. Strangelove:
Or Terminator 2:
Case closed, I think! (via fave 5)
I love these colorfully chromed-out logos designed by Martin Naumann โ you can find dozens of them on his Instagram and at Behance. You can also buy an icon set of these logos for your phone.
As he explained on Behance, Naumann’s process for designing these is surprisingly simple โ he zooms way in on RGB noise to generate a background gradient, blurs the logo, and then refracts the background using the height map. Cool! (via moss & fog)
A mashup of I Can’t Go For That (No Can Do) by Hall & Oates and Closer by Nine Inch Nails. It’s perfect, absolutely perfect, like dipping french fries into a Frosty or rolling in the snow after the sauna. It shouldn’t be, but it is.
I want to fuck you like an animal
(I can’t go for that)
I want to feel you from the inside
(No can do)
I got this from Dave Pell at Nextdraft โ he said simply “trust me” and I’m glad I did.
See also Taylor Swift ร Nine Inch Nails and Carly Rae Jepsen ร Nine Inch Nails, both of which are better than they should be.
From a YouTube channel called There I Ruined It, this is NWA’s Straight Outta Compton reimagined as a Bavarian polka. You’re….welcome? (via digg)
Check out these iconic album covers rendered in Lego by Adnan Lotia on Instagram. (thx, jenni)
Balloon artist DJ Morrow has been branching out recently. Morrow makes elaborate balloon animals and other things but two of his latest creations are his amazing interpretations of Francisco Goya’s Saturn Devouring His Son and Judith Beheading Holofernes by Caravaggio. I can’t stop looking at these. And prints are available! (thx, caroline)
For his City Portraits series, Victor Enrich digitally modified photos to create absurdist and surrealist buildings that look like a lot of fun to live in.
See also 13 Jaw-Dropping Examples of Photoshopped Architecture.
Peter Gorman of Barely Maps has published a wonderful little book called Kaleidoscope Brain that contains 100 visualizations of Moby-Dick. Gorman read Herman Melville’s masterpiece last year and made these maps & graphics to help him make sense of it.
I read Moby-Dick in April 2020. For weeks afterward, I couldn’t stop thinking about it. I started making maps and diagrams as a way to figure it out.
Moby-Dick is infamous for its digressions. Throughout the book, the narrator disrupts the plot with contemplations, calculations, and categorizations. He ruminates on the White Whale, and the ocean, and human psychology, and the night sky, and how it all relates back to the mystery of the unknown. His narration feels like a twisting-turning struggle to explain everything.
Reading Moby-Dick actually made me feel like that-like I’d mentally absorbed its spin-cycle style. I developed a case of “Kaleidoscope Brain.” The maps I was making were obsessive and encyclopedic. They were newer and weirder and they digressed beyond straightforward geography.
The book is available as a free download on Gorman’s Patreon โ support his efforts if you find them valuable!
Above, from top to bottom: the letters of the alphabet in order of their appearance in the book, the constellation Cetus (aka “The Whale”), every color in the book.
To celebrate the 30th anniversary of their 16x platinum Black Album, Metallica is releasing an album on Sept 10th called The Metallica Blacklist, which contains Black Album covers featuring 53 different artists. One of those covers is Enter Sandman by Weezer, which you can watch above. Some of the other songs on the album include:
St. Vincent โ Sad but True
The Hu โ Through the Never
Phoebe Bridgers โ Nothing Else Matters
Miley Cyrus Feat. Watt, Elton John, Yo-yo ma, Robert Trujillo, Chad Smith โ Nothing Else Matters
Darius Rucker โ Nothing Else Matters
Rodrigo y Gabriela โ The Struggle Within
All profits from the album will be donated to charity. You can listen to the songs that have already been posted on Spotify, pre-save or pre-order the album, or check out this album trailer to hear what you’re getting into:
I’ve been listening to the Black Album a little bit recently (it came out my freshman year in college and so hits me right between the eyes) so I’m looking forward to checking this out.
The ship of Theseus image is from Brooks Sterritt and Magritte’s pipe is from Noah Veltman.
