Several years ago, I heard a performance from the group above while driving. I made a note of their name on my phone — Stile Antico — and later bought tickets to a concert they were having near where I lived at the time. I invited my boyfriend (also at the time), who made a point of letting me know in not so many words that he wasn’t into the music and didn’t really want to go. I think we were also fighting about something else, to be fair. Anyway, we went to the concert. But it didn’t have the magic that had captivated me on the radio, and I was too aware that my companion wasn’t enjoying himself, so we left at intermission. The group dropped off my radar until recently, but this performance of music by William Byrd, written more than 400 years ago, just blows me away (full album streaming here). I wish I had stayed for the second half of that show. I should have just been like, “You go home and let me enjoy my Renaissance music in peace!”
A thoughtful video essay from The Cinema Cartography about 15 of film’s greatest documentaries, including The Thin Blue Line, Grizzly Man, The Act of Killing, Shoah, Hoop Dreams, and OJ: Made in America (my personal favorite).
I am not sure I agree with their #1 pick? But it’s been a loooong time since I saw it (in the theater when it came out, if you can believe it), so maybe it’s time for another viewing. (via open culture)
I didn’t know (or had somehow forgotten) that Marlo Thomas’s seminal children’s album Free to Be… You and Me (Spotify, Apple Music) was turned into a TV special that aired in 1974.
The basic concept was to encourage post-1960s gender neutrality, saluting values such as individuality, tolerance, and comfort with one’s identity. A major thematic message is that anyone — whether a boy or a girl — can achieve anything.
The TV show starred Thomas, Mel Brooks, Harry Belefonte, Dionne Warwick, Carol Channing, Michael Jackson, Dustin Hoffman, and many others. You can watch the whole thing (commercials included) on YouTube:
The opening sketch features Thomas and Mel Brooks as cue-ball-headed puppet babies in a hospital nursery, daffily trying to work out which of them is a boy and which is a girl — the Brooks baby declares himself a girl because he wants to be “a cocktail waitress” — and setting up the bigger themes of the special: What is a boy and what is a girl?
As newborns, they’re indistinguishable, just base line people - eyes, ears, hands, mouth. They haven’t yet been programmed with all the lessons about boy things and girl things, boy colors and girl colors, boy games and girl games. The rest of the special gives its young viewers a decoder ring for those messages, and permission to disregard them.
Take “Parents Are People,” a duet with Thomas and Harry Belafonte, which remains one of the most innocently radical things I’ve ever seen on TV. The lyrics explain that your mom and dad are just “people with children,” who have their own lives and a wide range of careers open to both of them.
Mel Brooks’ session was more eventful. Thomas had written to him that the album “would benefit the Ms. Foundation,” and when he came in the morning of his recording, he told her that he thought the material Reiner and Stone had written was funny but that he didn’t know what it had to do with multiple sclerosis. Once set straight about the MS in question, Brooks joined Thomas in the recording booth, where they would both play babies for the album’s first sketch, “Boy Meets Girl.”
“When I directed,” Alda recalls, “I would be meticulous and relentless. I would do a lot of takes. But Mel is not a guy who’s used to doing a lot of takes. He’s not used to taking direction from anybody — you know, he gives direction.” Alda didn’t love the first few takes of “Boy Meets Girl”; in the end it took, Alda remembers, 10 or 15 tries, with Brooks improvising madly all along the way. Rodgers was there that day to record “Ladies First,” and she still remembers standing in the control room laughing harder with each take. “Mel was generous,” Alda allows, “and he let me egg him on.”
We listened to Free to Be… quite a bit in the car when the kids were younger. Nice to see it pop up again.
I’ve always been a little fascinated by the list of the largest cities throughout history, so this animated version from Ollie Bye is right up my alley. While watching, it’s interesting to think about what makes cities grow large at specific times: a mixture of economics, demography, social movements, empire/colonialism, technology, and the like.
