The IHT on a resurgence in popularity
The IHT on a resurgence in popularity of the Georgia typeface online. (thx, newley)
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kottke.org posts about typography
Great detailed post about how the inside
Great detailed post about how the inside of a book is designed. Page counts are determined for business reasons so the designer has little choice but to find the proper font to make the given text fit in the given space…readability is a secondary consideration. (thx, susan)
They’re refurbishing the outside of the Guggenheim
They’re refurbishing the outside of the Guggenheim and stripping away the facade reveals a doublestrike on the “T” in “The”. It’s like they started putting the printing on the building and then the architect stops by and says, whoa! that text is supposed to be lower, you morons.
Verlag is a new modernist typeface from
Verlag is a new modernist typeface from Hoefler & Frere-Jones designed for the Guggenheim Museum. More on Verlag from Typographica.
The Type Museum, located in London and
The Type Museum, located in London and housing “one of the world’s best typographic collections”, is being shut down due to lack of funding. The folks in the TypeMuseumSociety GoogleGroup are trying to find a way to save it. (thx, mark)
In the beta version of Office 2007, a
In the beta version of Office 2007, a font called Calibri is the default font instead of Times New Roman. The end of a typographic era.
In an astounding display of typographic nerdiness
In an astounding display of typographic nerdiness and obsessiveness on a level to which I can only aspire, Andrew Hearst walks us through the anomalous digital clock on the popular TV show 24. “The onscreen time sequences are dictated partly by the typographic limitations of the clock font.”
Currently coveting: the Galaxie Polaris type family
Currently coveting: the Galaxie Polaris type family from Village type foundry. Beautiful.
Typographica reports on a food + typography event
Typographica reports on a food + typography event going on in San Francisco today on cookbook design. Someone do a similar event in NYC, please.
Typographica identifies all the fonts in the
Typographica identifies all the fonts in the font-o-riffic opening titles for Thank You for Smoking.
Lamenting the sad state of the typography
Lamenting the sad state of the typography on girls’ asses. “This booty type is in fact similar to public signage that I’ve worked so closely with over the years: it’s meant to be seen, it’s communicating important and relevant information, it can be used to alert people of a problem (“SLUT!”), or it can simply be pointing out a scenic overlook.”
A list of the best license-free quality
A list of the best license-free quality fonts. From a few months ago, but still useful.
Open source type design
In Five Steps to Font Freedom, Adrian of Be A Design Group suggests some ways to improve typography on the web, noting that you don’t need to own the fonts in books, movies, newspapers to view works in those media. The fifth suggestion is interesting, even outside of that particular goal:
5. Build Free Versions of the Classic Fonts
If we can’t convince the font companies to set their versions of classic fonts free, we will recreate them ourselves. The great fonts are based on designs that are centuries old that can’t possibly be protected by copyright law. Although it would be a major task, the collective power of the online community could create quality versions of classic fonts. Little by little, we can build an open source classic font library! Does anybody have a complete set of the original Garamond that I can borrow? Let’s get started…
Applying the open source development process to make freely available and modifiable versions of classic fonts like Garamond, Caslon, Bodoni, Baskerville, etc. is a fantastic idea.
The typography of the logos of Web 2.0 companies. (via waxy)
The typography of the logos of Web 2.0 companies. (via waxy)
A lesson in sports uniform typography: vertically
A lesson in sports uniform typography: vertically arched lettering versus the easier-but-cheesier radially arched lettering. (via do)
“Inside C” logos
“Inside C” logos are those where the second letter of a word (usually an “o”) is tucked inside the initial capital C. Examples: Coca-Cola, Carnation, and Coffee-Mate.
In Meet the Fockers, the sign on
In Meet the Fockers, the sign on a terminal at the O’Hare airport is typeset in Chicago, an old Macintosh system font. Har har. (via mark)
The Folk Typography Pool contains photos of
The Folk Typography Pool contains photos of type made by people who are not designers, typographers, or calligraphers. (thx, paul)
The designer of Comic Sans on how
The designer of Comic Sans on how that beloved font came to be. Photos of Comic Sans in the wild.
Erik Spiekermann explains how Nokia’s corporate typeface
Erik Spiekermann explains how Nokia’s corporate typeface came to be. Looks like it was based on one of Nokia’s onscreen bitmap fonts. I’ve always wanted to create a “real” version of Silkscreen like that.
Typographica’s favorite fonts of 2005, part 1. Arrival and Vista look nice.
Typographica’s favorite fonts of 2005, part 1. Arrival and Vista look nice.
Watch the kids get into a good
Watch the kids get into a good old fashioned font fight in the comments about fake signs on the NYC subway. Don’t miss your chance to read “it’s Helvetica, bitches” in a context where it makes complete sense. (thx, j guns)
Fontographer, a once popular font editing program,
Fontographer, a once popular font editing program, has been updated for the first time since 1996. (via df)
Typographic dating game. Who will it be
Typographic dating game. Who will it be for the evening…Futura, Garamond, Bodoni?