Update: See also Mine Captcha from XKCD:
I have been trying not to read too much about Morgan Neville’s documentary Roadrunner: A Film About Anthony Bourdain before I have had a chance to watch it, but the few things I have read about it have given me some pause. From Helen Rosner’s piece about the film drawn from an interview with Neville:
There is a moment at the end of the film’s second act when the artist David Choe, a friend of Bourdain’s, is reading aloud an e-mail Bourdain had sent him: “Dude, this is a crazy thing to ask, but I’m curious” Choe begins reading, and then the voice fades into Bourdain’s own: “…and my life is sort of shit now. You are successful, and I am successful, and I’m wondering: Are you happy?” I asked Neville how on earth he’d found an audio recording of Bourdain reading his own e-mail. Throughout the film, Neville and his team used stitched-together clips of Bourdain’s narration pulled from TV, radio, podcasts, and audiobooks. “But there were three quotes there I wanted his voice for that there were no recordings of,” Neville explained. So he got in touch with a software company, gave it about a dozen hours of recordings, and, he said, “I created an A.I. model of his voice.” In a world of computer simulations and deepfakes, a dead man’s voice speaking his own words of despair is hardly the most dystopian application of the technology. But the seamlessness of the effect is eerie. “If you watch the film, other than that line you mentioned, you probably don’t know what the other lines are that were spoken by the A.I., and you’re not going to know,” Neville said. “We can have a documentary-ethics panel about it later.”
Per this GQ story, Neville got permission from Bourdain’s estate:
We fed more than ten hours of Tony’s voice into an AI model. The bigger the quantity, the better the result. We worked with four companies before settling on the best. We also had to figure out the best tone of Tony’s voice: His speaking voice versus his “narrator” voice, which itself changed dramatically of over the years. The narrator voice got very performative and sing-songy in the No Reservation years. I checked, you know, with his widow and his literary executor, just to make sure people were cool with that. And they were like, Tony would have been cool with that. I wasn’t putting words into his mouth. I was just trying to make them come alive.
As a post hoc ethics panel of one, I’m gonna say this doesn’t appeal to me, but I bet this sort of thing becomes common practice in the years to come, much like Errol Morris’s use of reenactment in The Thin Blue Line. A longer and more nuanced treatment of the issue can be found in Justin Hendrix’s interview of Sam Gregory, who is an “expert on synthetic media and ethics”.
There’s a set of norms that people are grappling with in regard to this statement from the director of the Bourdain documentary. They’re asking questions around consent, right? Who consents to someone taking your voice and using it? In this case, the voiceover of a private email. And what if that was something that, if the person was alive, they might not have wanted. You’ve seen that commentary online, and people saying, “This is the last thing Anthony Bourdain would have wanted for someone to do this with his voice.” So the consent issue is one of the things that is bubbling here. The second is a disclosure issue, which is, when do you know that something’s been manipulated? And again, here in this example, the director is saying, I didn’t tell people that I had created this voice saying the words and I perhaps would have not told people unless it had come up in the interview. So these are bubbling away here, these issues of consent and disclosure.
Update: From Anthony’s ex-wife Ottavia Bourdain about the statement that “Tony would have been cool with that”:
I certainly was NOT the one who said Tony would have been cool with that.
(via @drawnonglass)
In collaboration with Jun Takahashi, Thom Yorke has released a “Very 2021” remix of his band’s iconic Creep. Slow and reverby, the singer’s perhaps-least-favorite Radiohead song takes on new life for this (second?) oddest of years. On first listen, I like but maybe don’t love this version, but some of the YT comments are worth reading:
Can’t believe Thom Yorke finally collaborated with Radiohead. Two of my favorite artists making a song together
Thom has went so far into artistic discovery he looped back on himself. It’s like post-post-irony, but musically
I can’t believe Thom made a doomer wave version of his own fucking song
Thom nailed this one, he sounds just like the originals singer!
You can find the song on a variety of platforms.
Last week I posted about the digital “restoration” of Rembrandt’s The Night Watch with the help of an AI program.
Using a contemporary copy of the full scene painted by Gerrit Lundens and an AI program for getting the colors and angles right, the Rijksmuseum has “restored” The Night Watch, augmenting the painting with digital printouts of the missing bits.
Edith Zimmerman got access to this technology and ran some of her own experiments of famous artworks. You may be shocked and delighted at what she found.
Well this is peak…something: last night surprise guest Dave Chappelle led fans in a singalong of Radiohead’s Creep at the Foo Fighters’ Madison Square Garden show (which you had to be vaccinated to get in to). Not much more to say about it โ you’re either going to watch it or not based on that info. Nature is healing?!