This is a fun ad for the 2024 AICP Awards about the pitfalls of focus-grouping & corporatizing art, featuring an annoyed van Gogh (“How can a painting fail?”) and an even more annoyed Frida Kahlo. (via noah kalina)
The Great Green Wall being built in Africa to halt the southern progress of the Sahara Desert is a favorite public works project of mine — it’s massive, ambitious, long-term, important, and if it works, the effect will repay the cost many times over. This video takes a quick look at some of the work being done on the wall in Senegal.
When the Star Wars films aired in Chile, instead of cutting away from the movie for commercial breaks, the TV station “seamlessly” inserted ads for Cerveza Cristal beer. We’re talking Obi-Wan opening a chest to find a lightsaber for Luke and instead it reveals a ice-chest full of beer. Or the Emperor Force-reaching for a lightsaber and a can of beer flies into his hand. And of course the whole thing has turned into a meme.
From a YouTube channel called The Solomon Society, a pair of videos that some of the most beautiful shots in the history of film. When Denis Villeneuve emphasizes the important of image in film, these are the kinds of shots that he’s talking about.
I haven’t watched this yet, but it’s definitely in my queue: a recording of a livestreamed panel of all the visual effects nominees from this year’s Oscars, talking about their work on those films. I got this from Todd Vaziri, a visual effects artist at ILM, who says:
If you’re at all interested in visual effects, you gotta watch this Academy presentation that took place last weekend. It goes in-depth with all five nominees, and shows before/after material that hasn’t been seen publicly.
The meat of the program begins at around 24 minutes when they start showing visual effects reels from the nominated films (The Creator, Godzilla Minus One, Guardians of the Galaxy Vol. 3, Mission: Impossible – Dead Reckoning Part One, Napoleon), followed by a discussion with the members of the effects teams.
Is the universe finite or infinite? If finite, what shape is it and how does that shape influence its overall size and properties? If it’s infinite, what meaning of “expanding” can be applied to it? I don’t know if this video provides any satisfying answers, but even being able to ponder these questions is thrilling.
Infinity gets much weirder though. As you travel with your spaceship in a straight line, you find new galaxies, stars and planets, new wonders, new weird stuff, probably new aliens and new lifeforms stranger than you could ever imagine. But after a long time, you might find the most special thing in the universe: Yourself. An exact copy of you watching this video right now.
How can that be? Well, everything in existence is made of a finite amount of different particles. And a finite number of different particles can only be combined in a finite number of ways. That number may be so large that it feels like infinity to our brains — but it is not really. If you have finite options to build things, but infinite space that is full of things in all directions forever, then it makes sense that by pure chance, there will likely be repetition.
Adam Yates travelled to Amsterdam to see how the Dutch have transformed the city and made it safer for people to get where they’re going more quickly. The phrase that grabbed me is:
Pedestrians, cyclists, and vehicles can all coexist without conflict, but only if they’re all going the same slow speed. This advances the principles of shared streets.
In simple terms, the Downs-Thomson paradox claims that traffic will increase without limit until the option of public transport (or any other form of transport) becomes faster than the equivalent trip by car. It draws the conclusion that people do not care whether they drive, walk, bike, or take the bus to any location — they just want to get from A to B in the fastest and most convenient way possible.
A doctor trained in wilderness emergencies (and who has summited Everest three times) explains all the different ways Mt. Everest can kill you — in a refreshingly no-nonsense way.
Mt. Everest is a famously inhospitable environment for humans — if someone from sea level was dropped at the very top they’d be unconscious within minutes. Many dangers await those brave enough to make an attempt at the summit, and Dr. Emily Johnston visits WIRED to break down each and every way Mt. Everest can prove fatal.
Avalanches, ice axes on the loose, high-altitude edemas, “this is what people call ‘the death zone’” — sounds fun, let’s go! 🫠 (via @thenoodleator)
How many times last year did you go to church? How many times did you go to a dinner party? How many times last year did you go to club meeting? In barely a couple of decades, half of all the civic infrastructure in America has simply vanished. It’s equivalent to say half of all the roads in America just disappeared.
Beautiful stop-frame animated documentary about why people knit and mend. “When your life is sort of falling apart, you need to create a purpose in it for yourself, and if that purpose is quite small, it doesn’t matter.” Directed by Samantha Moore.