Mark Simonson gives Gangs of New York 3
Mark Simonson gives Gangs of New York 3 out of 5 stars for its use of typography. This is the latest in a series of posts about type in movies, starting with his original Typecasting article.
Typetester is a web-based font comparison tool
Typetester is a web-based font comparison tool which somehow (I’m assuming JavaScript) can preview text in the fonts you have installed on your local machine. Pretty cool.
And, the rest of the (AIGA Conference) story
Here’s a sampling of the rest of the AIGA Design Conference, stuff that I haven’t covered yet and didn’t belong in a post of it’s own:
- Juan Enriquez gave what was probably my favorite talk about what’s going on in the world of genetics right now. I’ve heard him give a variation of this talk before (at PopTech, I think). He started off talking about coding systems and how when they get more efficient (in the way that the Romance languages are more efficient than Chinese languages), the more powerful they become in human hands. Binary is very powerful because you can encode text, images, video, etc. using just two symbols, 1 and 0. Segue to DNA, a four symbol language to make living organisms…obviously quite powerful in human hands.
- Enriquez: All life is imperfectly transmitted code. That’s what evolution is, and without the imperfections, there would be no life. The little differences over long periods of time are what’s important.
- Enriquez again: The mosquito is a flying hypodermic needle. That’s how it delivers malaria to humans. We could use that same capability for vaccinating cows against disease.
- Along with his list of 20 courses he didn’t take in design school, Michael Bierut offered some advice to young designers:
1. Design is the easy part.
2. Learn from your clients, bosses, collaborators, and colleagues.
3. Content is king.
4. Read. Read. Read.
5. Think first, then design.
6. Never forget how lucky you are. Enjoy yourself. - Nicholas Negroponte: If programmers got paid to remove code from sofware instead of writing new code, software would be a whole lot better.
- Negroponte also shared a story about outfitting the kids in a school in Cambodia with laptops; the kids’ first English word was “Google”, and from what Negroponte said, that was followed closely by “Skype”. He also said the children’s parents loved the laptops because at night, it was the brightest light in the house.
- Christi recorded Milton Glaser’s mother’s spaghetti recipe. “Cook until basically all of the water is evaporated. Mix in bottle of ketchup; HEINZ ketchup.”
- Ben Karlin and Paula Scher on the challenges of making America, The Book: Books are more daunting than doing TV because print allows for a much greater density of jokes. In trying to shoot the cover image, they found that bald eagles cannot be used live for marketing or advertising purposes. The solution? A golden eagle and Photoshop. And for a spread depicting all the Supreme Court Justices in the buff, they struggled — even with the Web — to find nude photos of older people until they found a Vermont nudist colony willing to send them photos because they were big fans of The Daily Show.
- Bill Strickland blew the doors off the conference with his account of the work he’s doing in “curing cancer” — his term for revitalizing violent and crime-ridden neighborhoods — in Pittsburgh. I can’t do justice to his talk, so two short anecdotes. Strickland said he realized that “poor people never have a nice day” so when he built his buildings in these poor black neighbohoods, he put nice fountains out front so that people coming into the building know that they’re entering a space where it’s possible to have a good day. Another time, a bigwig of some sort was visiting the center and asked Strickland about the flowers he saw everywhere. Flowers in the hood? How’d these get here? Strickland told him “you don’t need a task force or study group to buy flowers” and that he’d just got in his car, bought some flowers, brought them back, and set them around the place. His point in all this was creating a place where people feel less dissimilar to each other…black, white, rich, poor, everybody has a right to flowers and an education and to be treated with respect and to have a nice day. You start treating people like that, and surprise!, they thrive. Strickland’s inner city programs have produced Fulbright Scholars, Pulitzer Prize winners, and tons of college graduates.
- I caught 30 minutes of David Peters’ presentation of Typecast: The Art of the Typographic Film Title and realized I should have gotten there in time to see the whole thing. I could sit and watch cool movie titles all day long. Among the titles he showed were Bullit, Panic Room, Dr. Strangelove, Barbarella, The Island of Dr. Moreau, and Superman. The title sequence for Napoleon Dynamite (which was discussed on Design Observer last year) was shown later in the main hall.
- At the closing party at the Museum of Science, we checked out the cool Mathematica exhibit that was designed by Charles and Ray Eames, two designers who were also pretty big science/math nerds.
- And some final thoughts from others at the conference. Peter Merholz says that “form-makers”, which make up the vast majority of the AIGA audience, “are being passed by those who are attempting to use design to serve more strategic ends”. (That’s an interesting thought…) A pair of reviews from Speak Up: Bryony was a bit disappointed with the opening Design Gala but left, like everyone else, in love with emcee John Hockenberry while Armin noted that the preservation of digital files is a big concern for museums in building a collection of graphic design pieces…in 35 years, how are you going load that Quark file or run that Flash movie?
For more of what people are saying about the conference, check out IceRocket. There’s a bunch of photos on Flickr as well.
Helvetica vs. Arial. Two of the world’s
Helvetica vs. Arial. Two of the world’s most popular typefaces battle it out for supremacy.
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