Patrick Stewart, displaying the Shakespearian acting chops that landed him the role of Captain Picard on Star Trek: The Next Generation, appeared on Sesame Street in 1996, performing a parody of Hamlet’s soliloquy with the letter “B”. Stewart never doesn’t give it his all when acting.
These surrealistic images were created by Cream Electric Art for a United Airlines ad campaign. Here’s a quick behind-the-scenes on how the Route 66 image was constructed. Prior art: Berg’s Here & There map of Manhattan, Inception, and these curved cityscape panoramas. (via moss & fog)
Translating sites, search engines, social networks, browsers, ISPs, and other internet entities into geographic features, Martin Vargic has created a map of the internet circa 2021.
It includes several thousand of some of the most popular websites, represented as distinct “countries”, which are grouped together with others of similar type or category, forming dozens of distinct clusters, regions and continents that stretch throughout the map, such as “news sites”, “search engines”, “social networks”, “e-commerce”, “adult entertainment”, “file sharing”, “software companies” and so much more. In the center of it all can be found ISPs and web browsers, which form the core and backbone of the internet as we know it, while the far south is the domain of the mysterious “dark web”.
Part of what makes this so good & funny is the obvious level of care put into making it, right down to the smallest details. The audio distortion? Perfect lip syncing? The Doppler effect?! It’s just a meme, you didn’t have to go so hard! (via the xoxo slack)
Reddit user JaytheChou is photoshopping Paddington Bear into one new movie scene every day โ “until I forget” they say. So far, they’ve done Avengers, North By Northwest, Star Wars, and Blade Runner. In recognition of Citizen Kane’s rating recently getting knocked down below Paddington 2’s on Rotten Tomatoes, they did a Citizen Kane one. The Photoshop work could be better, but Paddington is such a perfect “quietly there” character that it doesn’t even matter.
Marvel’s newest TV series, The Falcon and the Winter Soldier, contained a scene in the third episode that featured a tantalizingly short glimpse of erstwhile villain Zemo dancing awkwardly in a nightclub. Fans clambered for more, and so Marvel released an hour-long video of Zemo dancing, cheekily called “The Zemo Cut”. Tag yourself โ I’m the clapping. (For some reason, this reminds me of Mad Men’s Ken Cosgrove dancing to Daft Punk.)
Linus Akesson noticed that without the benefit of the acoustical properties of massive churches, the sound that comes out of organ pipes sounds tinny, like 8-bit chiptune sounds.
Back in 2008 I had an epiphany about church organs: At least in theory, organ pipes produce very simple waveforms, much like 8-bit sound chips do-and the reason church organs don’t sound like chiptunes is primarily because of the acoustics of the church.
Thinking that process could be reversed, he remapped the keys of a Commodore 64 so he could play it like an accordion, ran it though a reverb machine, and created the sixtyforgan. The Bach piece he plays at the end of the video above (and a different Bach piece here) sounds so much like it’s being played on an organ.
See also Hear How Choral Music Sounded in the Hagia Sophia More Than 500 Years Ago (in which a filter is applied to choral music to make it sound as though it’s being sung in a cavernous church). (via @emanuelfeld)
Over a period of a year and a half, Matt Kish created one illustration for each of the 552 pages in the Signet Classic paperback edition of Herman Melville’s novel, Moby-Dick. He then turned those illustrations into a book, Moby-Dick in Pictures: One Drawing for Every Page.
In retrospect, Kish says he feels as foolhardy as Ishmael, the novel’s narrator, and as obsessed as Captain Ahab in his quest for the great white whale. “I see now that the project was an attempt to fully understand this magnificent novel, to walk through every sun-drenched word, to lift up all the hatches and open all the barrels, to smell, taste, hear, and see every seabird, every shark, every sailor, every harpooner, and every whale,” he says. “It was a hard thing, a very painful thing, but the novel now lives inside me in a away it never could have before.”
All of the drawings are still available on Kish’s old Blogspot blog (first entry here) but the best way to see them is to get the book.
Working with Dr. Heather Igloliorte at Montreal’s Concordia University, Inuit artist Jesse Tungilik and a group of students designed and built a spacesuit made out of seal skin. Tungilik was inspired by the feelings he’d had as a child, bundled up in hunting clothes made by his mother out of caribou hide.
When Jesse Tungilik was a child, his mother made him traditional caribou hunting clothes. While wearing the bulky, heavy handmade outfit, he often imagined that he was in a spacesuit.