I’ve also been enjoying Arounna Khounnoraj’s visible mending and other handmade projects, on Instagram at bookhou.
This video is 9 years old and has 169 million views so I’m possibly the last person on Earth to see it,1 but I ran across a clip of it on Instagram the other day and just had to share. Steve ‘n’ Seagulls is a country band from Finland that went viral for their covers of classic rock tunes, including AC/DC’s “Thunderstruck”:
I love the way this starts off — and it seems to have become somewhat of a bit in subsequent videos. Open Culture has more in a post from August 2014. Kottke.org: only the freshest viral content for you!
A Michigan ham radio operator used a homemade setup with a handheld antenna to talk to an astronaut orbiting the Earth on the International Space Station. I didn’t know this was a thing! The astronaut even sent him a QSL card acknowledging the conversation (included at the end of the video). There’s more info on Reddit about the radio, antenna, and conversation.
An almost-all-volunteer organization called Amateur Radio on the International Space Station, or ARISS, now helps arrange contact between students and astronauts on the space station. Students prepare to ask questions rapid-fire, one after another, into the ham radio microphone for the brief 10-minute window before the space station flies out of range.
“We try to think of ourselves as planting seeds and hoping that we get some mighty oaks to grow,” said Kenneth G. Ransom, the ISS Ham project coordinator at NASA’s Johnson Space Center in Houston.
That this is even possible with low-powered communication devices underscores just how close the ISS is to Earth: 200-250 miles above the surface. That’s the distance between Dallas & Houston or NYC to Boston.
Ok, this video is targeted at a pretty small audience and is super goofy, but it hit me square in the forehead and so I can’t help but post it here: it’s footage from Rowan Atkinson’s Mr. Bean with Bush’s 1994 alternative rock hit Glycerine playing over it. And yes, there is a change of lyrics at a critical point. 100/100, no notes. (via @jamesjm)
Tetris was created by Alexey Pajitnov 40 years ago. The NES version has been out since 1989. You’d think that people would have “solved” the game long ago. But humans, properly motivated, are relentlessly inventive, and the past few months have seen a flurry of record-setting activity that is remarkable for a 35-year-old game.
It’s only been a little more than a month since a 13-year-old player named Blue Scuti reached the kill screen for the first time in history, a feat only performed previously by an AI. Now it’s been done twice more and the world record for points changed hands three times in three days.
And then just three weeks later, in mid-January, a player named PixelAndy absolutely destroyed the highest score world record. Here’s the engaging story about how he did it, including a surprising family rivalry and a clever strategic innovation:
I’ve written before about how great these video game analysis videos are at communicating how innovation works:
This is a great illustration of innovation in action. There’s a clearly new invention, based on prior effort (standing on the shoulders of giants), that allows for greater capabilities and, though it’s still too early to tell in this case, seems likely to shift power to people who utilize it. And it all takes place inside a small and contained world where we can easily observe the effects.
This is an image created by Hal Lasko in Microsoft Paint:
Lasko was a retired graphic designer & typographer who found a new passion when he received a computer for his 85th birthday, which came preloaded with Microsoft Paint. This short film tells the story of The Pixel Painter:
That all changed for Hal when his family gave him a computer as an 85th birthday present. His new PC came loaded with Microsoft Paint software, a program developed in the 1980’s. The program is more kitsch than cutting edge, but it’s easy interface and pixel precision allowed Hal to journey down a new artistic path with a style many consider “retro cool”.
In his last year of life, he had his first solo gallery show, spoke at a conference and was featured in a Super Bowl commercial. He passed away just shy of his 99th birthday in 2014, leaving us with a legacy that passion knows no age, and for Hal, the proof of that is surely in the pixels.
OpenAI unveiled their prototype video generator called Sora. It does text-to-video and a ton more. Just check out the videos here and here — I literally cannot believe what I’m seeing.
This is a cool thing I had not seen before: Chronolog. Since 2017, they’ve been helping organizations document environments over time by compiling photos taken by visitors, who then get sent information about the area they’ve visited. Here’s how it works:
Changes in our environment are difficult to see and understand because they happen gradually, but long term monitoring projects are expensive and complex. Chronolog solves this problem by connecting communities with land stewards to create crowd-sourced time lapses of important natural areas.
Chronolog’s mission is twofold: First, to engage people with nature in an interactive new way. Second, to keep a record of phenological change for scientific use. By making environmental conservation a collaborative activity, people become interested in participating and compelled by the findings.
YouTuber Casey Neistat has achieved a lot in life, including several “impossible goals” he set for himself. But one of his longest-running goals seemed to be slipping out of his reach and, well, I don’t want to spoil what happens.
I will say however that I think it’s good and healthy to let go of your goals and dreams if they do not serve the person you have become since setting them. I’ve never been much of a goal person, but I’ve definitely had thoughts about directions I’ve wanted to head or things I’d like to have had happen that just aren’t relevant for what’s important to me right now. If it’s not working for you, chalk it up to sunk cost and let it go.
I got this link via Andy, who said, “I allow myself one link to a Casey Neistat video every ten years, and this is that video.” Lol.
Here are all the cool new movie trailers that they played during The Big Game™. Or, the ones that I give a shit about anyway. First up, Deadpool and Wolverine:
Did I even see the second Deadpool movie? Does it matter? I’ll see this one. Next: Kingdom of the Planet of the Apes.
Apes in charge, running down the humans? I’m in. There’s also Despicable Me 4 (a franchise I like more than I care to admit), The Fall Guy (based on the 80s TV show I very much didn’t watch; starring, somehow, Ryan Gosling & Emily Blunt — I hope this is a pleasant surprise), and Twisters (the Twister sequel no one asked for).
I’d missed that Randall Munroe has been doing videos based on his What If? website and books. The one I ran across the other day is about earthquakes:
Since we usually hear about earthquakes with ratings somewhere between 3 and 9, a lot of people probably think of 10 as the top of the scale and 0 as the bottom. In fact, there is no top or bottom to the scale!
This is a video slideshow of some of the best images from the Mars missions — Spirit, Opportunity, Curiosity, and Perseverance — presented in 4K resolution at 60fps. These look amazing on the biggest hi-res screen you can find. (via open culture)
In June 2021 (pre The Bear), New Yorker cartoonist Zoe Si coached Ayo Edebiri through the process of drawing a New Yorker cartoon. The catch: neither of them could see the other’s work in progress. Super entertaining.
I don’t know about you, but Si’s initial description of the cartoon reminded me of an LLM prompt:
So the cartoon is two people in their apartment. One person has dug a hole in the floor, and he is standing in the hole and his head’s poking out. And the other person is kneeling on the floor beside the hole, kind of like looking at him in a concerned manner. There’ll be like a couch in the background just to signify that they’re in a house.
Just for funsies, I asked ChatGPT to generate a New Yorker-style cartoon using that prompt. Here’s what it came up with:
Oh boy. And then I asked it for a funny caption and it hit me with: “I said I wanted more ‘open space’ in the living room, not an ‘open pit’!” Oof. ChatGPT, don’t quit your day job!
Ramlan’s paper doesn’t go to the enormous trouble of actually encoding all of Doom to run in bacterial DNA, which the author describes as “a behemoth feat that I cannot even imagine approaching.” Instead, the game runs on a standard computer, with isolated E. coli cells in a standard 32x48 microwell grid serving as a crude low-res display.
After shrinking each game frame down to a 32x48 black-and-white bitmap, Ramlan describes a system whereby a display controller uses a well-known chemical repressor-operator pair to induce each individual cell in the grid to either express a fluorescent protein or not. The resulting grid of glowing bacteria (which is only simulated in Ramlan’s project) can technically be considered a display of Doom gameplay, though the lack of even grayscale shading makes the resulting image pretty indecipherable, to be honest.
I don’t know exactly what this is, but it appears to be an ad for Lay’s potato chips made by Jimmy Kimmel Live? But whatever, it’s great: a Groundhog Day-inspired clip starring Ned Ryerson (Stephen Tobolowsky) himself that’s perfect for hawking a bajillion different flavors of potato chips. (via @ironicsans)
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