“That memory stuck with me when I heard about this opportunity here at Concordia, with its future-themed focus, and the two ideas met in the middle,” Tungilik says.
The image above is a still from a video taken by Brittany Hobson of the spacesuit on display in an exhibition at the Qaumajuq museum in Winnipeg. She says “the video doesn’t do it justice” but the suit looks pretty amazing in that video โ I would love to see this in person someday. Dr. Igloliorte, who co-curated the exhibition, talked about the suit and its creation in this video:
Via CBC, you can see a photo of Tungilik as a kid, bundled up in his homemade “spacesuit” while out hunting with his father. Aww. (via @UnlikelyWorlds)
Riffing on a byลbu folding screen of the Battle of Sekigahara painted in the 1700s, Yusuke Shigeta made a pixel animated version for a recent exhibition. The video above is a tantalizingly short preview of the work โ I could have watched these tiny pixel vignettes all day.
Back in 2011, NME listed 30 cover songs that are better than the originals, as determined by their writers and readers. I’m not going to weigh in on the truth of their assertions, but listening to this playlist of the covers and the original songs is a pretty good way to pass the time.
(via @philipkd)
Update: My friend Matt Haughey thought this list sucked and made his own selections. Something I had forgotten: Matt was responsible for the bootleg of the Ted Leo Since U Been Gone / Maps mashup.
Also, the Coverville podcast has done more than 1350 episodes featuring all sorts of cover songs. (via @john_overholt)
Some Star Wars fans in Yakutsk, Russia (aka one of the coldest inhabited places on Earth in the winter) spent the last few months building a life-size replica of the Razor Crest spacecraft from The Mandalorian. It was self-financed at the beginning (one of the creators sold his car) but attracted some sponsorship as construction progressed.
In order to promote the classic films available on the streaming service, HBO Max has created a selection of modern-style movie trailers for them. The re-trailered flicks include Dog Day Afternoon, Boogie Nights, Alien, Casablanca, and The Exorcist.
BTW, because of its Turner Classic Movies section, HBO Max seems like the best big streaming service for watching good, classic movies. It’s become nearly impossible to find anything on Netflix made before 2000, but on HBO Max right now you can watch Rocky, A Clockwork Orange, The 400 Blows, Seven Samurai, THX 1138, Malcolm X, 8 1/2, Solaris, Citizen Kane, Grey Gardens, North By Northwest, Rashomon, Tokyo Story, and dozens of others. (via open culture)
The Bayeux Tapestry is an embroidered cloth from the 11th century that documents the events of the Norman conquest of England. Teacher @profannieoakley recently turned her art history students loose with an online make-your-own Bayeux Tapestry app and their results, as well as some shared by Twitter commenters, are pretty entertaining.
In this extensive video, The Take not only explains the themes and ending of WandaVision (spoilers, obvs) but walks through all of the sitcom tropes, references, and Easter eggs present in the show, from The Dick Van Dyke Show to the beeping Stark toaster commercial to Bewitched to Full House (Olsen sisters!) to The Office. Weirdly, they kinda glide right over perhaps my favorite trope referenced in the show: the recasting of the Pietro character a la Darrin in Bewitched and Aunt Viv in The Fresh Prince of Bel-Air.
The video pairs well with this interview with WandaVision creator Jac Schaeffer.
The first thing was the notion of, how do you do this? How do you take sitcoms and combine them with Wanda and Vision who, up to this point in the M.C.U., were such self-serious characters and dramatic characters with so much sadness surrounding them. They weren’t funny. What’s the synthesis? I’m a big fan of “Lost,” and I was very inspired by shows like “Russian Doll,” “Forever” and “Homecoming.” I relished the opportunity of a slow burn. It seemed like an exciting, sneak-attack way to have a bit of a social commentary and a very large story of character and grief.
I thought how they constructed the entire show was really fantastic โ I loved every minute of it.
Banksy took some Bob Ross narration from The Joy of Painting and dubbed it over video footage that shows the street artist painting an image of an escaping inmate on the wall of a former prison in the dead of night. Colossal has more info on why Banksy picked the wall of this particular prison to do:
The expansive and unblemished prison wall was a daring and perfect spot for a Banksy piece. It’s best known for its most famous inmate: Oscar Wilde served two years in the prison from 1895-1897 for the charge of “gross indecency” for being gay. The work is clearly a tribute to the poet, as the escape mechanism appears to be a long strand of paper emerging from a typewriter in place of the usual bed sheets.
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